With its monumental form, swept diagonal lines and elevated concrete walkways, the Issam Fares Institute building at the American University of Beirut by Zaha Hadid Architects emphasizes movement, evoking the speed of contemporary life as it presides over a connecting system of pedestrian walkways. Begun in 2006 and completed in 2014, Hadid’s award-winning concrete and glass building makes a bold statement with its prominent 21-meter, two-story-tall cantilever, which creates a covered courtyard and reduces the footprint of the building to avoid blocking circulation routes. The elevated walkways carry pedestrians through the branches of huge Cypress and Ficus trees, many of which significantly predate the building at 120 to 180 years old.
A few weeks ago we published an article on a recent sustainability crisis that often goes unnoticed. The construction industry has been consuming an exorbitant amount of sand, and it's gradually depleting. When used for manufacturing concrete, glass, and other materials, it is a matter that should concern us. Construction is one of the largest producers of solid waste in the world. For instance, Brazil represents about 50% to 70% of the total solid waste produced. But how can we change this situation if most of the materials we use are not renewable, and therefore, finite?
Popularized in Europe and gradually gaining attention in the rest of the world, Cross Laminated Timber (CLT) stands out for its strength, appearance, versatility, and sustainability.
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Australian Pavilion. Below, the participants describe their contribution in their own words.
The Royal Australian Institute of Architects (RAIA) will present Repair at the Australian Pavilion during the 16th International Architecture Exhibition – La Biennale di Venezia. Creative Directors Mauro Baracco and Louise Wright of Baracco+Wright Architects, in collaboration with artist Linda Tegg, have curated a multi-sensory living installation for the Pavilion, designed to disrupt the viewing conditions through which architecture is usually understood.
Designed by Henning Larsen and MSR Design, the New Public Service Building for the city of Minneapolis aims to consolidate several departments, currently found across multiple different sites, into one unified building. The scheme promotes the health and well-being of its 1,300 employees through maximizing daylight and green space throughout, integrating a significantly sustainable remit within the 385,000 square foot, 11 story proposal. Located diagonally across from the existing city hall, Henning Larsen brings a “knowledge-based Scandinavian design approach” to the high-performance office space, hoping to set a “new architectural agenda in North America."
The global architects at Benoy have announced their design for The Hangzhou Canal Art Center — a new, green hub for local cultural events and art exhibitions. Located in the revitalizing, Gongshu district in Hangzhou, China, the art center will occupy the former site of a thermoelectric power plant.
The Council on Tall Buildings and Urban Habitat (CTBUH) has recently released a new research study titled "Tallest Demolished Buildings" that examines 100 of the tallest buildings ever to have been dismantled by their owners. The report confirms that, if JPMorgan Chase continues with their plans, SOM's 270 Park Avenue in New York City would become the tallest building ever conventionally demolished, as well as the first over 200 meters in height.
The study showed that in most cases, the buildings were torn down to make way for newer high-rises, as was the case for the current tallest building ever to be demolished, the Singer Building in New York City. The Singer Building stood 187 meters and 41 stories tall until it was torn down in 1968 to make way for One Liberty Plaza.
Archstorming have announced the winning projects of "Coexist: Rethinking Zoos," their recent competition to design a concept for the zoo of the 21st century. The call for entries asked participants to redefine the traditional zoo and transform the space from something that is not only an exhibition of animals, but also an educational tool, and a place for research and conservation. The team of international jurors selected three winners from more than 40 countries that submitted ideas.
The site for the proposal was the zoo in Barcelona, which has committed itself to prioritizing the welfare of its animals. To promote the well-being of the animals and nature, the winning teams designed imaginative alternatives to the traditional zoo methods of interaction, such as non-intrusive paths and even 3D virtual animals. The winners show that there are new ways for visitors to understand animals that are both ecologically friendly and sustainable.
Check out the winning submissions after the break.
MVRDV has unveiled its vision for transforming the Communist-era “Tirana Pyramid” in Albania into a center for technology, art, and culture. Under the plans, the abandoned structure will be revitalized as a multifunctional technology education center for Tirana’s youth, with the existing dark interior becoming open, bright, and green.
The Tirana Pyramid was opened in 1988 as the Enver Hoxta Museum, designed in honor of Albania’s former communist leader. Since then, the building has transitioned into a NATO base during the Balkan Wars, a nightclub, and an event space. Though now in decay, the building remains a popular spot for young people keen to climb on its roof. As a nod to this unique appropriation, MVRDV has made the roof officially available for all visitors.
https://www.archdaily.com/894779/mvrdv-to-transform-communist-era-pyramid-into-center-for-art-and-technology-in-albaniaNiall Patrick Walsh
Diller Scofidio + Renfro has won an international competition for the design of a new V&A collection and research center to be located in the Queen Elizabeth Olympic Park in East London.
ArkDes, the Swedish Centre for Architecture and Design, have launched a new Instagram account showcasing “surprising objects” and never-before-seen gems from Sweden’s national architecture collection. ArkDes Collections, which presents an eclectic mix of drawings, models, and photographs by architects including Ralph Erskine, Gunnar Asplund, Sigurd Lewerentz and Bernt Nyberg, has also highlighted significant work by lesser-known practitioners, such as Léonie Geisendorf and Mariana Manner.
With four million objects, the museum cares for one of the largest collections of architectural objects in Europe. Covering Swedish architecture from the mid-19th Century up to the present day, with an emphasis on the first half of the 20th Century, objects posted on the account are selected by curators, architects, designers, and thinkers.
https://www.archdaily.com/894761/arkdes-launches-new-instagram-uncovering-hidden-objects-from-swedens-national-architecture-collectionAD Editorial Team
The way we consume long-form content has transformed drastically in recent years. More and more parts of our everyday lives are now transitioning to new digital mediums to save us time.
If you are the type of person who enjoys plugging into a good hard rock or soft jazz playlist while hammering out those 10 sheets of section details, why not simultaneously gain some knowledge about self-motivation or the latest business tactics? These 6 audiobooks could be just what you need to hear to fuel your inner entrepreneur.
As part of our 2018 Venice Architecture Biennale coverage, we present the proposal for the Israeli Pavilion. Below, the participants describe their contribution in their own words.
In Statu Quo: Structures of Negotiation is the theme of the Israeli Pavilion at the 16th International Architecture Exhibition, La Biennale di Venezia. Curated by Ifat Finkelman, Deborah Pinto Fdeda, Oren Sagiv and Tania Coen-Uzzielli it traces the complex mechanism of the 'Status Quo' within shared holy places in Israel-Palestine, which functions as a controversial and fragile system of coexistence.
Solar Egg Public Sauna by Futurniture and Bigert & Bergström - Golden A' Design Award Winner for Architecture, Building and Structure Design Category in 2018. Image Courtesy of A' Design Award & Competition
A’ Design Award & Competition, the world’s largest and most diffuse international design awards, has announced results of their 2017–2018 design awards, featuring 1,962 Winners from 100 countries in 99 different design disciplines. Entries were evaluated by an internationally influential jury panel composed of established scholars, prominent press members, creative design professionals and experienced entrepreneurs who carefully analyzed each entry.
Not all architects get the opportunity to design a museum. Between budget, scale and factors external to the field of architecture, designing a museum--and actually getting it built-- may mark the pinnacle of one's professional trajectory.
These public buildings provide an invaluable service to the communities in which they are located; from education to commemoration and (occasionally) the provision of public space, museums are "shining lights" in which architecture plays a fundamental role.
Interior view of Pavilion designed by Francis Kéré at Tippet Rise Art Center in Montana. Image Courtesy of Kéré Architecture
Tippet Rise Art Center has announced the commissioning of architect Francis Kéré to design a 1,900-square-foot pavilion for the center’s 10,000-acre grounds in Montana, USA. Envisioned as a “communal gathering space nestled among a cluster of aspen and cottonwood trees,” new renderings by Kéré Architecture depict the scheme featuring a locally-sourced log canopy.
From a shortlist of 93 buildings, 61 London projects have been awarded the 2018 RIBA LondonAwards for architectural excellence, the city's most prestigious design honor. The winners include 14 housing schemes, 8 schools, and a city farm. All of these designs will be further considered for the RIBA National Awards, to be announced in June. The winners of the national award will then create a shortlist for the RIBA Stirling Prize – the highest award for architecture in the UK.
https://www.archdaily.com/894688/61-winners-announced-for-2018-riba-london-awardsNiall Patrick Walsh
A +100 meter stretch of land beneath a train overpass in Koganecho, a district of Yokohama, Japan, underwent a progressive refurbishment in which seven different types of community space, each designed by a different architect, were built within a pre-set spatial grid. Historically there were many social issues in the area, largely in relation to its profitable but dangerous black market and red-light district. Once the illegal activity was eradicated in 2005, the underpass presented a great opportunity for social re-development, and the resultant project - the Koganecho Centre - emphasized an age-old Japanese cultural commitment, where what was once broken is used to make something new.
Kjellander Sjöberg Architects have won the competition for Nacka Port, a new sustainable and dynamic urban block. The award-winning architecture firm, which is one of the leading architectural offices in Scandinavia will build the project in an area between Nacka and Stockholm, Sweden.
Out of the three architecture offices who were invited to compete, the latter being held in discourse with the Nacka Municipality and Architects Sweden, Kjellander Sjöberg’s proposal contributes to a “vibrant urban context with an inviting and varied program."
Colombian professor Francisco Sanin and South Korean architect Lim Jaeyong were appointed as co-directors for the 2019 Seoul Biennale of Architecture and Urbanism. The announcement is followed by an inaugural edition held in 2017 with 460,000 visitors in total.
Born in Medellin, Colombia, Sanin earned his degree at the Universidad Pontificia Bolivariana. He had a crucial role in Medellin's urban transformation, working alongside former governor of Antioquia Sergio Fajardo, and was co-commissioner of the Korean Pavilion at the 2008 Venice Biennale. Currently, Sanin is an architecture professor at Syracuse University School of Architecture. Also, a practicing architect with works in Colombia, South Korea, and China.
Balkrishna Doshi, the 90-year-old architect who became the first ever Indian winner of the architecture world's most prestigious award earlier this year, will present his Pritzker Prize Laureate Lecture entitled "Paths Uncharted" on Wednesday 16th May at 6:30 pm ET. The event is hosted by The University of Toronto’s John H. Daniels Faculty of Architecture, Landscape, and Design, at the school's new home in the Daniels Building at One Spadina Crescent. The lecture will be one of the first events at the new building and marks the 40th anniversary of the Pritzker Prize. 2018 will also be the first year that the award is presented in Canada.
https://www.archdaily.com/894485/watch-balkrishna-doshis-live-pritzker-prize-laureate-lectureAD Editorial Team
Propuesta: Acceso. Image Courtesy of Consejo Nacional de la Cultura y las Artes
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Chilean Pavilion. Below, the participants describe their contribution in their own words.
At the centre of Sala dell’Isoloto stands a large-scale model of a building made of rammed earth. On closer examination, the sixty pieces that comprise the building’s oval shape appear less to be made of earth as carved in it. Layers of soil with slight variations in colour and texture recall that it is land what is at stake at the Chilean Pavilion. The layering of the pavilion’s pieces is the footprint of an artisanal process of production by which a fragile, discrete material—soil, bare earth—is transformed into a stable, monolithic object. Simultaneously heavy and fragile, these objects are in turn symbolic fragments of another transmutation: one by which slum dwellers were transformed into property owners in an event at Chile’s National Stadium, and one by which a city that grew unplanned becomes visible and fixed in a plan, that of a building able to narrate its own history.
https://www.archdaily.com/894633/chilean-pavilion-at-2018-venice-biennale-to-recreate-physical-model-of-national-stadium-to-illustrate-the-politics-of-housingAD Editorial Team
The Chicago Architecture Biennial has announced the appointment of curator and educator Sepake Angiama and architect and urbanist Paulo Tavares to the curatorial team for the event’s 2019 edition.
The new appointees will combine with Artistic Director Yesomi Umolu to lead the curation of the 2019 event, bringing expertise in research architecture and discursive practices.
https://www.archdaily.com/894627/chicago-architecture-biennial-appoints-sepake-angiama-and-paulo-tavares-as-2019-co-curatorsNiall Patrick Walsh
The Chicago Tribune has released images of an SOM-designed skyscraper scheme for the former Chicago Spire site. The two towers, measuring 1,000 and 850 feet tall (305 and 259 meters), are expected to contain 1.3 million square feet of floor space, including 850 residential units.
The proposal signals a new lease of life for 400 N Lake Shore Drive, where a 75-foot-deep, much-ridiculed foundation hole serves as the only reminder of the once-planned Chicago Spire, a 2000-foot-tall Santiago Calatrava-designed skyscraper.
I’m sitting in a busy suburban coffee-and-donut shop with the quiet, grandfatherly Indian architect, Jitendra Vaidya. When I started my life as an architecture intern in the late 90s, Jitendra was one of the most experienced technical designers I knew. Equally comfortable weighing the relative merits of various flashing details as he is discussing abstract design concepts, Jitendra is an old-school, universal architect. After more than half a century in a profession famous for grinding deadlines, Jitendra still maintains a joyful twinkle in his eye when he talks about architecture. So it’s no surprise that Jitendra is visibly animated today as he tells me about his teacher, the man who was just recognized as one of the world’s greatest living architects, B.V. Doshi.
For the Pritzker Prize—the profession’s highest honor—to be awarded to a 90-year-old academic urbanist who spent his long career primarily teaching architecture students and serving poor communities in India is a stunning development. To be fair, the caricature of Pritzker winners as arrogant, scarf- wrapped, Euro-American, Starchitects, is overblown and outdated. Recent winners such as Alejandro Aravena, Wang Shu, and Shigeru Ban, are connected in their mutual dedication to serving poor and displaced communities through innovative, culturally authentic designs. But even accepting this nuance, Doshi is fundamentally different from recent winners.
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