Google Earth and Maxar Technologies, organized by Adriano Liziero (@geopanoramas)
The world has its eyes on the Amazon. Geographical data about this vast territory, spanning 6.74 million square kilometers across eight countries in Latin America, is constantly featured in national and international media. Headlines often highlight its sheer magnitude as the largest tropical rainforest in the world, home to 10% of the planet's biodiversity, and responsible for 15% of the Earth's freshwater. However, little attention is paid to what transpires beneath its canopy, on the ground where people live.
The “Soil Sisters” initiative explores how architectural design and sustainable material practices can contribute to soil nutrition and resilience. Partnering with SOM Foundation, their joint effort has resulted in an exhibition aiming to redefine our understanding of “environmentally conscious practices.” Titled “Soil Sisters: A Ceiling, A Chair and Table, A Wall and a Threshold,” the display showcases their dedication to redefining soil health as a cross-sectoral objective by emphasizing materiality and color in the built environment.
In a time marked by environmental challenges and a growing demand for authenticity and cultural diversity, architects are increasingly turning to indigenous knowledge systems not only as sources of inspiration, but as viable solutions to adapt and respond to local and global challenges. As traditional custodians of the land, indigenous communities posses a profound understanding of their ecosystems, locally-available materials, cultural norms and social constrains. This knowledge holds insights valuable for shaping contemporary architecture, helping it adapt to both the people and their environments.
Vernacular and indigenous practices are emerging as a foundation for architectural reimagining, informing spatial lays, the choice of materials and building techniques while also allowing for the integration of innovation and contemporary expression. This careful blend of tradition and modernity can have a significant impact in terms of sustainability, as architects who adopt the indigenous approach to harnessing available resources can not only create structures rooted in their context, but also minimize the ecological impact of the construction. Additionally, collaborating directly with indigenous communities leads to projects that prioritize community participation, cultural sensitivity and sustainable development.
The architecture and construction industry has undergone a transformation with the integration of various digital tools, now indispensable to the design process. The welcoming of technologies has effectively streamlined operations, enhanced efficiency, and elevated design quality. This digital shift, however, has resulted in a digital divide that goes beyond accessibility to tools and software. It also encompasses the crucial aspect of integrating traditional and indigenous communities into the urban development landscape. Can advancing technology support the growth of vernacular architecture? Can indigenous building practices find a place in the vision for a digitalized future?
AKIN has been announced as the winning team in the Barangaroo Harbour Park Design Competition, a project that will transform a central location along the waterfront of Sydney, Australia. The winning team is a First Nations-led and Sydney-based ground composed of Yerrabingin, Architectus, Flying Fish Blue, Jacob Nash Design, and Studio Chris Fox, with Arup as engineering consultants. Through its designers, the group integrates Indigenous knowledge systems along with landscape architecture, regenerative design, public art, and place-making.
Following an international competition, Dorte Mandrup has been selected to design the new Inuit Heritage Centre in the territory of Nunavut in northern Canada. Designed together with Architect of Record Guy Architects, LEES+Associates, Adjeleian Allen Rubeli, EXP, Pageau Morel, Altus Group, and indigenous consultants Kirt Ejesiak and Alexander Flaherty, the new centre aims to become a sign of cultural conciliation and a symbol of the continuation of Inuit practices, traditions and values. By offering a place where Inuit can reconnect with their collective past through objects, stories, and activities, the centre will promote greater awareness of Inuit culture. The project is expected to be completed by 2027.
Henning Larsen has just revealed the design for Smyril Line's new headquarters and ferry terminal in Torshavn, the capital of the Faroe Islands. The building pays homage to traditional Faroese fishing boats and the historic Eastern harbor while embracing the picturesque backdrop of abundant landscapes and open seas. The new headquarters serves three functions: a ferry terminal, an office building, and a logistics center.
Courtesy of 70°N arkitektur, Snøhetta and Joar Nango
The Sámi National Theater Beaivváš and Sámi High School and Reindeer Husbandry School are two of the most important cultural institutions of Sápmi, a region in northern Norway, Sweden, and Finland traditionally inhabited by the Sámi people. To strengthen the position of the two institutions, a project was initiated in June 2021 to create a shared cultural and educational facility. A design proposal by 70°N arkitektur, in collaboration with Snøhetta and artist and architect Joar Nango, was chosen following a competition. The building, also known as Čoarvemátta, is currently under construction and is expected to be completed by 2024.
Architecture design firm Buchan was selected to lead the design for the Australian Pavilion at Expo 2025 in Osaka, Japan. Under the theme "Chasing the Sun," the installation will encapsulate Australia's connection to the land and the Cosmos, displaying its rich culture and diverse arts scene. From 13 April 2025 to 13 October 2025, more than 150 countries will participate in a single location, anticipating 28 million visitors from across the globe.
The Philippines' history and cultural background are continually reflected in the architectural landscape throughout the country, with its structures and dwellings harboring a handful of influences from the nations that once purveyed the island.
When we talk about the topic of Filipino architecture and dwellings, more often than not, we may think of the first known Filipino home: Bahay Kubo. The Bahay Kubo is a small hut comprising nipa, bamboo, and other indigenous materials. It is often times that many citizens still choose to adopt this style of habitation, however, over time, the concept of the nipa hut has evolved into a more modern structure.
“We should admit nature as an immense multitude of forms, including each part of us, who are part of everything”, says Ailton Krenak, renowned indigenous leader, in his book Ideas to Postpone the End of the World. The culture of native peoples does not understand humanity and the environment as things that are separate or superior to each other, but rather as parts of a whole. Through this particular understanding of the universe, these peoples are led to a sensitive appropriation of the territory, with structuring beliefs that are also reflected in their architecture, raising the very concept of sustainability to another level, since nature is not seen as a resource to be used, it is thought of as part of the community.
"Indigenous technologies are not lost or forgotten, only hidden by the shadow of progress in the most remote places on Earth". In her book Lo-TEK: design by radical indigenism, Julia Watson proposes to revalue the techniques of construction, production, cultivation and extraction carried out by diverse remote populations who, generation after generation, have managed to keep alive ancestral cultural practices integrated with nature, with a low environmental cost and simple execution. While modern societies tried to conquer nature in the name of progress, these indigenous cultures worked in collaboration with nature, understanding ecosystems and species cycles to articulate their architecture into an integrated and symbiotically interconnected whole.
A project for the Commemorative Landmark Pehuenche Commission carried out by the recently graduated Chilean architect Antonia Ossa, is part of the series of small-scale interventions built in the Andean sector of the Maule Region, Chile, as part of the certification process of the School of Architecture of the University of Talca.
Quilmes Ruins, Tucumán, Argentina. Imagen de Guaxinim. Image via Shutterstock
One of the most advanced civilizations in Latin America, the Quilmes people inhabited what is today known as the Santa Maria Valley in the northwestern sector of the Tucumán province, in the center of the Calchaquíes Valleys. Their city contains remnants of village life from centuries ago, giving a clear view of life in the village from generations past, including the economy, religious sites, public and private spaces, and interactions with other civilizations. At its height, the Quilmes' city had 450,000 inhabitants prior to the Spanish invasion.
These settlements, built in the Calchaquíes Valleys since approximately the 10th century, are considered to be Argentina's first pre-Hispanic cities. Even though little remains of these cities, their ruins highlight a complex history of a material and spiritual culture ripe with social and economic advancements.
VALLE VISTA ELEMENTARY SCHOOL Suina Design + Architecture, founded by Elizabeth Suina of Cochiti Pueblo, conceived a much-needed addition to an existing 1952 structure in Albuquerque. The structure’s most salient feature is a concrete outdoor Learning Wall, gently tilted up and punctuated with geometric openings and patterns that relate to the school’s curriculum and various Chacoan motifs, such as the sun-cast Sun Dagger.. Image Courtesy of Suina Design + Architecture
In this week's reprint from Metropolis magazine, authors Theodore (Ted) Jojola and Lynn Paxson talk about embracing “place knowing” as a process to understand building and planning, and highlight modern achievements in Pueblo architecture.
The Pueblo people of the Southwest have been stewards of their lands for millennia. In contrast to the colonial and territorial experiences of many tribal nations, the Pueblos avoided being displaced from their homelands. This prevented many of their places from being erased. As such, their ancient worldviews still remain at the core of their planning and design. Nothing is so important as their imprint on the expression of architecture, especially its form and function.
Social justice begins with building understanding and community. For Sam Olbekson, Principal of Native American Design at Cuningham Group and Founder of Full Circle Indigenous Planning, community holds a deep relationship to local cultures and traditions. As a member of the White Earth Nation of Ojibwe, Sam brings the perspective of a tribal member who grew up in Native communities, both on and off the reservation. Today, he's using design to reflect contemporary social values and build for future generations.
The rising popularity of mass timber products in Canada and the United States has led to a rediscovery of fundamentals among architects. Not least Indigenous architects, for whom engineered wood offers a pathway to recover and advance the building traditions of their ancestors. Because timber is both a natural, renewable resource and a source of forestry jobs, it aligns with Indigenous values of stewardship and community long obscured by the 20th century’s dominant construction practices.
