CityMakers is working alongside ArchDaily to publish a series of articles, conversations, and interviews with the diverse actors in city co-production behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20, 2019.

For this installment, we have compiled excerpts from a conversation with architect and urban planner Victor Torres, Creative Director of CityMakers, who invites us to reflect on the need to rethink traditional models of making and learning to build cities, and on CityMakers, a community that seeks to inspire change through on-site knowledge transfer in exemplary cities around the world.

The Spanish Architecture Prize (Premio de Arquitectura Española) has been awarded biennially by the Higher Council of the Colleges of Architects of Spain (CSCAE) since 1993 to promote the quality of architectural works built across Spain.

The award has recognized built works by architects such as Enric Miralles, Mansilla y Tuñón, Sara de Giles, and Francisco Mangado Beloqui, among others, with projects including the Royal Collections Museum and the Palma Convention Center and Hotel. Explore all the winning projects below.

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It is true that designers, architects, and the general public share an endless fascination with abandoned architecture. Throughout history, shifting economies, disasters, regime changes, and sheer incompetence have forced the evacuation of striking architectural structures, which today serve as curious—and even haunting—monuments to bygone eras.

This fascination has led to the publication of several articles on our site exploring the mysteries of some of the most famous sites through text and photography. Yet, this curiosity has also driven individuals to venture out and document their experiences firsthand. Such is the case of Mike Corey, a YouTuber who, through his channel Fearless & Far, has dedicated himself (among other pursuits) to exploring some of Mexico's most famous abandoned buildings.

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The Forêt Monumentale is a sustainable art and architecture exhibition featuring temporary works and pavilions designed as "site-specific" installations, created especially for a 4-kilometer trail in the Green Forest of Rouen, Normandy.

The family of José Antonio Coderch [1913-1984] has handed over the Catalan architect's significant archive to the Reina Sofía Museum in Madrid. With this acquisition, the renowned Madrid museum seeks to follow the path forged by other contemporary art institutions, such as the MoMA in New York or the Pompidou in Paris. Because these institutions already feature dedicated architecture departments, the Reina Sofía aims to expand its own holdings, incorporating both architectural movements and the individual professionals who shaped the art of building. This initiative has been promoted for several years under the leadership of the museum's director, Manuel Borja-Villel.

The archive, which was stored in a utility room at the home of one of Coderch's children, consists of 9,800 documents organized across 875 folders and dating from 1941 to 1978. It includes plans and sketches of his architectural projects; designs, photographs, and negatives of his works, alongside family photos; professional correspondence; invoices and receipts for each project; as well as magazines, books, publications, and scale models; portraits of the architect, several of his numerous awards, and personal belongings. 

Since the mid-twentieth century, Latin American cities have undergone metropolization processes in which transportation has been heavily impacted by the exponential growth of private vehicle use. This is driven by rapid, unregulated urban sprawl that causes cities to spread extensively across the territory. This physical expansion is compounded by deficient public transit management and weak domestic socioeconomic conditions, both of which severely constrain the development of transportation systems.

Córdoba, Argentina's most populous city after Buenos Aires, is a prime example of this paradigm, featuring one of the largest urban footprints in the world at 576 square kilometers (excluding its metropolitan area). Its physical structure is radiocentric, with transport corridors converging in the city center, creating a dense core where services are concentrated and an ever-expanding periphery.

Today, when it comes to urban planning, the design and pursuit of inclusive cities is generally promoted. That is, fostering collective environments where all sectors of society can thrive.

How much easier would this task be if spaces were created where different segments of society could express their needs regarding how they live?

“Leo Leo! Que Ves? La ciudad contada por los niños y las niñas” is a project that originated in the city of Córdoba in 2017, within the framework of the artistic and cultural activities program of the Undersecretariat of Culture at the National University of Córdoba. It continues to develop activities such as “Ciudad niñez-ca,” led by Paola Antonietti and workshop facilitators Camila García Reyna, María Paz Pérez Roque, Rocío Maldonado, Gabriela Soto, and Matias Zanetti, alongside FAUD's Urbanism 1A department and the City and Territory Studies Workshop.

We explore this project through the words of its creators.

Alexandra Cohen presents her master's thesis on the systematic cartographic analysis of the morphological intersection between the Cerdà urban plan and pre-existing urban structures in Barcelona, Spain. Through her cartographic work, she aims to demonstrate how two highly distinct urban forms can integrate to bring immense value to the city, preserving history within a modern plan.

Concéntrico is an International Architecture and Design Festival that, through a democratic approach open to all citizens and visitors, aims to reflect on the urban environment and the city.

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Mares is an urban transformation and social economy project developed by estudio SIC, VIC (Vivero de iniciativas ciudadanas) and TXP (Todo por praxis) in Madrid, Spain. The project reclaims four former buildings across four different districts of the city, converting them into innovation hubs. Each hub is linked to key urban challenges: Mobility, Food, Recycling, Energy, and Care.

Earthen construction remains highly relevant today, spanning the preservation of architectural heritage, new projects seeking sustainable horizons, and numerous training programs offered by institutes and universities. Yet we cannot overlook one of the major driving forces behind this building material: self-construction. Thanks to its technical advantages and accessibility, communities worldwide have chosen to build their settlements with earth. Consequently, construction becomes a collective exercise where every individual can contribute to shaping a shared future.

In this article, we look at how the NGO Terrachidia works with the community of Mhamid in Morocco to rehabilitate public spaces chosen by local residents. Supported by volunteers, they rescue regional building traditions, successfully preserving and highlighting the local knowledge embedded in places where the pursuit of modernity has led to abandonment, but which remain deeply valued by those who inhabit them.

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While many of the homes built during the Modern Movement—as design experiments on new ways of living—fostered the early emergence of "programmatic hybrids" by typically linking the residences of artists, painters, or architects with their workspaces (one need only recall, for instance, the atelier Le Corbusier designed for painter Amédée Ozenfant in 1922), today, new work models and hyperconnectivity have further driven the development of a new typology where workspaces are integrated into residential architecture. Architects, writers, photographers, designers, and painters increasingly choose to integrate their studios and workshops into their homes, merging living and working into a single whole.

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Pirwi, the leading national design editor, recently presented new collections featuring collaborations with Mexican artists and designers, including Daniel Pouzet, Joel Escalona, Moisés Hernández, Pablo Herrera, Sebastián Ángeles, Sergio Morales, and Mario García Torres. These collaborations range from small objects such as shelves and furniture to design pieces that offer a critique and reflection on the era we inhabit. Some of the pieces shown below come together as a complete range of daily-life objects designed by Pirwi, reflecting the brand's aspiration to reach a more inclusive audience and refresh its image with materials and finishes not previously explored.

Curious, inquisitive, and tenacious, Miguel Fisac [1913–2006] learned by doing. Fascinated by technology and construction, his direct on-site experience made up for everything that neither university nor books could teach or convey to him. Although his early work could be described as "academicist," within a few years the architect from Ciudad Real managed to shed this approach, turning instead to organic-patterned masonry and beams with bone-like logic. All of this was rooted in an intrinsic, personal commitment to creating a humanized architecture aligned with technical precision.

When designing outside of urban areas, where property lines are not constrained by party walls and adjacent buildings do not dictate the layout, some of the most honest architectural responses emerge regarding how to intervene and what stance to take toward the surrounding landscape.

The following four architectural projects located in the Province of Córdoba, shaped by the topographical conditions and the specific characteristics of their surroundings, establish a profound sense of belonging with the landscape. By blurring the line between the natural and the artificial, they offer valuable tools and insights for designing on suburban plots.

Automation has become a major talking point—not only for its potential to replace countless low-income or low-skilled jobs, but also for its capacity to render entire professional careers obsolete through artificial intelligence and machine learning.

At ArchDaily, we opened the floor to this discussion in 2017 with an in-depth report on the subject, and we recently turned to our Instagram audience to ask what they think about automation. Do they believe it will affect them? Our readers seem confident: some argue that architecture is an art—or rather, a discipline centered on emotions—even if they overlook the standardization and modulation processes already established in the real estate market. According to those who responded to our poll, this emotional dimension inherent to architecture is precisely what makes it harder to automate.

On Tuesday, April 23, Archiprix Chile 2019 announced the winners of this year's edition at the Centro Cultural Estación Mapocho, honoring the thesis projects of young Chilean architects with three top prizes and three honorable mentions. The award ceremony was preceded by a lecture by Martín del Solar, co-founder of Grupo Talca, a Chilean practice featured in the 2016 Venice Biennale.

Originally published in ArquitecturaAhora, architect Ana Sugranyes explores the origin and evolution of the concept of the right to the city, from 1960s Paris to its global expansion.

In the name of social integration or sustainability, the United Nations New Urban Agenda (2016) also incorporated a reference to the right to the city. “Words, then, are of no use: they are just words,” says Alberti. Meanwhile, Chile maintains its high level of income inequality, which has a direct, correlative effect on the deep socio-spatial segregation of its territories and cities; this, in turn, corresponds to worrying levels of social, cultural, and structural violence. 

For the third consecutive year, National Monuments Day will take place during the first weekend of May throughout Argentina, coordinated by the National Commission of Monuments, Places, and Historic Assets of the National Ministry of Culture.

What Will Happen Here? (O que vai acontecer aqui?) is a new documentary by Left Hand Rotation, in collaboration with Stop Despejos and Habita, on the housing struggles in Lisbon—a city where rents have increased by 50% over the last three years and that has become the leading European city for real estate fund investment.

Exhibited in a parallel exhibition at the 2018 Venice Biennale, the Tropi-Co-Re Housing project by SUMA Arquitectos reflects on the intersection of urban and architectural design within the low-income residential context of an equatorial/tropical climate, investigating alternative material systems for its construction, such as bamboo truss structures and folded metal plate roofs.

Read on to explore the project in detail, in the words of its designers.

Promoted by the Uruguay River Administrative Commission, organized by the Society of Architects of Uruguay (SAU) and the College of Architects of the Province of Entre Ríos (CAPER) —and sponsored by the Argentine Federation of Architect Associations (FADEA)— the call for entries is now open for the binational preliminary design competition to develop a Control Laboratory for the environmental analysis of the Uruguay River.

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As part of the 2nd Placemaking Latinoamérica gathering –organized by Lugares Públicos A.C.– which took place in Mexico City during the first and second weeks of November, various activities were carried out, including the restoration of eight public spaces led by Mexican and Latin American participatory urban planning specialists in the boroughs of Cuauhtémoc, Iztacalco, and Miguel Hidalgo.

Together with a group of researchers, over the last five years we have been studying working-class housing developments in southern Chile: the coal basin in Lota, Schwager, and Pilpilco; the textile towns of Bellavista and Carlos Mahns in Tomé; and the working-class settlements in Valdivia and Magallanes.