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Architects: Ariel André-GOLEM
- Area: 960 m²
- Year: 2026


The Diriyah Biennale Foundation has revealed the four architecture studios shortlisted for the 2027 AlMusalla Prize, an international competition that commissions the design of a musalla, a space for prayer and contemplation, for the third edition of the Islamic Arts Biennale. Opening on November 1, 2027, at the Western Hajj Terminal in Jeddah, Saudi Arabia, the Biennale will feature a new prayer structure designed by one of the shortlisted teams: Al-Jawad Pike (United Kingdom), Civil Architecture (Bahrain/Kuwait), MILLIØNS (United States), or NEW SOUTH (France). The winning proposal will be announced in March 2027 and realized as part of the exhibition before being permanently relocated to JAX District in Diriyah.

Set within the historic district of Diriyah, widely recognized as the birthplace of the first Saudi state, the Grand Mosque by X Architects forms part of the ongoing transformation of the area into a major cultural destination in Riyadh. Envisioned within the Diriyah Gate II development, the project is positioned at the intersection of heritage preservation and large-scale urban redevelopment, contributing to a broader master plan that includes museums, civic institutions, residential neighborhoods, and public spaces. Within this context, the mosque is conceived not only as a place of worship but also as an urban anchor embedded in the evolving fabric of the district.

Architecture this week reflects the intersections of legacy, authorship, and social responsibility, as practices navigate questions of identity, recognition, and public engagement. Legal rulings, major competition shortlists, and large-scale urban proposals illustrate how architecture continues to operate across cultural, institutional, and environmental arenas. From sustainability-driven landmarks and transformative waterfront developments to iconic commercial towers, projects demonstrate approaches to ecological strategies and public programming. At the same time, global observances such as World Hearing Day highlight how spatial design shapes inclusion and accessibility, reminding the profession that the built environment can influence participation, learning, and well-being for diverse communities.

This week's news brings together developments in professional recognition, cultural programming, and large-scale urban strategy, reflecting the multiple scales at which architecture shapes contemporary discourse. As the field anticipates the next Pritzker Architecture Prize announcement, conversations around authorship, civic responsibility, and long-term impact unfold alongside the American Institute of Architects' 2026 Honorary Fellowship appointments, situating individual achievement within broader institutional frameworks. At the same time, updates from Riyadh to London foreground the role of architecture in both enabling new cultural platforms and safeguarding post-war heritage. Complementing these narratives, the reassignment of the 2029 Asian Winter Games and progress on expansive public landscapes highlight how cities are aligning infrastructure delivery, environmental resilience, and territorial planning with long-term economic and social agendas.

The third edition of the Diriyah Contemporary Art Biennale opened on January 30, 2026, and will remain on view through May 2, 2026, in Riyadh, Saudi Arabia. Organized by the Diriyah Biennale Foundation, the Biennale takes place at JAX District, a former industrial area in Diriyah near the UNESCO World Heritage Site of At-Turaif. Titled "في الحِلّ والترحال" / In Interludes and Transitions, the exhibition is led by Co-Artistic Directors Nora Razian and Sabih Ahmed, while Milan-based architect Sammy Zarka contributed as the Associate Architect and Exhibition Designer. The exhibition scenography is designed by Formafantasma, and the event brings together more than 65 artists from over 37 countries, including more than 25 newly commissioned works.

Designed by Zaha Hadid Architects, construction works for the Asaan Museum have recently begun. Located in the historic At-Turaif district of Diriyah, Saudi Arabia, the Asaan Museum aims to be a new cultural institution designed to preserve and celebrate the nation's heritage. Deriving its name from the Arabic word meaning "inheritance passed down through generations," Asaan underscores its role in connecting past and present. Situated within a site renowned for its mud-brick architecture and centuries-old urban fabric, the museum draws inspiration from traditional Najdi building techniques. Planned to be constructed using locally sourced clay mud-bricks, Asaan Museum will mark Zaha Hadid Architects' first project to employ adobe construction.

In recent years, the Gulf region has emerged as a global center for cultural and architectural development, commissioning internationally acclaimed architects to design its most high-profile museums and institutions. These projects, ranging from Louvre Abu Dhabi by Jean Nouvel to Museum of Islamic Art in Doha by I. M. Pei, are often designed by foreign architects, yet they aim to embed themselves within their context through strategies that reference the region's landscape, climate, and architectural traditions. This raises a fundamental question: What defines local architecture in the 21st century?

The second edition of the Islamic Arts Biennale, titled And All That Is In Between, has officially opened in Jeddah. Organized by the Diriyah Biennale Foundation, the Biennale takes place at the Western Hajj Terminal of King Abdulaziz International Airport, a site that holds profound significance for millions of Muslim pilgrims traveling for Hajj and Umrah. The exhibition scenography is designed by the international architecture firm OMA, enhancing the experience with a thoughtful spatial narrative. The exhibition, which runs until May 25, 2025, explores how faith is experienced, expressed, and celebrated through feeling, thinking, and making.


The Diriyah Biennale Foundation has announced Lebanon-based EAST Architecture Studio, in collaboration with artist Rayyane Tabet and engineering firm AKT II, as the winners of the inaugural AlMusalla Prize, a significant new architectural competition launched as part of the Islamic Arts Biennale. Their winning design, a modular structure inspired by regional weaving traditions, uses sustainable materials derived from local date palm waste, including palm fronds and fibers. After the four-month Biennale, the Musalla will be dismantled and reassembled at a new location.


The Diriyah Biennale Foundation has just unveiled the competition details for the AlMusalla Prize, along with the shortlisted architecture studios and the jury. An addition to the Islamic Arts Biennale, this international architecture competition focuses on designing a musalla, a flexible space for prayer and reflection accessible to people of all faiths. Situated in the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, Saudi Arabia, the musalla will be an integral part of the Biennale’s upcoming edition. The winner of the competition will be announced later this year, and the opening of the musalla will be held on January 25th, 2025.


Commissioned by Diriyah Company, HKS Architects have revealed the design for a new multisport arena in Diriyah. Envisioned as a catalyst for the local culture and the entertainment sector, the 20,000-seat venue will be located in the center of The City of Earth, a 76,000-square-meter development aligned with Saudi Vision 2030, aimed at becoming one of the most attractive venues for tourism in the Middle East.