Germane Barnes: The Latest Architecture and News

Harvard University Graduate School of Design (GSD) has announced Jingru (Cyan) Cheng as the recipient of the 2023 Wheelwright Prize, a study grant created to support globally-minded research and investigative approaches to contemporary architecture. The winning research project, titled “Tracing Sand: Phantom Territories, Bodies Adrift,” delves into the multifaceted impacts of sand mining and reclamation, understood from cultural, economic, and ecological perspectives. The unassuming material has become an indispensable element for our built environment and human communities, serving as a vital component in the production of glass, concrete, asphalt roads, and artificial land. Yet the process of dredging underwater systems and sand mining leads to the disruption of habitats in a process that simultaneously shapes one habitat while devastating another.

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Staged stories on community and identity, ephemeral architecture showed that in 2022 it doesn't have to be permanent to be powerful. A direct and popped-up public installation can shift from preparation to action, reclaiming and defining what makes a community unique. Highlighting installations to acknowledge linguistic diversity in NYC, a giant table to celebrate culinary in Barcelona, and a large-scale net in Dubai to represent the local culture, among others, these initiatives seek to understand ways in which local and regional expressions can help cities to be more equal and diverse.

Globalization has connected the world boundaryless. While it has also made information more accessible, it has led to homogeneity and identity crisis at melding unique societies and cultural expressions. Cultural differences are undeniable as globalization grows. Hence, as architecture produces common living standards, it can also highlight singularities. Festivals, installations, and pavilions, 2022 was the year to express local memories to be recognized and celebrated, setting Community and identity as central topics in ephemeral architecture throughout the year.

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Harvard University Graduate School of Design (Harvard GSD) has announced Marina Otero as the winner of the 2022 Wheelwright Prize. The 100,000 USD grant funds two years of research and travel to support contemporary architecture's investigative approaches, with an emphasis on globally minded research. The winning proposal, “Future Storage: Architectures to Host the Metaverse”, examines a new architecture paradigm for storing digital data. The project looks at how reimagining digital infrastructures could provide answers to the unprecedented demands facing the world today. The field research, data collection, and prototype development will result in an open-source manual for data center architecture design containing examples of ecological, circular, and egalitarian data storage models.

The United States Artists Fellowship Award is an annual grant that recognizes the "most compelling artists working and living in the United States, in all disciplines, at every stage of their career". Every year, individual artists are anonymously nominated to apply by a diverse group of scholars, critics, producers, and other arts professionals. Among the 63 recipients of 2022, 5 were selected from the fields of architecture and design with the aim of strengthening and enriching the industry and their communities.

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Germane Barnes has won the 2021 Wheelwright Prize from Harvard University Graduate School of Design. The $100,000 prize will fund two years of travel and research for Barnes’s proposal Anatomical Transformations in Classical Architecture, an examination of classical Roman and Italian architecture through the lens of non-white constructors. Barnes will study how spaces have been transformed through the material contributions of the African Diaspora while creating new possibilities within investigations of Blackness.

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The Museum of Modern Art has launched Reconstructions: Architecture and Blackness in America, the fourth installment of the Issues in Contemporary Architecture series. Investigating the intersections of architecture, Blackness and anti–Black racism in the American context, the exhibition and accompanying publication examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.

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The Harvard Graduate School of Design (Harvard GSD) will no longer refer to a private residence at 9 Ash Street in Cambridge as the “Philip Johnson Thesis House.” Moving forward, the home, designed by and inhabited by Johnson while enrolled at the Harvard GSD in the 1940s, will now be known solely by its physical street address.