Listed buildings are important architectural testaments to a society's rich and diverse history. Formally recognizing these buildings protects their significant architectural elements from alterations and demolitions while creating socio-economic avenues to aid their conservation. However, these buildings also run at risk of being alienated from new materials and modern building systems that allow them to function optimally today.
Integrating new materials and building services without interfering with the building’s original character is a unique design challenge. Whether adding new materials during structural renovations or integrating modern fire protection systems, there is a need for sensitivity and balance. This applies to various elements of listed buildings, including walls, floors, roofing, and façades, ensuring they are future-proofed for an extended lifespan.
The Wayfarers Chapel, known locally as "The Glass Church," was designed by Lloyd Wright, the eldest son of architect Frank Lloyd Wright, and completed in 1951. Located in the Palos Verdes peninsula in Los Angeles, its design aimed to blend the lines between architecture and nature, with large-span glass panels opening up to space toward the redwood canopies. Last year, the structure was designated a national historic landmark. Now, due to “accelerated land movement” in the area, the structure, which has been closed off to the public since February, was announced to be disassembled to protect it from further damage.
IE University has just announced the establishment of a new Creative Campus to be inaugurated in 2025 in Segovia, Spain. Situated within the historic Palacio de los Condes de Mansilla, this new campus will serve as an extension of the IE School of Architecture and Design. Developed to become an Innovation Hub, the project spans more than 5,000 square meters and boasts a Fab Lab, construction workshops, biomaterials, textile research laboratories, experimentation spaces, digital fabrication classrooms, and an exhibition venue. The amenities are designed for creative minds from different disciplines to collaborate, fostering a platform that provides real solutions for different challenges.
In the early morning of April 16, a fire broke out in the capital of Denmark, engulfing Copenhagen’s Old Stock Exchange, one of the oldest landmarks in the city. In the fire, the 56-meter-tall Dragon Spire, shaped as the tails of four entwined dragons, collapsed. In just a few hours after the fire begun, half of the 17th century Børsen building was destroyed according to authorities. The structure was undergoing renovation works at the time of the event. Emergency workers, staff members and passers-by collaborated to rescue the historic artworks housed in the former stock exchange.
In recent decades, the term "adaptive reuse" has gained tremendous popularity as an eco-friendly construction approach. But what if there was something more poetic about reframing a space and its stories for new users? These architects show that once-deemed disposable facades, walls, and textures can obtain new meaning through bold and clever juxtapositions. These adaptations proudly display their conversions and layers of historical patina under them as a batch of honor and speak to the permanence of buildings and their impermanence in use and interpretation. Through subtle formal moves and daring material choices, they transformed structures that would have been otherwise demolished and reimagined them in new and intriguing ways.
RSHP has unveiled the urban and architectural design for the new Bayeux Tapestry Museum. The intervention is created to house and display the Bayeux Tapestry, an embroidered cloth measuring 70 meters in length and depicting the events leading up to the Norman Conquest of England in 1066 and culminating in the Battle of Hastings. The almost 1000 years-old artifact is also included in UNESCO’s “Memory of the World” list. The project proposes a contemporary extension of the 17th-century seminary where the Musée de la Tapisserie de Bayeux is located.
Architecture has always centered on permanence and ephemerality. Defined by material conditions, how we build is closely tied to what we preserve and how we conceptualize the future. Furthering international cooperation in education, the arts, the sciences, and culture, UNESCO is an organization that continues to examine the relationship between history and growth, preservation, and change. As architecture, landscapes, and cities become threatened by the climate crisis and unrest, cultural context becomes paramount.
Bologna officials announced plans to secure and repair the leaning Garisenda Tower, a medieval structure in the center of the Italian city. Earlier last month, the area surrounding the tower was secured after raising fears of collapse, as monitoring has found shifts in the direction of the tilt. The 47-meter-tall tower leans at a four-degree angle, similar to its more famous counterpart, Leaning Tower of Pisa. The Garisenda Tower has been a defining feature of Bologna’s skyline along with its neighboring Asinelli Tower, which is around twice the height and also leans, though at a smaller angle, and is usually open for tourists to climb.
The announcement of the establishment of a new university campus is one of celebration, marking economic opportunities and urban growth. The United States is home to over 700 college towns that have witnessed prosperity through the inauguration of educational institutions like the University of Colorado’s Boulder, and Chapel Hill, home to the University of North Carolina. With this development, gentrification has unfortunately become a contentious issue in college towns across the country. While the transformation of these towns brings economic expansion and cultural vibrancy, it often comes at the cost of displacing long-time residents, erasing historic character, and altering the essence of these towns. American college towns offer a unique perspective on how cities can strike a balance between progress and preservation.
For the past three decades, YIMBYs and NIMBYs have been fighting pitched battles across the U.S. for the heart and soul of future development, but the housing crisis has only grown worse, especially since the crash of 2008, which changed so many things on the supply side.
This was followed a dozen years later by 2020, the strangest year of our lifetimes, which made those supply-side challenges even more pronounced. The roots of the problem, however, go back further than that, with mistakes made as long as 75 years ago now being repeated by completely new generations. Failure to understand those errors—and even why they are errors and not good practice—will perpetuate and exacerbate today’s crisis into future generations.
George Smart is an unlikely preservationist, almost an accidental one. The founder and executive director of USModernist, a nonprofit dedicated to the preservation and documentation of modern houses, Smart worked for 30 years as a management consultant. “I was doing strategic planning and organization training,” he says. “My wife refers to this whole other project as a 16-year seizure.” Recently I spoke with Smart about his two websites, the podcast, the house tours his organization conducts, and why documentation is such a power preservation tool.
Boston City Hall. Image Courtesy of Reed Hilderbrand
It’s true that all trends are circular, and what was once seen as old and outdated becomes new and modern again- in fashion, music, art, and especially architecture. From the mid 20th century, brutalist architecture rose in popularity before reaching its peak in the mid-1970s, when it was disregarded for being too stylistic and non-conforming to the needs of clients who wanted their buildings to feel timeless. But the love for these concrete beasts is facing a resurgence, and a renewed appreciation for this architectural style is on the rise.
The World Heritage Committee decided to inscribe the Historic Center of the Port City Odesa, Ukraine, on the World Heritage List. The decision symbolizes the recognition of the outstanding value of the site and the commitment of the 194 States Party of the Convention not to undertake any deliberate step that may damage it and to help protect it. The site has also been inscribed on the List of World Heritage in Danger, which gives it access to international financial or technical assistance to ensure its protection and, if necessary, assist in its rehabilitation, according to UNESCO.
Theodore Prudon, the founding president of Docomomo US, recently stepped down as the organization’s head. (Robert Meckfessel is the new president.) “Docomomo” is shorthand for the group’s mission: the documentation and conservation of buildings, sites, and neighborhoods of the Modern movement. Prudon has had a storied career as a preservationist, architect, and educator, heading his own practice and teaching at Columbia University. In October, he was presented with the Connecticut Architecture Foundation’s Distinguished Leadership Award at the newly reborn Marcel Breuer building in New Haven, which began its life in 1970 as the Pirelli Tire Building and is now the Hotel Marcel (designed, planned, and developed by architect Bruce Redman Becker).
https://www.archdaily.com/992013/theodore-prudon-modernism-has-never-been-a-popular-movementMichael J. Crosbie
The Natural History Museum Of Lille in France will undertake a significant architectural transformation for its 200th anniversary. Snøhetta, selected to restore and modernize the complex, with a transdisciplinary team featuring the scenographer Adeline Rispal and the landscape architects of Taktyk, imagines a renovation that will support the city's ambition to combine urban renewal with the preservation of the city's historic architecture. Planned for completion in 2025 and with a total of 7,500 m², the restoration will accommodate flexible exhibition areas, more extensive storage, and gardens.
