The Piano-designed Jerome L Greene Science Center and Lenfest Center for the Arts are the first two buildings to be completed within the larger campus masterplan, conceived by Piano in collaboration with SOM, that will eventually encompass nearly 19-acres between 125th and 133rd streets in northwestern Manhattan.
The Council on Tall Buildings and Urban Habitat (CTBUH) has released some of the facts and figures behind the projects appearing in their recent book, 100 of the World’s Tallest Buildings. The construction of tall buildings requires collaboration between many different companies and firms and the efforts of hundreds of people, but a few select firms have been responsible for more of the design and engineering achievements than any other.
Continue reading to see the 18 design architects that have contributed multiple buildings to the top 100 list.
Update: We've added a gallery of renderings to the post!
Penn Station is finally getting its much-needed makeover. The transportation hub, the busiest train station in the country, has been the target of much ire and disdain ever since its Beaux-Arts predecessor, designed by McKim, Mead & White, was demolished in 1963, forcing the station to retreat into the dark, cramped passageways below Madison Square Garden. The ordeal lead critic and Yale University Professor Vincent Scully to memorably quip: “One entered the city like a god. One scuttles in now like a rat.”
But today, after years of scrapped schemes, New York Governor Andrew Cuomo announced a fast-track plan that will give New York’s scuttling visitors and commuters some breathing room as early as 2020. Led by Skidmore, Owings & Merrill, the design calls for a new 255,000 square foot train hall and retail space in the James A. Farley Building, also known as the General Post Office, across 8th Avenue from Madison Square Garden and the current Penn Station entrance.
Construction is now underway on Skidmore, Owings & Merrill’s (SOM) OH-1 redevelopment project in the Ohtemachi District of Tokyo, Japan. Covering a 20,000 square meter (215,000 square foot) site, the project constitutes one of the largest revitalization projects in Tokyo’s history. The complex includes two high-rise, mixed-use buildings containing a luxury hotel, commercial office space, retail and cultural facilities, and is centered around a park and public area that will visually connect the development to the adjacent Imperial Palace East Gardens.
Our editors look at hundreds of websites per week. What do they admire and appreciate the most? Organization and simplicity. Sites that are not only clean, but fast. We actively search for projects to include on our platform, so it’s crucial that when we visit a website we not only know where to look, but how to access information. Filters and facets are our best friends. Typological differentiation is important, but perhaps not as important as distinguishing between built and un-built projects (“Is that a render?” is a question that comes up at least once a day).
http://www.archdaily.com/795078/these-are-the-best-designed-most-useful-architecture-firm-websitesAD Editorial Team
Architect Magazine has unveiled the latest edition of the “Architect 50,” their list of the 50 best architecture firms in the United States. The 2016 rankings are based on scores from three categories: business, design and sustainability; the last of which was calculated using a new methodology this year. Topping the list this year was ZGF Architects, who also were given the distinction of top sustainable firm, while William Rawn Associates and Marlon Blackwell Architects finished number 1 in business and design, respectively.
See the top 10 from each category after the break.
Religion, in one form or another, has formed the core of human society for much of our history. It therefore stands to reason that religious architecture has found equal prominence in towns and cities across the globe. Faith carries different meanings for different peoples and cultures, resulting in a wide variety of approaches to the structures in which worship takes place: some favor sanctuaries, others places of education and community, while others place the greatest emphasis on nature itself. Indeed, many carry secondary importance as symbols of national power or cultural expression.
AD Classics are ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. The collection of sacred spaces collated here invariably reveal one desire that remains constant across all faiths and cultures: shifting one’s gaze from the mundane and everyday and fixing it on the spiritual, the otherworldly, and the eternal.
The recent trend in timber-framed architecture may just be beginning.
SOM’s Timber Tower Research Project has passed a major milestone as the structural system has successfully completed strength testing that validate initial calculations. Launched in 2013, The Timber Tower Research project was established with the goal of developing a new structural system for skyscrapers that uses timber as its primary material. Using these techniques, the research team estimates that the embodied carbon footprint of buildings can be reduced by 60 to 75 percent when compared to a benchmark concrete building.
When it comes to skyscraper architects, the first name that comes to mind is often Skidmore, Owings & Merrill. No firm has completed more supertall buildings than SOM, and to this day, they remain a leader in the field, designing both the western hemisphere’s and the world’s tallest buildings in One World Trade Center and the Burj Khalifa. Yet, arguably, the height of their powers came in the 1970s, directly following a lull in skyscraper construction that allowed the Empire State Building to retain the status of world’s tallest building for nearly 40 years.
It was then that Falzur Khan, a SOM architect and structural engineer, came up with the structural innovation that revolutionized the skyscraper industry, leaving lasting impacts on the construction methods of supertall buildings today.
The award is given in four categories: Category A: Built, Less than $25 million in construction cost; Category B: Built, More than $25 million in construction cost; Category C: Unbuilt, Must be commissioned for compensation by a client with the authority and intention to build (No projects were selected in this category this year); and Category D: Innovations in Planning and Design Research, Built and Unbuilt.
Perkins Eastman has released plans for a two-story expansion and redesign of the SOM-designed Laboratory for Astrophysics and Space Research at the University of Chicago campus in Chicago, Illinois. Construction on the 63,500 square foot building has just begun, and once completed, will serve as the renewed home of the University’s Department of Physics. The addition and renovation will create a new physics hub on campus that will allow students of different sub-disciplines to collaborate under the same roof for the first time.
Skidmore, Owings & Merrill (SOM) has released plans for a new mixed-use urban district for Philadelphia’s 30th Street Station Precinct. In response to projections showing significant increases in transit activity in the coming decades, the project calls for a transformation of the existing Beaux Arts train station and surrounding neighborhood of University City. The design will improve transportation throughout the city, and will activate the area with new shops, restaurants and public plazas.
Skidmore, Owings, and Merrill'sVeterans Memorial Coliseum in Portland, Oregon has been on the chopping block for some time now: since the city’s NBA team moved to the Moda Center (known also as the Rose Garden) next door in 1995, the building has struggled to find the funding necessary for maintenance, and since 2009 calls have been made for the demolition of the iconic modernist structure. The threat reached peak levels last October, when the Portland City Council nearly voted to approve a proposal for demolition before ultimately denying it by a narrow 3-2 margin.
Skidmore, Owings & Merrill (SOM) has released the plans for Manhattan West, a new office and residential development spanning five million square feet over the 2.6-acre platform that covers the active rail tracks connecting Penn Station to New Jersey and Upstate New York.
With its 80 years of experience in bringing together architecture and structural engineering Skidmore, Owings & Merrill (SOM) remains groundbreaking to this day, particularly in the construction of gigantic skyscrapers, the so-called “supertalls”. The exhibition and the accompanying DETAIL volume present the approaches, the roots and the theoretical background of the SOM Structural Group. One central question is how far architecture can go – in terms of height. Typical structural concepts and individual details from numerous projects across the world serve to illustrate processes of solution finding. The results illustrate the firm’s core values: simplicity, clarity, hierarchy, efficiency, economy and advancement. A number of iconic SOM buildings such as the John Hancock Center and the Sears Tower help to position the example projects – ranging from James Turrell’s Skyspace to Burj Khalifa – within the context of SOM’s complete work. The innovative structural solutions presented here indicate how SOM enables the creation of “next generation” buildings.
Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
But when it comes to defining which buildings are the tallest it can get complicated. Do antennas and other gadgets on top of the building count as extra meters? What happens if the last floor is uninhabitable? The Council on Tall Buildings and Urban Habitat (CTBUH) has developed their own system for classifying tall buildings, measuring from the “level of the lowest, significant, open-air, pedestrian entrance to the architectural top of the building, including spires, but not including antennae, signage, flag poles or other functional-technical equipment.” Using this system more than 3,400 buildings have been categorized as over 150 meters tall.