On September 12 and 13, the 36th Colombian Congress of Architecture and Urbanism will take place in the city of Barranquilla. ArchDaily will be on-site to keep you updated on the most pressing discussions in architecture and urbanism across the country.
The book is simply another design tool—indispensable to many, but of limited use to others. When I speak of books, I am not referring to the common association with literature (novels, poetry, fiction, …), which are also useful within the abstract and diffuse design process. Enric Miralles, for instance, used to turn to verses by Lorca or the creative world of Queneau to anchor those early design intuitions. Yet I am not referring to this kind of reading, which is equally recommended, but rather to what is specific to our profession—to our unique and sharp gaze. Architects look for inspiration in books, but it is only when they reflect their thoughts on paper that they reveal their true, intangible nature.
Architects are fortunate to have access to a wide variety of print subgenres. These range from deep written reflections on the discipline to illustrative volumes of architectural images, construction details, plans, and drawings. We are shaped by what we see; that is undeniable. Consequently, this entire wealth of knowledge stays with us throughout the design process, surfacing unpredictably as we address the challenges that arise. Simply turning to a book can open doors along this design path, just as it can close others. We navigate by intuition, but we are always guided by parameters established from the very beginning. Looking for external references in books and magazines is a difficult exercise at first, as the siren song of countless sources can lead us astray. Knowing how to choose these references and initial guidelines will outline a clear, feasible path where the design becomes more manageable, accessible, and adaptable to future changes.
"The French Institute for Andean Studies (IFEA) has chosen a winner for the expansion and renovation of its headquarters in Lima. The proposal by ESARQUITECTURA + Román Bauer Arquitectos emerged victorious in the competition... with a project that highlights the inner courtyard of the historic house." The IFEA has selected a winner for the expansion and renovation of its Lima headquarters. The proposal by ESARQUITECTURA + Román Bauer Arquitectos has emerged victorious in the competition.
In 1979, CHC opened its doors as a toilet seat manufacturer in Chile. The company took its first steps manufacturing these under the Europa brand, later adding Delfin Coatings industrial paints, followed by bathroom fixtures from the Spanish brand Roca. During the 1980s, public restrooms in Chile used products designed for residential use, leading to frequent failures and a poor reputation. This unmet need opened the door to importing specialized products from the US and Italy to improve the country's public restrooms. Years later, CHC innovated by designing products specifically for the Chilean market. It developed the Wasser brand, introducing new fixtures to homes and buildings, such as whirlpool tubs, prefabricated furniture, bathroom partitions, shower trays, laminated glass screens, and cabins, among others.
During the 2000s, aiming to offer comprehensive solutions, the company added ceramic tiles, porcelain tiles, vinyl and laminate flooring, sports surfaces, and ventilated facades to its portfolio, incorporating more than 20 renowned brands based in Spain, Italy, and Brazil.
On May 11 and 12, Rosario will host the second consecutive edition of "Open House," an open-door architecture festival for anyone interested in discovering the city's architecture and urban design.
On September 13, the awards ceremony for the XI Chiapas Architecture Biennial 2019: Architecture + Society took place. The Chiapas Association of Architects (Colegio de Arquitectos Chiapanecos) invited all architects to participate this year. The event sought to identify the state's best architectural works, publications, research, and theses, recognizing their authors and promoting the most relevant projects to foster reflection on contemporary Chiapas architecture through analysis and criticism. A total of 55 works and 5 theses were submitted, resulting in 1 Grand Prize and Gold Medal, 5 Silver Medals, and 7 Honorable Mentions across 23 categories. The winners were selected by a jury comprising architects Joel Olivarez, Óscar Martínez, Julio Gaeta, Luby Springall, and María Emiliana Oredáin.
Known as Latin America's leading art fair, ZONAMACO held its 2019 edition from February 6 to 10 at Mexico City's Centro Citibanamex. The event showcased everything from historical modern art masterpieces to contemporary works by global artists, collectible design pieces, and special editions.
As part of the annual CEMEX Awards, the recipient of the Arq. Marcelo Zambrano Scholarship has been announced, reaffirming the commitment to supporting the development of architecture in Mexico. CEMEX awards the Arq. Marcelo Zambrano Scholarship in honor of the exemplary professional dedication and leadership of architect Marcelo Zambrano, aiming to support young Mexicans in pursuing postgraduate studies at prestigious international universities.
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The results of the first stage of the Pabellón Eco 2020 have been announced, following the submission of 90 portfolios from different states across the country. The jury selected 5 portfolios that will present a pavilion proposal to be developed in the courtyard of the Museo Experimental El Eco. Read on for the full list:
As part of the activities taking place at LIGA, Espacio para Arquitectura in Mexico City, the Mexican-Bolivian duo Escobedo Soliz has created an installation titled Tórax. Built from wooden posts, the piece forms a rhythmic oval structure whose construction evokes the ribcage of a great whale, trapped inside LIGA's gallery space.
After eight days of intense work in Santiago, architecture students from 12 universities across Chile developed urban activation prototypes to facilitate mobility and public use in various areas of the Franklin neighborhood. The projects were created for the XXI Chilean Biennial of Architecture and Urbanism.
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This month we presented a grim future for the world's urban centers: the temperature increase of 520 cities by 2050. The warning that "Madrid's climate will resemble Marrakech's today" highlights not only a major concern but an urgent call to action, especially for designers of the built environment.
In a timely response, the Higher Council of the Colleges of Architects of Spain (CSCAE) issued an institutional declaration of climate and environmental emergency, committing to establish and reinforce measures to halt global warming and transition the country to a low-environmental-impact economy.
The following is an overview of the declaration issued by the CSCAE.
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To mark World Architecture Day, the architects' collective efimerARQ, alongside the Association of Architects and the School of Architecture of Valladolid, developed a design exercise involving collaboration between students and professionals. The activity, titled “Ephemeral Architecture as a Pedagogical Device,” took place at the Patio Herreriano Museum of Contemporary Art in Valladolid, Spain, aiming to create an open-air classroom that allowed students to study current and past trends through fieldwork, viewing the discipline as a medium for exploration, research, discussion, and collaboration. The base structure used to build the three installations was a fundamental "auxiliary" construction material: scaffolding.
Within the framework of the United Nations Climate Change Conference (COP25), the Official Association of Architects of Madrid (COAM) will host, from December 2 to 13, the conference “Architecture Facing Climate Change: Time to Act,” as part of the Castellana Verde Axis. The objective of this initiative, which stems from a collaboration between COAM, the Higher Council of Colleges of Architects of Spain (CSCAE), and the CSCAE's “Observatorio 2030,” is to raise public awareness about the key role cities play in the fight against climate change and to promote shared strategies within the building sector to help curb global warming.
On August 30 and 31, 2019, the Encuentros 2019 Festival was held in Cancún under the theme Let's Talk About the City, featuring various activities that established a dialogue between residents and key stakeholders in urban development. This was the first time the event was held in Cancún and the second time nationwide, in an effort to decentralize and bring knowledge to citizens and architecture students to help them rediscover their own city.
Recently, a Mexican-pink installation by design studio Rael San Fratello on the US-Mexico border went viral on social media. Its powerful political message resonated as residents from both countries gathered to ride the seesaws, symbolically breaking down the geopolitical barriers of one of the hemisphere's most violent regions.
The third edition of the “Architecture and Wood” exhibition was held in Puerto Montt, Chile. This edition aimed to continue expanding the range of exhibitors by once again inviting prominent professionals to participate in an architectural commission, exploring and speculating on the constructive and formal possibilities of the material. The event serves as an invitation to showcase the value of timber architecture in the southern part of the country.
The history of the Triadic Ballet dates back to 1919, when the Bauhaus was founded in Weimar, Germany, including a theater workshop within its curriculum. Directed by Oskar Schlemmer, this theater workshop focused on staging new concepts and reflections on the relationship between humans and space, based on a geometric analysis of bodily forms and movement in space.
The volume of debates, ideas, discourses, and discussions triggered by theater at the Bauhaus—and its subsequent influence on architectural production—is almost incalculable. Schlemmer opened a door to an architectural study centered on the body. One of his most famous works is the Triadic Ballet (Das Triadische Ballett), staged in 1921. It comprised 12 small-format pieces featuring 18 costume and lighting changes spanning several hours.
.jpg?1556847358 "Pueyrredón 1101 Building / Estudio Pablo Gagliardo. Image © Ramiro Sosa")
.jpg?1556847671 "Pueyrredón 1101 Building / Estudio Pablo Gagliardo. Image © Ramiro Sosa")
