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Located in southern Mexico, bordering the state of Tabasco and sharing a border with Guatemala, the state of Chiapas is one of the most significant regions for Mesoamerican cultures like the Olmec, Maya, and Chiapanec. Consequently, some of the area's most important tourist attractions are the archaeological zones of Yaxchilán, Palenque, Chinkultic, Toniná, and Bonampak, which are crucial for understanding the construction, structural, and social processes that shaped this territory.

Nearly sixty years ago, Flora Manteola, Javier Sánchez Gómez, Justo Solsona, Carlos Libedinsky, and Antonio Diaz envisioned a building with a capacity of 3,000,000 books and 500,000 magazines and newspapers for the National Library of Argentina preliminary design competition. Their proposal for a "large metal tent" would ultimately take second place to the concrete glyptodont by Clorindo Testa, Bullrich, and Cazzaniga that stands today.

From its inception, the proposal "prompted sensitivity toward new formal and structural directions," as noted in the jury's critique. In 2015, this design was featured in the exhibition Latin America in Construction, and today its original model and blueprints are in the official collection of the Museum of Modern Art (MoMA) in New York.

Below, we revisit the project through the words of Justo Solsona: 

There are many ways to define BIM methodology. One of them describes it as a set of processes that help us combine a project's geometry with the data required to complete its entire lifecycle. We could say that modeling in BIM is like virtually executing the construction process.

Another key aspect is that it allows us to work in a collaborative environment, helping to simplify the flow of information among different stakeholders and providing greater control over our projects. 

As part of an initiative by the Faculty of Architecture at the National Autonomous University of Mexico (UNAM), the Carlos Obregón Santacilia Bookstore is making a selection of its publications available to the public digitally and free of charge. These texts cover a wide range of topics, including research methods, analyses of administrative processes in the architectural field, theoretical writings by Alberto T. Arai, architectural history across various periods and contexts, structural systems, energy efficiency, urbanism, landscape, heritage, reconstruction, biennials, and guides to support the conception of new architectural projects.

This article by Maria Inés García-Reyes Röthlisberger (Pontificia Universidad Javeriana) and Stefano Anzellini Fajardo (Universidad de los Andes) was originally published in issue 24 of Dearq journal on 01/01/2019 under the title "Saberes compartidos del hábitat: una arquitectura para el paisaje rural" (https://doi.org/10.18389/dearq24.2019.03) and is part of a joint dissemination partnership.

This article by Julián García Muñoz and María de los Ángeles Beltrán Fernández was originally published in the second issue of rita magazine under the title "La prefabricación de bóvedas de ladrillo: Una utopía latinoamericana" and is part of a joint publishing collaboration. The following is an overview of the history of these prefabricated vaults, aiming to reclaim their value.

Chilean architect and urban planner Germán Bannen, renowned for his work in the municipality of Providencia, is thoroughly examined in a new documentary by visual artist Gabriel Del Favero and journalist Ana Rodríguez. La ciudad de Germán Bannen traces the key milestones of his projects—such as the design and construction of Nueva Providencia Avenue—through a compilation of photographs, plans, archival footage, lectures, architectural drawings, and a dozen interviews.

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The single-family housing prototypes presented here arose from the need to validate the construction system developed by CAUH. As with all prefabricated and industrialized systems not considered traditional construction methods, it is necessary to undergo a process of empirical certification and validation. This process is required to obtain the CAT (Technical Aptitude Certificate) issued by the Undersecretariat of Housing of Argentina. To achieve this, not only are individual components of the system tested, but a full-scale prototype or model home is also built to endure two seasons, allowing its on-site performance to be verified.

Fazendinhando is a movement for physical, cultural, and social transformation in Jardim Colombo, created by and for its residents through the reclamation of public spaces and art and culture initiatives aimed at community integration.

The movement's primary focus is the transformation of a 1,000 m² area, known as Fazendinha, into a park. The development of this space relies on physical site remediation paired with a continuous cultural and artistic program that engages the local community and regular users of the space.

To showcase the valuable output of various Argentine universities, we held our open call for the fourth consecutive year, inviting our Argentine readers to submit their graduation projects.

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For many years, the Catalan vault has been used in various projects ranging from residential to public programs. This design element stems from a traditional construction technique—likely originating in the Middle Ages—consisting of building a roof with bricks laid flat on their widest face—exposing their length and width—rather than on any of their thicker edges.

Videos

“Architects, not Architecture” has decided to open its archive to help us navigate the global lockdown, serving as a source of inspiration and entertainment for the architectural community. It features a selection of the best talks from their 35 past events, previously unreleased to the public—including Tatiana Bilbao, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Anupama Kundoo, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand, and Kjetil Thorsen.

Each week, ArchDaily will share one of the full talks that “Architects, not Architecture” is publishing daily on its website as part of its "new event": Home Edition 2020 (www.architectsnotarchitecture.com).

As an exclusive, Plataforma Arquitectura is presenting one of the talks in Spanish. Below is the presentation by architect Benedetta Tagliabue.

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Earth is a material that has been used to construct buildings since time immemorial. Its low environmental impact and the variety of techniques available for working with this material have allowed its use to endure in architectural projects worldwide. Whether using rammed earth, wattle-and-daub (bahareque) systems, or adobe structures, numerous contemporary projects rework and reinterpret these traditional methods to shape their spaces.

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"How will we live together?" The question, the theme of the 17th Venice Biennale, has been providentially timely. Indeed, it has acquired a sense of urgency with the outbreak of COVID-19 and the crisis it has unleashed, prompting us to examine the sustainability of our current civilizational model and the need to renew both thought and action regarding the environment. In response to an article published on ArchDaily titled How Will We Live Together with All Other Species?, this article aims to contribute further perspective to the debate.

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Similar in nature to silos and granaries, the barn is an essential building typology within agricultural storage processes. Their designs are typically simple and functional. Serving specifically as facilities to store large volumes of raw materials, they are characterized by high ceilings, wide spans, and relative flexibility. These structures protect agricultural products—such as cereals, fruits, grains, straw, and hay—from the sun, rain, moisture, and pests.

El Equipo Mazzanti's ongoing commitment to improving spatial quality and the experience of educational environments is one of the defining hallmarks of Colombian practice. Below, they share an in-depth exploration of their project, the modular preschool system - CDI for the department of Atlántico in northern Colombia.

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This article on housing in Mexico aims to understand the city we have experienced. The guidance of specialists was crucial to grasping some of its complexity. Special thanks to Josefina McGregor, Andrés Sañudo, and Rosalba Loyde for sharing their knowledge for the realization of this article.

When lockdown reached Mexico in March due to COVID-19, the hashtag #YoMeQuedoEnCasa became more relevant than ever. Yet, as the days passed, the slogan was replaced by #ParaQuedarseEnCasaHayQueTenerUna after several media outlets and citizen collectives denounced the attempted eviction of an elderly person from their apartment in the Trevi Building in the middle of quarantine. These evictions have occurred gradually, such as that of reporter Carlos Acuña in August 2019.

We have often heard about BIM (Building Information Modeling) and the wide range of opportunities it brings to the AEC (Architecture, Engineering, and Construction) industry. But how are these BIM models structured? This article explains the components of these models and their characteristics based on a BIM Standard, while addressing the importance of BIM Catalogs and BIM Libraries.

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At ArchDaily, engaging with architects through conversations that reveal their working methods, histories, and reflections—both personal and collective, within their teams and the broader professional community—has always been a core priority. This dialogue not only brings knowledge to the professionals building our world, but also provides future generations with tools and experiences as they enter the workforce, always maintaining a critical eye on architectural practice.

"Art at the service and disposal of the people"—this is the primary goal of Metro21, a Chilean urban art gallery dedicated to exhibiting works and managing projects for artists working in public space.

"De cancha en cancha" (From Court to Court) is their initiative to reclaim shared spaces that have fallen into disuse and disrepair across many of the country's localities—a common outcome of a lack of long-term upkeep.

In the field of architecture, the technological, social, and cultural changes driven by 21st-century globalization processes have enabled the development of transnational teams and diverse firms designing projects with innovative perspectives and visions unmoored from a single geographical location. Hyper-communication, exchange, and advanced digital resources are design tools that have allowed architects to operate with a more global vision of the practice, transcending national borders and enabling them to approach architectural challenges in a more open and pluralistic way.

According to the UN, the share of the world's population living in urban areas, currently about 55%, will rise to 70% by 2050. Managing this rapid urban growth is a daunting task for governments; among the most common challenges is providing housing, basic services, and food to city dwellers. Food security in major urban centers depends on several factors, including food availability, access, and quality.

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As one of Mexico's most prominent cities and business hubs, Monterrey is situated within the territory of Nuevo León, a state in the country's Northeast region that borders Texas, defining a significant portion of the US-Mexico border. Covering just over 451.30 square kilometers with an average elevation of 500 meters above sea level, the municipality is bordered to the north by San Nicolás de los Garza and General Escobedo; to the south by San Pedro Garza García and Santiago; to the east by Guadalupe, Juárez, and Cadereyta; and to the west by Santa Catarina and García.

Medellín-based firm Taller Síntesis shares the following article emphasizing the importance of recognizing the rural built environment—which accounts for most of the country's territory but not most of its architectural practice—in order to raise awareness of how architecture is directed and recognized in Colombia. Read on below.