Uzbekistan has revealed the latest photographs of the pavilion for Expo 2025 in Osaka, Japan, after the recent opening. Designed by Atelier Brückner and realized by NUSSLI, the pavilion aims to showcase the country's vision for the future under the Expo's broader theme, "Designing the Future Society for Our Lives." Composed of modular, reusable wooden elements, the pavilion's architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.
DROPCITY is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by Andrea Caputo in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During Milan Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.
The 2025 iteration of the Time Space Existence exhibition is set to attract audiences from May 10 to November 23. Organized by the European Cultural Centre (ECC) in Venice's renowned venues—Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens—this seventh edition brings together a diverse cohort of 207 architects, designers, artists, and researchers from over 52 countries. All contributions are curated under the theme of "Repair, Regenerate, and Reuse" as an exploration of architecture's capacity to engage with critical environmental, social, and cultural challenges. Highlights of the Special Projects section include ArchDaily's inaugural exhibition, presenting six architecture offices previously recognized as Best New Practices as emerging voices in the field of architectural innovations.
Kristin Feireiss, the German architecture curator, writer, and editor, passed away on April 20, 2025. With a career spanning over four decades, Feireiss played a significant role in promoting international public discourse on architecture, urban development, and social change.
Born in 1942, Feireiss studied art history and philosophy at Johann Wolfgang Goethe University in Frankfurt. In 1980, she co-founded the "Aedes Architecture Forum" in Berlin with Helga Retzer, establishing Europe's first private architecture gallery. After Retzer's passing in 1984, Feireiss continued to develop Aedes into an internationally recognized platform. Since 1994, in collaboration with Hans-Jürgen Commerell, she curated over 350 exhibitions and catalogues, expanding the forum's reach and impact. In 2009, the duo also founded "ANCB The Aedes Metropolitan Laboratory," which received the German Innovation Prize in 2010.
Trahan Architects has just completed the USA Pavilion for Expo 2025 Osaka-Kansai in Japan. As the public opening date, April 13, approaches, the USA Pavilion is finalizing preparations to host visitors. During the six-month expo, the proposal aims to showcase American architecture, innovation, culture, and industry. The display will be focused on celebrating contemporary American achievements in various fields, featuring exhibitions focused on sustainability, space exploration, education, and entrepreneurship.
This week, Milan once again becomes the global center of the design industry as the 63rd edition of Salone del Mobile.Milano unfolds at Fiera Milano, Rho. Running from April 8 to 13, the event welcomes over 2,100 exhibitors from 37 countries across 169,000 square meters of sold-out exhibition space. With a focus on sustainability, global outreach, and cultural programming, Salone del Mobile.Milano 2025 continues to evolve as both a marketplace and a space for critical reflection on the future of design. Featuring a notable number of first-time participants, 168 new brands, and a return of 91 previous exhibitors, the Salone continues to act as a key platform for international dialogue, innovation, and industry exchange. The ArchDaily team is on site to follow this year's highlights and share updates throughout the week.
Milan Design Week 2025 is one of the most significant events in the design world, taking place from April 8 to April 13. Following in the previous years' tradition, the city of Milano will host a variety of exhibitions, installations, and discussions throughout its diverse districts, each offering a unique atmosphere and thematic focus. Alongside the renowned Salone del Mobile 2025 at the expansive Rho Fiera exhibition grounds, numerous activities and initiatives will be featured, all coordinated under the Fuorisalone agenda. This article will help navigate the many events by highlighting key venues and installations, ranging from the major fair to vibrant design districts and distinctive locations, such as historic courtyards and revitalized industrial spaces.
For three weeks, from March 28 to April 20, 2025, the John F. Kennedy Center for the Performing Arts in Washington, D.C. will host the art festival "EARTH to SPACE: Arts Breaking the Sky." Curated by Alicia Adams, Vice President of International Programming, and Gilda Almeida, Director of International Programming, the festival includes a full agenda of performances, film screenings, talks, panels, and exhibitions. As part of the festival, Foster + Partners has designed an exhibition titled "From Earth to Space and Back," inviting visitors to imagine a future where humans have experienced life on Mars, where exploring new worlds is within reach, and where technological advancements in space revolutionize life on Earth. The festival is based on the idea that imagining life in space can inspire solutions for living on Earth, a perspective reflected in the projects presented by Foster + Partners.
As a result of the ideas competition organized by the governments of Sweden, Finland, and Norway in 1958, Sverre Fehn's Nordic Pavilion won first prize, becoming one of the most significant works of his career and one of the most outstanding Scandinavian architectural achievements during the mid-20th century. Designed to create a space at the Venice Biennale for the biennial exhibitions of these countries, Fehn's proposal addressed several key architectural challenges—ranging from its integration with the site and incorporation of pre-existing elements to the handling of physical boundaries and uniform natural lighting. His design explored the interaction between architecture and trees, the flexibility in the exhibition space, the filtering of light, the connection between interior and exterior, the concept of movement through space, and the display of artworks.
"Steven Holl – Drawing as Thought," an extensive exhibition of the American architect's original watercolors, is now on view at the Tchoban Foundation Museum for Architectural Drawing in Berlin. It reveals insights behind some of Holl's key projects and design methodology. The selected drawings range from early unbuilt winning competition entries to some of the latest visions now under construction in Europe and the United States. Occupying the museum's two levels, the show opened on February 6 with a conversation between Holl and the museum's founder and architect Sergei Tchoban, as well as addresses by Kristin Feireiss, the exhibition's curator and founding director of the next-door Aedes Architecture Forum, and Diana Carta, an architect and scholar from Rome. The show, which can be visited until May 4th, is accompanied by a catalog that states, "The work of internationally renowned US architect Steven Holl is distinguished not only by his extraordinary buildings, with a focus on cultural and public structures such as museums, art centers, concert halls, libraries and universities worldwide, but also by his artistic oeuvre, which today comprises more than 50,000 sketches, black-and-white drawings, and watercolors. […] While exhibition visitors will only encounter a small portion of his extensive body of work, each drawing should be explored and studied individually, in keeping with Holl's intent."
Thomas Heatherwick has been appointed as the General Director and curator of the 2025 Seoul Biennale of Architecture and Urbanism. In its fifth edition, the Seoul Biennale serves as a platform for addressing urban challenges faced by major global cities, fostering innovative solutions and public discussions around architecture and urbanism. As Asia's largest architecture biennale, scheduled to take place from September 1 to October 31, 2025, the exhibition will focus on making cities more joyful, engaging, and radically human-centered. At the heart of this mission is an ambitious public engagement program that directly involves citizens in shaping the Biennale. Through an open call, ten multidisciplinary teams, comprising architects, urban planners, sculptors, community organizers, metalworkers, and textile designers, have been selected to collaborate with local communities. These projects will respond to two central questions: How do buildings make people feel? And how can they be transformed to foster a deeper sense of connection?
A new site-specific pavilion has been unveiled in Bradford city centre as part of the 2025 UK City of Culture celebrations. Designed by artist Zarah Hussain and architectural designer Fatima Mejbil, Infinite Light marks the beginning of the holy month of Ramadan and the launch of Ramadan Festival 2025. The project has been commissioned by the Ramadan Tent Project in collaboration with Bradford 2025 and follows the inaugural Ramadan Pavilion designed by Shahed Saleem in 2023.
"Franco Raggi. Unstable Thoughts" (Franco Raggi. Pensieri Instabili) offers an in-depth exploration of the work of Italian architect, designer, and intellectual Franco Raggi. Curated by Marco Sammicheli and Francesca Pellicciari, the exhibition provides visitors with an experimental and immersive experience that traces Raggi's creative journey. Designed by the architecture studio Piovenefabi, the installation is hosted in the Design Platform space at the Museo del Design Italiano in Milan, a museum dedicated to key themes and figures in contemporary design. Held from February to April, the event is part of the prelude to the 24th edition of the Milan Triennale International Exhibition, titled Inequalities, which will run from May to November 2025.
"Soane and Modernism: Make it New" brings together architectural drawings from Sir John Soane's extensive collection in dialogue with works by renowned modernist figures, including Le Corbusier, Frank Lloyd Wright, Adolf Loos, and Ernő Goldfinger. Curated by Dr. Erin McKellar, Assistant Curator of Exhibitions at Sir John Soane's Museum, the exhibition highlights the presence of 20th-century modern architectural design ideals in the work of 19th-century architect Sir John Soane. The selection of works is based on the idea that Soane's designs can be considered a precursor to many architectural principles adopted in the twentieth century.
As the global climate crisis intensifies, the construction industry faces increasing pressure to reduce carbon emissions, prompting a fundamental reassessment of building practices. Dutch architecture firm MVRDV, known for its commitment to sustainability, presents an honest exploration of this challenge in "Carbon Confessions," an exhibition at Munich's Architekturgalerie. The exhibition provides insight into the firm's ongoing efforts, highlighting both its achievements and the obstacles encountered in the pursuit of carbon reduction.
The Danish Architecture Center (DAC) will open its new exhibition, "Water is Coming" in October 2024, remaining open until March 12, 2025. The exhibition addresses the escalating global water crisis, prompted by melting polar ice, rising groundwater levels, and increasingly frequent and intense flooding. It acknowledges the reality of rising sea levels and extreme weather events, shifting the focus from mitigation to adaptation. The exhibition aims to foster a deeper understanding of our complex relationship with water, exploring its vital role as both a life-giving resource and a potential threat to human settlements.
The Argentinian Pavilion at 19th Venice Architecture Biennale 2025 showcases 'Siestario,' the winning project by architects Juan Manuel Pachué and Marco Zampieron, with Brian Ejsmont as a collaborator. Both architects, graduates of the Faculty of Architecture, Planning, and Design at the National University of Rosario, are also co-founders of Cooperativa, a space dedicated to organizing architecture competitions. Currently, Pachué and Zampieron practice professionally and teach in the city of Rosario, Argentina.
Reflecting on 2024, numerous architectural exhibitions have opened worldwide, addressing various themes, exhibition formats, and featured architects. Architectural design and architecture practice influence our daily lives in subtle and often unnoticed ways, where the end-users embrace built environments as they are. This reaction may arise from a combination of factors, such as a sense of powerlessness to enact significant change after a building is constructed or the experience of growing up in environments over which individuals had little or no agency in shaping. For these reasons, architectural exhibitions serve an essential purpose, offering society a chance to pause, reflect, and critically examine the myriad issues that surface during designing and building. These issues are often overlooked or need to be acknowledged, as practitioners may prioritize delivering projects within strict timelines over exploring more profound reflections.
In 2024, museums, galleries, and curators responded to the evolving challenges within the built environment with various approaches. Some exhibitions questioned the ethics of building materials and the practices behind supply chains, drawing attention to the broader implications of material choices. Others focused on documenting architectural movements worldwide, emphasizing their cultural and historical significance and the urgent need to preserve and adapt rather than replace them with entirely new builds. These efforts highlight the role of exhibitions in raising awareness about pressing issues while fostering a more critical dialogue about the architectural discipline.
