From climate crisis to How Will We Live Together, as we face the current and accentuated global challenges many of our ideas about the cities of tomorrow are changing. So how will the city of the future be?

In 2019 CMG Landscape Architecture principal Pamela Conrad launched Climate Positive Design in an effort to help landscape architects design and build projects that can become climate positive. In this interview originally published on The Dirt, Jared Green talks with Conrad about how this approach can make a big difference.

"It’s my hope that things like this can give the next generation hope that there are solutions out there," states Conrad, a recipient of the 2018 Landscape Architecture Foundation Fellowship for the development of the award-winning Pathfinder landscape carbon calculator app and the Climate Positive Design Challenge.

Do you know a great example of high density living environments built within the last 30 years? Share your knowledge and contribute to the creation of an open repository via Crowd Creation. To be truly exemplary, the area should include a mixture of functions (at least some of them high-rise) where the physical fabric retains a human scale at street level despite the high density.

Sou Fujimoto Architects has unveiled its design for the top part of the tallest skyscraper in Japan “Torch Tower” in Tokyo, collaborating mainly with Mitsubishi Jisho Sekkei, Inc. Standing tall at 390m, the highrise building planned to be ready by 2028, takes on a large plaza at around 300m, generating a space for people.

Blank Space has announced the winners of the second annual Outer Space competition. The competition asked architects and designers to leverage real scientific advances in robotics, AI, rocketry and autonomous spacecraft to create visions for the near future in outer space.The competition attracted thousands of participants, with winning entries showcasing narratives and images of architecture beyond the planet Earth.

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Many architects tend to prefer using materials and architectural elements in their natural or raw state. It is common to remove ceilings and finishings, especially in renovation projects, to expose a building's structure. This process of reclaiming the natural materials of construction - without incorporating elements to cover the framework, pipes, tubes, and cables - transforms these spaces into places that have nothing to hide.

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"And a window that looks out on Corcovado. Oh, how lovely." Tom Jobim's lyrics, immortalized by João Gilberto and Astrud Gilberto's voices and a soft guitar, was one of the early songs that introduced the world to the idea of a paradisaical Rio de Janeiro and a promising Brazil, with an increasingly urban population and a modern capital being built from nothing. Almost 60 years later, Paulo Mendes da Rocha casually quotes this song in an interview and points out that for him, in this scene, the most important element is the window, not Corcovado or Christ the Redeemer. That's because it frames the view and directs our eyes to what matters. It is a phrase that goes almost unnoticed, but that carries enormous poetic and artistic significance to the craft of architecture.

Rogers Stirk Harbour + Partners have unveiled images of their latest venture, No. 33 Park Row in New York City. Located across the street from City Hall Park in Downtown Manhattan, the project, nearing completion and set to officially launch in the spring of 2021, is the city’s first residential project designed by Sir Richard Rogers and Graham Stirk of Rogers Stirk Harbour + Partners.

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German design practice Barkow Leibinger has finally received a building permit for the Estrel Tower in Berlin, Germany. Set to become the city's tallest high-rise at 175 meters, the tower comes seven years after winning the initial competition. Construction is now set to start, and the project will be built on Sonnenallee in Neukölln. The design references the existing Estrel hotel und connects both into one unit.

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The RENAZCA international competition has released a shortlist for the design of the financial district of Azca in Madrid, Spain, according to El Pais. Directed by IE School of Architecture and Design Martha Thorne and Edgar González, the competition aims to transform the district into the most important economic and cultural node in the Spanish capital. The winning team will be chosen at the end of January 2021 and will have the task of transforming the sector into a "new, open, sustainable urban space connected to the city."

Polycarbonate has become an alluring alternative to glass in facades, as it has different levels of translucency and can provide optimal transmission and diffusion of light. Moreover, it is light, flexible, recyclable, durable, resistant to impact, and includes UV protection, in addition to resisting temperatures between -40°C and 115°C. But beyond its functional properties, this thermoplastic also provides wide-ranging aesthetic opportunities, allowing architects to create unusually dynamic and expressive facades.

Most of the practicing architecture is drudgery, and this is rather unfair. As students, architects are given thoughtful prompts about the built environment and its big questions, as well as sole creative reign to answer those questions. That is the only time in the architect’s life when this is the case, and in many ways, this does not adequately prepare the architecture student for the world of architecture, which is a world of drudgery. In reality, architects are not heroes.

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Paris Mayor Anne Hidalgo has approved a comprehensive plan to transform Champs-Élysées, the city's most famous avenue. Though the €250m makeover will not happen before the French capital hosts the 2024 Summer Olympics, the proposal aims to turn a 1.2 mile stretch of central Paris into an expansive garden. The proposal includes reducing space for vehicles, turning roads into pedestrian green areas, and creating tunnels of trees to improve air quality.

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Mohammed bin Salman, Crown Prince of Saudi Arabia, has unveiled plans for a 100-mile long linear city called The Line. Announcing the project in a new video, the city would include a series of walkable communities for a million people with no cars or streets. The project locates essential facilities within a five-minute walk of housing, connected "modules" linking the Red Sea coast with north-west Saudi Arabia as part of the NEOM city-state.

Whether as a retrospective, a collection of contemporary works, or a compilation of prospects for the future - and all the other possibilities in between -, architecture and urban planning exhibitions have played an important role in shaping the future of cities over the decades. These events are often open to the public, reaching many people who don't necessarily have a background in the field, thus providing great environments to explore a collective view of the future of architecture and cities.

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This year, architecture’s highest honor, the Pritzker Prize, has been granted to Grafton Architects, a Dublin-based architectural firm mainly ran by female partners Yvonne Farrell and Shelley McNamara. For the first time ever in its 42-year history, due to the constraints set by Covid-19 global pandemic, the organizers of the Pritzker Prize decided to use Livestream the award ceremony. Having reached the end of 2020, ArchDaily has summed up what current and previous Pritzker Prize winners have accomplished during this turbulent year.

This article was originally published on Common Edge.

In 2012, the Yale School of Architecture held a conference on the topic of drawing. It posed a couple of provocative questions: Was the study and practice of architecture already beyond it? Was it is even necessary to draw in order to be an architect? Mark Alan Hewitt’s new book, Draw in Order to See (ORO Editions), is a resounding affirmation that not only must architects draw, they cannot help but do so—it’s like breathing. The connection between the hand and the eye, between a soft pencil and a toothy sheaf of paper, is how architects, in fact, “see.”

Foster + Partners has revealed its latest project for Qatar, a 1.1 million-square-meter landmark development consisting of four high-rise buildings. Part of a larger masterplan also designed by the architects, to be completed ahead of the 2022 Football World Cup in Qatar, Lusail Towers is envisioned as a “catalyst for a new central business district in the city”.

Transforming the typical artistic experience, Snøhetta proposed a design to renovate the Blanton Museum of Art at The University of Texas at Austin. The comprehensive grounds remodeling seeks to “unify and revitalize the museum campus, […] through architectural and landscape improvements”. Construction is scheduled to begin in early 2021 and conclude by late 2022.

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