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BIG has partnered up with ICON, developer of advanced construction technologies, and with SEArch+ (Space Exploration Architecture) to imagine humanity’s home in another world. Working with NASA, the collaboration seeks to develop a “space-based construction system that could support future exploration of the Moon”.
Skidmore, Owings & Merrill (SOM) has signed a Memorandum of Collaboration with the European Space Agency (ESA) in order to further develop their existing research for Moon Village. Signed in Paris, by Colin Koop, Design Partner at SOM, and Johann-Dietrich Wörner, Director General of ESA, the announcement was made earlier this month.
In the Negev Desert of Israel, SAGA Space Architects are collaborating with D-MARS to build a Mars Lab Habitat that will simulate the conditions of living in a confined space on the hazardous surface of the red planet. The laboratory structure they’ve designed is an addition to D-MARS' existing Mars simulation habitat and will be part of a larger experiment. This habitat will serve as a prototype for a longer mission scheduled for 2020.
Architects often look for inspiration in anything and everything around them: forms, volumes, artwork, music, nature… But some sources (and projects) are just out of this world. Literally.
NASA has created an online library of 140,000 high-resolution photos, videos, and sound clips, all free and available for download. Here is a selection of images for your dose of interstellar inspiration.
Skidmore Owings and Merrill have unveiled their vision for the "Moon Village", the first permanent human settlement on the Lunar surface. Developed in collaboration with the European Space Agency (ESA) and the Massachusetts Institute of Technology (MIT), the multidisciplinary project will be masterplanned, designed, and engineered by SOM.
The European Space Agency has teamed up with a group of architecture students to speculate on the future design of sustainable lunar habitats. From the ESA’s astronaut center in Cologne, Germany, the organization challenged the students to draw on extreme environments in remote places, and speculate on sourcing and producing materials on the Moon to build a sustainable habitat.
Giving consideration to sunlight, temperature, and terrain, the design team developed a system of inflatable modules that can land at the base of a small crater on the South Polar Region of the Moon, where they will gradually fill the cavity with lunar soil until the modules are effectively buried.
Clouds Architecture Office have revealed a new design for a space research lab that floats above a crater in Oita, Japan. Called AVATAR X LAB, the design was made for ANA Holdings Inc. and the Japan Aerospace Exploration Agency. The lab aims to be part of ANA's AVATAR Vision, an endeavor to advance and pioneer real-world Avatar technologies, and JAXA's new research and development program J-SPARC. The lab was designed to advance understanding of space exploration and development.
Following the announcement by SpaceX founder Elon Musk that Japanese billionaire Yusaku Maezawa would be the first paying customer to visit the Moon, the retail tycoon generated further excitement by declaring he would bring between six and eight artists to accompany him.
The “Dear Moon” project would see a painter, musician, film director, and others, accompany Maezawa in order to “dream dreams that have never been dreamed…to sing songs that have never been sung, to paint that which has never been seen before.”
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Foster + Partners will detail its vision of life on Mars and the Moon at the UK’s Goodwood Festival of Speed 2018. Forming part of the festival's Future Lab event, the vision will be presented through a range of models, robotics, and futuristic designs exploring the future of life in space.
The firm's showcase will include a virtual reality experience, allowing visitors to explore the inside of a proposed state-of-the-art habitation pod.
In the 1920s, Dutch-born artist Piet Mondrian began painting his iconic black grids populated with shifting planes of primary colors. By moving beyond references to the world around him, his simplified language of lines and rectangles known as Neo Plasticism explored the dynamics of movement through color and form alone. Though his red, yellow and blue color-blocked canvases were important elements of the De Stijl movement in the early 1900s, almost a century later Mondrian’s abstractions still inspire architects across the globe.
But, what is it about these spatial explorations that have captivated artists and designers for so long?
Nine visionary projects focused on living within the relatively unexplored terrains of sea and space have been selected as winners of the 2017 Jacques Rougerie international architecture competition.
Established in 2011, the competition aims to foster the creativity of young architects by challenging them to complete “innovative, audacious and promising projects” that imagine new methods of sustainable development within the realms of sea and space.
Architectural submissions were awarded this year within three categories: Innovation and Architecture for the Sea, Innovation and Architecture for Space, and Architecture and Sea Level Rise. Within these categories, projects were selected in three disciplines: the overall Grand Prix, the “Focus” theme award, and the Coup de Coeur.
Check out the winning projects below.
Can architecture and design reverse climate change? Architect and founding partner of Stefano Boeri Architetti (SBA), Stefano Boeri believes it can. Boeri’s Vertical Forest, a project which marries the natural and urban spheres through biodiversity and reforestation, has already come to fruition in Milan, is currently under construction in Beijing, and soon to be constructed in Shanghai. (Watch the video to learn more about Boeri’s Vertical Forest projects.)
The team of Foster + Partners and Branch Technology have been awarded first prize in the latest stage of NASA’s 3D-Printed Habitat Challenge, a $2.5 million multi-phase competition designed to generate ideas and advance technology for the construction of sustainable housing solutions “for Earth and beyond.”
After printing three cylinder and three beams the first two levels of Phase 2, Stage 3 asked teams to design and print a 1.5-meter dome using indigenous Martian soil and recyclable materials, envisioning how future habitats could be constructed on the Red Planet. Teams were required to develop the 3-D printing technology itself as well as the structural design for each dome. The competition also dictated each structure be built within a 22-hour time frame, using the specific materials, geometric tolerances and autonomous performance that would be demanded by the Martian landscape.
.jpg?1580136024 "© SOM | Slashcube GmbH")
.jpg?1517424651 "SOLAR SPORE, An algae photobioreactor in outer space / Pierre-Jacques Truyman, Alexandre Brassart, Sylve Truyman; France. Image Courtesy of Jacques Rougerie Foundation")
.jpg?1517424637 "Refuge-ground : Towards habitable offshore salt platforms / Lambert David, France. Image Courtesy of Jacques Rougerie Foundation")
.jpg?1517424660 "Currents for Currents, Blue is the new green / Deo Alrashid T. Alam, Robert Andrew P. Galano, Pierre Michael Monjardin; Phillippines. Image Courtesy of Jacques Rougerie Foundation")
