A little over a year ago, New York City-based graphic designer José Guizar started illustrating an obsession of his that had quickly grown since moving into the city: New York’s varied and eclectic windows. “A product of countless steps of journey through the city streets, this is a collection of windows that somehow have caught my restless eye out from the never-ending buzz of the city,” Guizar writes on his website. “This project is part an ode to architecture and part a self-challenge to never stop looking up.”
Others have since been inspired by Guizar’s colorful and captivating homage to the windows of NYC, and earlier this year São Paulo-based Nara Rosetto began her own weekly illustrations of windows in South America’s largest city.
Ranging from Victorian and porthole windows to windows with security bars, planting boxes and the occasional cat, the windows are as varied as the cities and buildings they occupy.
Read on after the break for a journey through the windows of New York and São Paulo.
With more than 7 billion people now alive, the greatest population growth over the last century has occurred in urban areas. Now, a new series of interactive maps entitled “The Age of Megacities” and developed by software company ESRI allows us to visualize these dramatic effects and see just how this growth has shaped the geography of 10 of the world’s 28 megacities. Defined as areas with continuous urban development of over 10 million people, the number of megacities in the world is expected to increase, and while Tokyo still tops the list as the world’s largest megacity, other cities throughout Asia are quickly catching up. Find out more after the break.
Architects: Andrade Morettin Arquitetos Associados
Location: Vila Madalena, São Paulo, Brasil
Project Architects: Vinicius Andrade, Marcelo Morettin
Coordinators: Marcelo Maia Rosa, Renata Andrulis
Collaborators: Marcio Tanaka, Ricardo Gusmão, Guido Otero, Beatriz Vanzolini
Project Area: 5600.0 m2
Project Year: 2009
Photography: Nelson Kon
Architects: Apiacás Arquitetos
Location: São Paulo, Brasil
Project Architects: Acácia Furuya, Anderson Freitas, Pedro Barros
Collaborators: Accácio Mello, Ana Lúcia Santana, Bárbara Francelin, Cibele Mion, Daniela Santana, Fábio Teruia, Francisco Veloso, Gabriela Campos, Leonor Vaz, Maria Wolf, Marcelo Otsuka, Otávio Filho, Pedro Parede
Project Area: 200.0 m2
Project Year: 2012
Photographs: Pregnolato e Kusuki Estúdio Fotográfico
When Lina Bo Bardi received the commission to build a new museum of art on São Paulo’s Terraço do Trianon, she was given the job under one condition: under no circumstances could the building block the site’s panoramic vistas of the lower-lying parts of the city. This rule, instituted by the local legislature, sought to protect what had become an important urban gathering space along Avenida Paulista, the city’s main financial and cultural artery. Undeterred, Bo Bardi came up with a solution that was simple and powerful. She designed a building with a massive split through its midsection, burying half of it below the terrace and lifting the other half into the sky. As a result, the plaza remained open and unobstructed, and in 1968, the iconic São Paulo Museum of Art (MASP) was born.