Text by Isaac Wilhelm:
“Patrons of the A+D Architecture and Design Museum Los Angeles may want to consider wearing comfortable socks to view the new exhibit Bowlarama: California Bowling Architecture 1954-1964, on display from April 11, 2014, through May 11, 2014. Providing a deeper appreciation for the family heirloom bowling trophy on the fire mantle, the exhibit showcases the architecture of bowling in the 1950s. The retro design style and obsession with the sport of bowling at this time generated a desire for architecturally intriguing bowling centers.
Commonly open 24 hours a day in the 1950s, bowling centers incorporated features such as fine restaurants, cocktail lounges, and live entertainment. The projects of this exhibit are not about the sport of bowling or the centers, but rather the culture that emerged. Do not contemplate how many lanes are in the exhibit’s bowling centers, but instead imagine the blonde beauty sitting at the cocktail bar sipping on a martini during the local men’s league championship tournament.”
Title: Exhibition: Bowlarama: California Bowling Architecture, 1954-1964
From: Fri, 11 Apr 2014
Until: Sun, 11 May 2014
Venue: Architecture and Design Museum
Address: 6032 Wilshire Boulevard, Los Angeles, CA 90036, USA
UPDATE: Deadline for submissions extended to April 14, 2014!
Submissions are invited for the 2014 ACADIA ‘DESIGN AGENCY’ conference at University of Southern California, Los Angeles, California on October 20-25, 2014. Architects, designers, fabricators, engineers, media artists, technologists, software developers, hackers, researchers, students and educators and others in related fields of inquiry are invited to submit proposals.
The conference theme is intended to highlight experimental research and projects that exhibit and explore new paradigms of computing in architecture. The theme is a purposeful instigation of work that looks at re-defining the term “Agency” through the lens of computational design strategies such as simulation, fabrication, robotics, and novel integrations from science and the media arts.
For more information, including the specific themes and topics, please go to the event’s official website.
In this delightful article on Metropolis Magazine, Christopher Hawthorne recounts his meeting with Deborah Sussman, the one-time protégé of Charles and Ray Eames whose work breaks the boundaries between graphic design and architecture. From her collaboration with Frank Gehry to her iconic designs for the 1984 LA Olympics, Sussman has come to define a curiously Californian style. You can read the full article here.
The AA Visiting School is a satellite programme of the Architectural Association School of Architecture in London, and will be taking place in Los Angeles for the first time, from June 16 to June 27. The programme is broken up into research clusters that will be led by individual tutors based on the theme of “Machining Adaptive Living.”
Confirmed design instructors include Marc Fornes, Jenny Wu, Adam Marcus, David Freeland, Kevin Patrick McClellan and Alvin Huang. Guest lectures include Neil Denari, Heather Roberge and Tom Wiscombe. For more information, including registration please click here.
Title: AA Visiting School Los Angeles
Organizers: Architectural Association
From: Mon, 16 Jun 2014
Until: Fri, 27 Jun 2014
Venue: University of Southern California (USC)
Address: University of Southern California, Los Angeles, CA
In the early years of COOP HIMMELB(L)AU, Raimund Abraham was a role model – later on a friend. On the occasion of the Austrian government “Staatspreis” awarded to Raimund Abraham, Wolf D. Prix held the speech of honor, and characterized him as one of the main representatives of the Austrian architectural approach of celebrating space.
In his upcoming SCI-Arc lecture, Prix will explain Abraham’s influence on the early works of COOP HIMMELB(L)AU as well as references to the recent international and well-known buildings. How would visionaries like Abraham and Le Corbusier have developed and expressed themselves in today’s digital time? How would digital tools have influenced their designs?
The lecture is free, with no RSVP required and broadcast live at www.sciarc.edu/live.
Title: Wolf D. Prix on Raimund Abraham: Visions in Exile or: Before we were so rudely interrupted
From: Wed, 05 Mar 2014 19:00
Until: Wed, 05 Mar 2014 21:00
Venue: W.M. Keck Lecture Hall
Address: 960 East 3rd Street, Los Angeles, CA 90013, USA
Alongside news that The Broad’s completion date has been pushed back to 2015, rather than this fall, Diller Scofidio + Renfro has unveiled a new collaboration with landscape architect Walter Hood that will transform the mid-block parcel adjacent to the Grand Avenue museum into a pedestrian-friendly landscaped plaza and restaurant. As reported by the Los Angeles Times, the new square will establish an important link to the neighboring school and apartment, as well as the future 2020 Regional Connector subway stop. The 24,000 square foot parcel will be enhanced by100-year-old olive trees transplanted from Northern California. Watch a video about the design after the break, and find more information here.
In his review of Spike Jonze’s movie “Her”, LA Times architecture critic Christopher Hawthorne explains a rather comforting aspect of the movie: instead of the dystopia that usually characterizes films set in the future, “Her” is set in a future version of LA which is more dense, has better public transport (with a subway map with a story all of its own) and has managed to overcome its dependence on the car. No wonder this film has touched a chord with architects and urban designers. Read the full review here.
In celebration of its 5th anniversary, the Architecture & Design Film Festival will make its Los Angeles debut, presenting 30 feature-length and short films from eight countries that explore the human elements of art, fashion, architecture, and design in our everyday lives. In addition, the festival will offer panel discussions, Q&As with filmmakers, a pop-up bookshop by Hennessey + Ingalls and more that are all open to the public!
For complete information on the films showcased, tickets, and speakers, please click here.
Title: Architecture & Design Film Festival Debuts in Los Angeles
From: Wed, 12 Mar 2014
Until: Sun, 16 Mar 2014
Venue: The Los Angeles Theatre Center
Address: 514 South Spring Street, Los Angeles, CA 90013, USA
Architects: Belzberg Architects
Location: 100 The Grove Drive, Los Angeles, CA, USA
Architect In Charge: Hagy Belzberg
Design Team: Andrew Atwood, Barry Gartin, Brock DeSmit, Carina Bien-Wilner , Christopher Arntzen, Cory Taylor, Daniel Rentsch, David Cheung, Eric Stimmel, Erik Sollom, Justin Brechtel, Philip Lee, Lauren Zuzack
Area: 27,000 sqm
Photographs: Iwan Baan, Benny Chan
After being rejected for appearing too “boxy” and not appealing enough to pedestrians, Related Companies’ revamped Grand Avenue vision has finally won unanimous approval from county supervisors. The $750-million plan, which was abruptly halted back in September when Gensler’s toned-down version was deemed greatly “disappointing” by the city, will now move forward with a more playful (and pricey) design by the project’s original architect, Frank Gehry.
The MAK Center for Art and Architecture at the Schindler House in Los Angeles presents City in a City: a Decade of Urban Thinking by Steven Holl Architects. The exhibition opens with a reception and panel discussion on Wednesday, January 29, and Steven Holl will give a public lecture on Thursday evening, January 30. The exhibition runs through March 9, 2014.
This new exhibition of the work of Steven Holl Architects presents six urban projects in China, designed with particular focus on shaping public space, natural green strategies, hybrid programs, structure and light. Included are three built works: Linked Hybrid in Beijing, Vanke Center/Horizontal Skyscraper in Shenzhen, and Sliced Porosity Block in Chengdu, as well as three yet to be built works: Porosity Plan in Dongguan, Eco-City in Tianjin, and the Qingdao Culture and Art Center. Concept watercolors of each building will be on view along with project models and construction documents. Also featured are short videos of the built works. The exhibition is arranged chronologically from 2002-2013 through the rooms of the Schindler House, making physical the journey through a decade of thinking.
TimeLAX travels across the sprawled city of Los Angeles, connecting some of the city’s most iconic landmarks – Disney Concert Hall, the Griffith Observatory and John Ferraro Building – with over 200 locations that reveal the true essence of the city’s fabric.
Part 2, after the break.
Architectural street gang and provocateurs, On the Road, named (I would like to think anyway) for Jack Kerouac’s novel of same name, and let’s just say that is the origin (since I happen to like that book), and the decentralized dérives of this Los Angeles crew remind me of Jack’s edit-as-you-go-or-do-not-edit-as-it-may-be writing style, if he even had a “style” (which is questionable), are at it again, or were just last month for their program, “West of LaBrea / 20131117 / 10-4pm” in which these rebellious, anti-establishment “architects” (some may not be licensed and therefore cannot actually go by the official title according to legal precedents in this here United States of America but you all know what I mean wink wink) once again find themselves out in the streets bombing the architectural establishment, which by the way is critical for the history of Los Angeles architecture, and by doing so have once again reminded us that architecture can be about play and a healthy dose of transgression, though no laws were broken during the making of #OtR3, as it is being called, that I can tell….