MVRDV has unveiled its design for a new mixed-use building in Eindhoven, The Netherlands. Situated in the heart of the vibrant Strijp-S district, the design was created in collaboration with the Trudo housing association. Titled “The Tribune,” the architecture boasts a stepped tribune-like structure, offering residents and visitors access and views onto the public square below.
As humans, we’re under the comforting illusion that we’re masters of our own destiny, strong-willed and unaffected by influence. However, the crucial role played by interior design in the success of commercial spaces proves this not to be the case. Every aspect of these environments is carefully crafted to encourage customers to part with their cash—and be happy to do so—from the lighting and temperature to the acoustic and, perhaps most significantly, the visual landscape.
Whether by drawing consumers in with captivating individualism, relaxing them with luxury and hospitality, painting a stylish world where both consumer and product co-exist, or giving subtle prompts to diver deeper and discover more, the influence a commercial environment’s surfaces have on its success is huge.
After two weeks of open voting in the 15th edition of the Building of the Year Awards, our readers have meticulously narrowed down a pool of over 4,000 projects to a select group of 75 finalists spanning 15 categories. This year's awards enthusiastically honor the pinnacle of design, innovation, and sustainability on a global scale, showcasing an exceptional range of projects within the shortlist. As a crowdsourced award, we take pride in affirming that your selections authentically mirror the current state of architecture, and the caliber of this year's finalists further underscores the excellence and diversity prevalent in the field.
The ArchDaily Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
As we step into the new year, we take a moment to reflect on the lasting impact of celebrated architects, designers, and curators who passed away in 2023. This past year witnessed the departure of influential figures who, through their talent and dedication, left an indelible mark on the built environment. Some embarked on their careers with bold gestures that reshaped architectural paradigms, while others worked quietly, placing a profound focus on the human experience or the invisible figures of out profession.
This reflective pause allows us to acknowledge the enduring legacy of personalities such as India's first Pritzker Prize Laureate, Balkrishna Doshi, the tireless women’s rights advocate Beverly Willis, the first curator of the Venice Architecture Biennale, Paolo Portoghesi, writer, critic and curator Jean-Louis Cohen, and many more.
As we head towards the end of 2023, an eventful year that could be defined as the year of "shifts", we take a look at how global events and trends impacted the design of interior spaces. Looking back, people questioned everything, and the architectural practice was no exception. A new voice was given to nations often forgotten as architects searched for alternative ways of designing and building. We questioned colonialism, consumer culture, waste, tradition, and authenticity, bringing about new perspectives within the discipline. Interior design in 2023, however, was reserved; explorative, but a lot more modest and subtle compared to previous years. Following years of constant changes, it seems as though people felt the need to pause, slow down, and embrace simplicity, while expressing their individuality through acupuncture interventions.
The average person spends approximately 90,000 hours, equivalent to one-third of a lifetime, at work. The workplace can be a second home to adults, and spending multiple hours has fueled a longstanding desire for change within the workplace. Over the decades, various factors, including pandemics, economic crises, and changing generational preferences, have impacted the nature of work and the places people work in. The recent phenomena of the Great Resignation and the widespread adoption of remote and hybrid work arrangements have accelerated the transformation of workplaces. In response, organizations are increasingly prioritizing the overall employee experience, recognizing the need to create environments that accommodate evolving work structures while fostering satisfaction, engagement, and well-being among their workforce.
Construction on OMA’s first project in Bangladesh, the Dhaka Tower, has just started. Reaching a height of 150 meters and spanning 180,000 sqm in office space, the project is set to stand as one of the tallest buildings in the country. This scheme marks a significant milestone in the urban landscape of Bangladesh, designed by OMA in collaboration with local real-estate developer Shanta Holdings.
Pantone 219C, or Barbie Pink, is a vibrant and bright magenta pink shade synonymous with the Barbie brand. Since the inception of the Barbie doll in 1959 by a company named Mattel, the doll has slowly trademarked this specific shade of pink. As Barbie’s popularity grew, the global association with the color pink did, too. From pink accessories, pink houses, pink haircuts, and pink packaging, there is no Barbie without pink. Moreover, as the doll became a popular cultural icon, her iconic shade of pink started to influence various industries beyond just toy manufacturing, including fashion, beauty, and interior design.
Light is a key feature in architecture. Centuries ago, the sun and fire were the only sources of illumination, but in today's technology-driven world, artificial lighting and cutting-edge optical technologies have found ways to mimic the qualities of natural light, making it possible to have a naturally-lit-looking space within four walls. LED technologies have even made it possible to embed lighting in furniture, interior surfaces, and facades, altering their intensities and hues to make light a main feature in the architecture's storytelling.
If used effectively, lighting can become a lot more than just an illuminator; it becomes a mood setter, a symbol of a specific emotion the architect is trying to convey. For instance, indirect lighting becomes a floater, levitating the walls from the ground and making the space seem lighter in weight, whereas orange light manipulates the space's temperature, creating the illusion that the users are walking into an intense, overheated room.
There is often an intricate relationship between architecture and the environment. Each part of the world has defined its own architectural techniques based on its unique climatic conditions. However, environmental concerns in the 21st century provoked new techniques, implementing solutions to preserve natural resources and provide thermal comfort. While some opted for a futuristic approach with mechanical and technologically-advanced solutions, others decided to go back in time and explore how civilizations protected their people, architecture, and environment when they had nothing else to resort to but the environment itself. In this article, we look at how Musharrabiyas found their way back into modern-day architecture as significant vernacular features.
Although the use of arches in architecture dates back to the 2nd millennium B.C., it was the Romans who solidified them as both an engineering element and a symbol of military victories, which we now see excessively as memorial arches. Shortly after, different civilizations and cultures adopted the arch for their own purposes, bridging together structural necessity and aesthetics. In this article, we look at how arches evolved from significant structural elements to captivating decorative details.
A rising number of studies suggest that well-considered lighting affects and boosts consumer behavior. Add to that the new Instagramability and promotional requirements, and the role of lighting becomes pivotal to achieving a filtered and commercially appealing visual. The latter has encouraged the implementation of new technology lighting panels and fixtures that offer a range of colors and dimmability, modifying the mood and even the overall color palette of a space. The results are some fun, sometimes almost cartoonish, settings that suggest the best backdrops and inviting venues.
After two weeks of voting in our 14th edition of the Building of the Year Awards, our readers have narrowed down over 4,500 projects to just 75 finalists across 15 categories, casting over 100,000 votes. This year's awards celebrate the very best in design, innovation, and sustainability from around the globe, with the shortlist featuring an exceptional range of projects, from a house in a favela to cutting-edge cultural centers and innovative public spaces that are sure to impress. As a crowdsourced award, we are proud to say that your selections are a true reflection of the state of architecture, and this year's finalists are no exception.
The ArchDaily Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
Interior design has progressively become a subject of interest among architects and designers. Having spent more time indoors recently, practitioners have been experimenting with their spaces and exploring different approaches to scale, comfort, and aesthetics. Much like everything else, design is highly influenced by external factors; any change to people's lifestyle influences how they respond to it, whether consciously or subconsciously. And while this dynamic is often seen in fashion or graphic design, it has been noticeable in interior design as well. Following years of linear, clean-cut, and refined spaces, curved silhouettes were revived, becoming one of the dominating interior design trends across the world.
Aedas Global, in collaboration with GDAD, revealed the design of a 230 meters tall mixed-use complex comprising of two twin towers and a plaza. The development, located at the base of the Baiyun Mountain range in Guangzhou, China, contains industrial, commercial, and publicly available areas while also including large urban green spaces and panoramic views of the mountains. The massing of the project is inspired and informed by the local topography, with sight-seeing corridors opening up toward the surrounding scenery.
The Harajuku Quest, designed by Shohei Shigematsu and OMA New York, represents a renewed commercial and cultural center in the Harajuku district of Tokyo. Located on a site in between Omotesando and Oku-Harajuku, the building is the newest phase of NTT’s “With Harajuku”, a larger urban development that aims to facilitate the flow of people through a series of squares and commercial areas. Harajuku Quest plans to draw people and activities from both Omotesando and Oku-Harajuku and connect the two areas for the first time. Construction is expected to complete in 2025.
New York-based firm HWKN will create 18,200 square meters of urban development in the commercial quarter of the new Canada Water regeneration plan. In collaboration with the scheme's master planner, BIG – Bjarke Ingels Group, the developer Art-Invest Real Estate UK, and the local community, HWKN makes its UK architectural debut by designing one of the three buildings at the Dockside, London. The building will blend innovative workspaces, commerce, and communal amenities.
The Canada Water Masterplan will transform a total of 215,000 square meters and is expected to deliver up to 3,000 new homes, 280,000 square meters of workspace, and community space in central-south London. The first new town center in London in 50 years would become the UK's most sustainable new urban hub after completion, expected in 2035.
Arcquitectonica unveiled the design of One Brickell City Centre, an approximately 1,000-foot (approximately 300 meters) office tower planned to become the tallest commercial tower in Florida. Located in Miami’s financial district on Brickell Avenue, the office building represents the second phase of Brickell City Centre, a 4.9-million-square-foot (450,000 square meters) mixed‐use development that opened in 2016. One Brickell City Centre is developed by Swire Properties Inc. and Related Companies. Construction it set to begin in 2023.
