Herzog & de Meuron and Vilhelm Lauritzen Architects have been announced as winners of an international competition to design one of Denmark’s largest hospitals: Nyt Hospital Nordsjælland. Selected ahead of six other practices, including BIG and C.F. Møller, Herzog & de Meuron’s nature-inspired proposal will provide the New North Zealand Hospital with a 124,000 square meter facility that serves 24 medical departments and provides over 660 beds.
“The hospital organically reaches out into the wide landscape. Simultaneously its soft, flowing form binds the many components of the hospital,” described the architects. “It is a low building that fosters exchange between staff and patients, and it has a human scale despite its very large size.”
I am standing with Christine Binswanger, senior partner of Herzog & de Meuron, a few hours before the Perez Art Museum Miami opens it doors to the public for the first time. All around us, construction workers are making last minute adjustments, while troublesome clusters of VIPs take their first peak into the museum’s airy, austere galleries. The excitement is palpable.
And yet I can’t unpeel my eyes from the huge, hurricane-proof window before us. They offer enormous views of resplendent Biscayne Bay and the six-lane, 5.6km Macarthur Causeway that crosses it. Throbbing with traffic, the causeway is the kind of thing that, I imagine, people come to museums to forget. So I ask Binswanger, the museum’s project architect, how her team approached this design problem.
“Problem? What problem?” says Binswanger. “That is what Miami is about. Anyway, I find it beautiful. Don’t you?”
Suddenly I do. Or at least I find beautiful the building’s wide-open embrace of Miami, causeways and all. And I suspect that this visual (and programmatic) permeability to the city’s realities—natural and manmade—will define PAMM’s institutional success.
Hans Ulrich Obrist, co-director of London’s Serpentine Gallery, has been chosen as curator for the Swiss pavilion at the 2014 Venice Architecture Biennale. Inspired by director Rem Koolhaas’ theme, “Fundamentals,” Obrist recalled the first architects he ever met, Jacques Herzog and Pierre de Meuron, and invited them to collaborate on the exhibition.
“When I was invited to do the pavilion, I thought working with [Herzog and de Meuron] fit in with the whole idea of the biennale this year – looking to the past, and using the past as a toolbox to create the future,” Obrist told ARTINFO UK.
New York’s Park Avenue Armory, originally built in 1861 for the Seventh Regiment of the National Guard and restored by Herzog & de Meuron in 2007, is about to be temporarily taken over by Rafael Viñoly. On April 30th 2014 Artvest Partners will launch Spring Masters New York, “a fair for art produced between antiquity and the 20th century, which corresponds with Christie’s and Sotheby’s signature Impressionism and modern art auctions”. Viñoly’s hexagonal grid of exhibition rooms will fill the 55,000 square foot Drill Hall in an attempt to break with the monotony of the rectangular grid format.
The Mayor of Lyon, France, has unveiled plans for a dense, mixed-use district planned for the Lyon Confluence. Masterplanned by Herzog & de Meuron, in collaboration with landscapist Michel Desvigne, the 35-hectare scheme will be the first plot developed in the second phase of a larger regeneration initiative that aims to “double the city-center” by reclaiming a massive, post-industrial site on the city’s central peninsula. Once complete, the second phase, known as “Ilot A3”, will provide more than 2,000 homes in a lush residential park and vibrant “market quarter.”
This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world’s greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.
Tod Williams Billie Tsien Architects, Diller Scofidio + Renfro Among Shortlist for Vancouver Art Gallery
In an odd twist of fate, the architects of the soon-to-be-demolished American Folk Art Museum, Tod Williams Billie Tsien Architects, and the architects spearheading the MoMA redesign (that will require its demolition), Diller Scofidio + Renfro, will soon compete to design the Vancouver Art Gallery. Joining them on the impressive shortlist are Herzog & de Meuron, KPMB Architects, and SANAA. More after the break.
London firm Allies and Morrison has submitted planning applications for a 9.23 hectare, mixed-use development east of London’s Canary Wharf. Dubbed “Wood Wharf,” the new neighborhood will include upwards of 3,000 homes, 240,000-square-meters of commercial office space, 100 retail outlets, hospitality and more – all interconnected by a 3.6 hectare network of public space.
A 56-story, cylindrical skyscraper designed by Herzog & de Meuron will be one of three residential buildings planned for the scheme’s first phase, designed in collaboration with Stanton Williams. Allies and Morrison, who provided the revised masterplan for Canary Wharf Group, will design the first two office blocks targeted at technology-based companies.
Herzog & de Meuron just celebrated the grand opening of the Pérez Art Museum Miami (PAMM), alongside the commence of the Art Basel in Miami Beach. Located on a waterfront site overlooking the Biscayne Bay, near the MacArthur Causeway, the three-story museum’s low-profile seems to almost disappear into its surroundings – a pleasant contrast to the ornate and often form-based architecture that is typically found throughout the city. This lack of form, as Jacques Herzog described, is all about “permeability.”
“Miami is known for its iconic art deco district – in fact art deco was about decorated boxes with no great relationship and exchange between inside and outside,” Herzog continued. “The greatest thing, however, that makes Miami so extraordinary is its amazing climate, lush vegetation and cultural diversity. How can these assets be fully exploited and translated into architecture? That’s the way we tried to go with our design for the new art museum in Miami.”
Continue reading for a sneak peak inside the Museum…
As part of their annual research for the World Architecture Top 100, Building Design (BD) has compiled a list of which architects are most admired by their colleagues from across the globe. Last year’s results were somewhat predictable, with Foster + Partners leading and Renzo Piano’s Building Workshop and Herzog + de Meuron close behind. According to BD, “this year saw a trend towards more commercial names.”
This year’s “most admired” list includes:
The Kolkata Museum of Modern Art (KMOMA), Herzog & de Meuron’s first project in India, has broken ground in the new district of Rajarhat. The new museum seeks to embrace the city’s renowned cultural past and ultimately transform it into India’s “Art City”. Programs ranging from high-end gallery and art restoration facilities, to artist studios and an outdoor performance theater aims to empower local artists so they may play a critical role in the evolution of their community.
Biopharmaceutical company AstraZeneca has commissioned Herzog & de Meuron to design their new Global R&D Centre and Corporate Headquarters. Planned for the Cambridge Biomedical Campus on the southern outskirts of the city, the new £330m project will be home to one of the company’s three global strategic research and development centres as well as its corporate headquarters.
The list of architects that have collaborated with Zhang Xin’s development company, SOHO China, reads like the roster of an architectural dream team (which includes Zaha Hadid, Yung Ho Chang, Bjarke Ingels, Kengo Kuma, Kazuyo Sejima, Herzog & de Meuron, Thom Mayne, David Adjaye, Toyo Ito and others). So it’s no surprise that the self-made billionaire lectured to a packed house at Harvard University’s Graduate School of Design last Thursday. Xin spoke about her commitment to and love of design, explaining that her company’s mission is to bring a variety of architectural languages to China. And though SOHO’s projects are certainly experimental, Xin contends that her developer mindset actually helps meliorate the architect’s propensity to take the experiment too far—all without sacrificing the impressive and iconic forms of SOHO’s building portfolio.
Watch Zhang Xin link her practice in real estate to larger global issues and catch a glimpse of two Zaha Hadid-designs currently under construction: Wangjing SOHO and Sky SOHO.
Herzog & de Meuron and HASSELL‘s winning design for Melbourne’s Flinders Street Station might not be built due to the fact “the State Government has of yet, refused to promise funding for the design, and ruled out selling the station in order to finance the construction.” The project was estimated to cost “approximately $1 billion to $1.5 billion to be realised”, which is “on top of the $1.6 million already spent on the competition”, leading critics to describe the competition as a “waste of money.”
The Herzog & de Meuron designed Parrish Art Museum in Long Island, NY is captured here by brazilian photographer Paul Clemence from Facebook.com/Archi-Photo. This photo gallery very elegantly emphasizes the building’s delicate placement on the landscape as well as its natural surrounding beauty of which the architects took their inspiration. Clemence also captures the project’s moment of outdoor shelter that surrounds the building to emphasize the importance of the site and its interaction with the art within.The full photo gallery can be viewed after the break.
The winning proposal for the Flinders Street Station competition comes from HASSELL + Herzog & de Meuron. The design integrates the station with the surrounding urban context, which has evolved and changed significantly since the building was designed 100 years ago. The station concept draws from many aspects – the site’s historic fabric, location, and linear nature; the original 19th century design and existing heritage fabric; the river and city edge, rail, public and river-based operations as well as the station’s place within the city fabric and public realm. More images and architects’ description after the break.