Pelli Clarke & Partners has completed the Lola Mora Cultural Center in San Salvador de Jujuy, Argentina, a new cultural institution dedicated to the life and work of Argentine sculptor Lola Mora (1866-1936). Located in the country's northwestern region, the project is the firm's first cultural building in South America and the final project led by its founder, the late César Pelli. Designed as a net-zero facility, the center brings together six of Mora's monumental marble sculptures for the first time in more than a century, providing a permanent home for works that were previously displayed outdoors in Jujuy.
Louisville's Belvedere in Kentucky is a 53-year-old gathering place for concerts, festivals, and community events. The elevated concrete plaza was built on top of the city's largest parking structure and stands over a major highway overpass. Since 1973, it has functioned as a riverfront civic space for events and large gatherings, but its use as a casual public space is in evident decline. In its current state, the space lacks shade, greenery, and amenities, while the concrete deck has worn over the years. In February 2025, Heatherwick Studio unveiled the first images of its vision to transform the Belvedere, a project commissioned by the city's mayor and the Louisville Metro Government. This week, the firm released new images of the redesign as an open, green, and flexible space connected to downtown Louisville.
sauerbruch hutton and Studio Gang have been selected to renovate the German House in New York following an international competition organized by the Federal Republic of Germany. Located on United Nations Plaza in Manhattan, the building houses the Consulate General of Germany, the Permanent Mission of Germany to the United Nations, and several affiliated cultural institutions. The project marks the first collaboration between the two practices. Berlin-based sauerbruch hutton will serve as Lead Designer, while Studio Gang will act as General Planner and Architect of Record, overseeing project delivery and implementation. The proposal focuses on adapting the existing building, with the stated goal of extending its lifespan while improving its operational and environmental performance.
Parque Prado, Colombia, by Connatural Arquitectura en el Paisaje. Image Courtesy of International Union of Architects (UIA)
International Youth Day, observed annually on August 12, is marked in 2026 under the theme "Different Contexts, Common Aspirations," highlighting the shared aspirations of young people across diverse social, economic, and geographic realities. Despite differences in where and how they live, young people around the world continue to seek dignity, opportunity, meaningful participation, decent work, quality education, and a sustainable future. The day provides an opportunity to recognize their contributions while drawing attention to the conditions and opportunities that shape their lives.
Against a backdrop of climate change, inflation, and armed conflict, the global energy system is undergoing change and facing scrutiny. As stated by the United Nations, buildings must be heated, lit, and electrified through clean, accessible, affordable, sustainable, and reliable power sources. Architecture and urban planning can contribute both to expanding energy access and to exploring different forms of storage. The Toronto-based startup Civic Grid designs and builds energy storage systems with the aim of changing the relationship communities have with the electrical power behind everyday life. Their first architectural battery was designed as public architecture by architects Jack Self and Josh Harskamp with industrial designer Max Fine. The prototype is the evolution of a deployable energy system developed with Lisbon Civil Defence for the Lisbon Architecture Triennale 2025, still in operation, and is paired with a scale model.
German filmmaker Wim Wenders is set to present "From Inside Out – The Architecture of Peter Zumthor," a new documentary examining the work and architectural approach of Pritzker Prize-winning architectPeter Zumthor. Running for 114 minutes, the film uses 3D cinematography to document Zumthor's buildings through the perspectives of visitors, users, inhabitants, and craftspeople. The documentary will have its world premiere in September 2026 as part of the Venice International Film Festival's Venice Open – Out of Competition program.
On Monday, 10 August 2026, a magnitude 7.4 earthquake struck Colombia's Pacific and Caribbean coasts. While the seismic event lightly affected the southern border of Panama and the northern border of Ecuador, Colombia has declared a national state of emergency. The earthquake has caused 111 deaths according to official reports, with the toll expected to rise as search and rescue efforts continue. According to the Servicio Geológico Colombiano (SGC), the epicentre was located 96 kilometres beneath the surface near San José del Palmar, a rural area in the northwest of the Chocó province. Infrastructure damage extends to densely populated cities including Cali, Pereira, Manizales, and Armenia, affecting an area with a population of about 3.5 million people. This seismic event follows four others that occurred less than two months ago in Japan, the United States, and Venezuela, adding to reconstruction efforts already underway worldwide.
The TürkiyePavilion has announced "Spolia Futures" as its official exhibition for the 20th International Architecture Exhibition of La Biennale di Venezia, which will take place from May 8 to November 21, 2027. Commissioned by the Istanbul Foundation for Culture and Arts (İKSV), the exhibition will be curated by ba-be commons, a research collective composed of Başak Eren, Asya Ece Uzmay, Beril Sarısakal Erkent, and Ece Yetim. The proposal was selected through an open call and two-stage evaluation process to represent Türkiye at the 2027 edition of the Venice Architecture Biennale. The proposal examines spolia, traditionally understood as the reuse of architectural elements, as an evolving architectural method rather than solely a historical practice.
Every year on August 9, and since 1994, UNESCO has commemorated the International Day of the World's Indigenous Peoples. The United Nations has not yet adopted an official definition for the term 'Indigenous peoples,' but considers, for social recognition, self-identified non-dominant groups of society, with distinct language, culture, and beliefs, organized in separate social, economic, and political systems. From a territorial perspective, the UN understands the term through historical continuity with pre-colonial or pre-settler societies, and the group's strong links to territories and surrounding natural resources. The persistence in maintaining and reproducing ancestral environments and systems is also recognized as an element of identity, encompassing other designations such as first peoples/nations, aboriginals, or ethnic groups. Following the occasion's aim to raise awareness, in this article we present contemporary reflections, regional cases, and interviews about ancestral constructive knowledge and how it can build the future.
The Canadian Centre for Architecture (CCA) is presenting "The fortune of the city is that it has never been perfect," an exhibition dedicated to the urban work of Portuguese architect Álvaro Siza. On view in the institution's Main Galleries from May 21, 2026, to January 10, 2027, the exhibition examines Siza's approach to city-making through a selection of projects that engage with the historical, social, and physical conditions of existing urban environments.
Curated by Giovanna Borasi with Laura Aparicio Llorente as curatorial assistant, the exhibition explores how Siza's architectural practice extends beyond the design of individual buildings to encompass neighborhoods, public spaces, and broader urban structures. Rather than presenting the city as a fixed or idealized condition, the exhibition focuses on Siza's method of working with existing contexts, considering history, topography, infrastructure, and everyday life as fundamental components of the design process. Through this perspective, the exhibition reflects on questions surrounding urban transformation, the continuity of the built environment, and the relationship between architecture and planning.
UNESCO-UIA World Capital of Architecture is a title created jointly by UNESCO and the International Union of Architects (UIA). On 5 August 2026, Beijing was named World Capital of Architecture for 2029, a title awarded every three years to a city that hosts a year of architecture-focused programming timed to coincide with the UIA World Congress of Architects. The designation was made upon the recommendation of the Joint Committee for the World Capital of Architecture, chaired by architect Dominique Perrault. It follows the recent conclusion of the UIA World Congress of Architects 2026 in Barcelona, current World Capital of Architecture, and builds on the experience of Rio de Janeiro and Copenhagen.
This week, architecture's relationship with culture took center stage through exhibitions, public projects, and new cultural infrastructure that extend architectural discourse beyond the building itself. While major exhibitions from Australia, Shanghai, Barcelona, and Copenhagen examined themes of housing, landscape, and place through research and design, newly unveiled projects in China and Italy demonstrate how museums, performance venues, and mixed-use projects are increasingly conceived as open public landscapes rather than isolated institutions, while new exhibitions and construction milestones reflect ongoing experimentation in adaptive reuse, context-responsive design, and flexible urban environments.
The Grand Paris Express project consists of 200 kilometers of new, fully automated metro lines, 68 new stations, and four new orbital lines (15, 16, 17, and 18), in addition to the extension of Line 14. The network is being delivered in phases between 2024 and 2031: Line 14's 8 stations are fully operational following its 2024 extension, Line 18 is the most advanced of the new lines, with testing underway ahead of its first opening, and civil engineering is largely complete on many sections, with tracks, systems, architectural fit-out, and testing now progressing station by station. Each of the 68 stations is assigned to a specific architect or architectural team, sometimes in collaboration with landscape architects for above-ground elements.
MVRDV Bihailou Art Village. Image Courtesy of MVRDV
Designed by MVRDV, Bihailou Art Village is a mixed-use cultural and commercial centre currently under construction in Shenzhen, China. Located in the Shatoujiao neighborhood near the Hong Kong border, the mixed-use project combines cultural, commercial, and public programs within a vertically stacked composition derived from the firm's "Vertical Village" concept. Designed to accommodate independently operating venues while maintaining publicly accessible circulation, the development reinterprets the scale and spatial character of the surrounding urban fabric through a series of distinct volumes.
MAD / Ma Yansong's Shenzhen Bay Culture Square exhibition hall and park project began in 2018, with the project completed in 2020. The 188,000 m² building sits on a site area of approximately 51,000 m² along the city's waterfront, at the heart of Houhai, Nanshan District, the headquarters hub of Shenzhen's Greater Bay Area. The masterplan for the site, which includes the Creative Design Hall, the Shenzhen Science and Technology Museum, and a vast public green space, was announced by MAD in 2020 and was expected to be completed in 2023. After eight years, the project, led by Ma Yansong, Dang Qun, and Yosuke Hayano, is now complete and is intended to serve as a cultural facility for design and cultural exchange.
Photographer Paul Clemence has unveiled a new photo series documenting Le Corbusier's Notre Dame du Haut in Ronchamp, France. The collection revisits one of the 20th century's most influential works of religious architecture through an exploration of light, materiality, and atmosphere, highlighting the sculptural qualities of the chapel and the changing relationship between its concrete surfaces and natural illumination. Combining black-and-white exterior photographs with color interior images, the series presents a new documentation of a building that continues to shape architectural discourse more than seven decades after its completion.
The idea of a "Great Green Wall" designates a large-scale reforestation initiative undertaken specifically to halt desertification. Currently underway in Africa to prevent the advancement of the Sahara Desert and in China around the Gobi Desert, it is a landscape, agriculture, economic, and social development project in reaction to the rise of global temperatures, over-farming, and unsuitable land management. Both projects, currently underway, are intersectional initiatives involving governments from different countries, civil society organisations, and both individual volunteers and organised groups, guided by the idea of a unified response to global environmental issues through wildlife restoration. It is a large-scale, infrastructural application of a 'green' or 'wildlife corridor': a linear strip of vegetation or natural landscape that connects fragmented ecosystems and wildlife populations separated by human development on a continental scale.
