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Foster + Partners will detail its vision of life on Mars and the Moon at the UK’s Goodwood Festival of Speed 2018. Forming part of the festival's Future Lab event, the vision will be presented through a range of models, robotics, and futuristic designs exploring the future of life in space.
The firm's showcase will include a virtual reality experience, allowing visitors to explore the inside of a proposed state-of-the-art habitation pod.
In the 1920s, Dutch-born artist Piet Mondrian began painting his iconic black grids populated with shifting planes of primary colors. By moving beyond references to the world around him, his simplified language of lines and rectangles known as Neo Plasticism explored the dynamics of movement through color and form alone. Though his red, yellow and blue color-blocked canvases were important elements of the De Stijl movement in the early 1900s, almost a century later Mondrian’s abstractions still inspire architects across the globe.
But, what is it about these spatial explorations that have captivated artists and designers for so long?
Nine visionary projects focused on living within the relatively unexplored terrains of sea and space have been selected as winners of the 2017 Jacques Rougerie international architecture competition.
Established in 2011, the competition aims to foster the creativity of young architects by challenging them to complete “innovative, audacious and promising projects” that imagine new methods of sustainable development within the realms of sea and space.
Architectural submissions were awarded this year within three categories: Innovation and Architecture for the Sea, Innovation and Architecture for Space, and Architecture and Sea Level Rise. Within these categories, projects were selected in three disciplines: the overall Grand Prix, the “Focus” theme award, and the Coup de Coeur.
Check out the winning projects below.
Can architecture and design reverse climate change? Architect and founding partner of Stefano Boeri Architetti (SBA), Stefano Boeri believes it can. Boeri’s Vertical Forest, a project which marries the natural and urban spheres through biodiversity and reforestation, has already come to fruition in Milan, is currently under construction in Beijing, and soon to be constructed in Shanghai. (Watch the video to learn more about Boeri’s Vertical Forest projects.)
The team of Foster + Partners and Branch Technology have been awarded first prize in the latest stage of NASA’s 3D-Printed Habitat Challenge, a $2.5 million multi-phase competition designed to generate ideas and advance technology for the construction of sustainable housing solutions “for Earth and beyond.”
After printing three cylinder and three beams the first two levels of Phase 2, Stage 3 asked teams to design and print a 1.5-meter dome using indigenous Martian soil and recyclable materials, envisioning how future habitats could be constructed on the Red Planet. Teams were required to develop the 3-D printing technology itself as well as the structural design for each dome. The competition also dictated each structure be built within a 22-hour time frame, using the specific materials, geometric tolerances and autonomous performance that would be demanded by the Martian landscape.
Designed by UNStudio in collaboration with MDT-tex, Prototype II is a modular membrane structure that recently premiered at Techtexil’s Living in Space exhibition. Providing a space at the exhibition for visitors to experience a Virtual Reality trip to Mars created by European Space Agency (ESA) and the German Aerospace Centre (DLR). UNStudio and MDT-tex have previously teamed up on temporary envelope exhibits before; their contorting LED-backlit biomimetic Eye_Beacon pavilion debuted at the Amsterdam Light Festival late last year.
NASA has announced the completion of the initial printing stage of NASA’s 3D-Printed Habitat Challenge, awarding Foster + Partners | Branch Technology and the University of Alaska, Fairbanks as the two top-scoring teams from this round.
After Phase 1 of the competition (won by Clouds AO and SEArch) tasked architects and engineers from around the globe to imagine hypothetical concepts for the habitation of Mars, Phase 2 is challenging designers to manufacture actual, 3D-printed objects using techniques that could be employed to create shelters on a future mission to the red planet or beyond.
There’s a decent chance that in the last few days, you’ve seen images of Analemma, the futuristic proposal from Clouds AO to hang a skyscraper (or should that be “earthscraper”?) from an asteroid in orbit of the earth. The project has been difficult to avoid, having been picked up not only by much of the architectural media but also by NBC, CNN, Forbes, The Telegraph, The Daily Mail, Mashable, IFLScience—the list goes on almost as long as the building itself.
Is the design realistic? Obviously not, and it’s obviously not intended to be. It’s intended as a utopian thought experiment. Clouds AO has something of a pedigree in this field, as winners of a NASA-backed competition to design a Mars base with their idea for a building made of ice. As a result, it would be facile to join the internet’s collective bottom-of-the-page comment mob to point out that it would be prohibitively expensive, or that it might be more enjoyable to live on the ground anyway.
But is the design a useful utopian thought experiment? There are some design failures that better technology, or a lot of money, or the changed mindset of a futuristic society just won’t fix. So without further ado, here are a list of the problems that this out-of-this-world design would face, in chronological order, with the issues that make it impractical in our current world marked as “minor” and the ones that would undermine the proposal in any universe marked as “major.”
This article was originally published by Autodesk's Redshift publication as "Life on Mars? Architects Lead the Way to Designing for Mars With Virtual Reality."
If an architecture firm is lucky, it can hit two birds with one stone on a single project—for example, prioritizing both historic preservation and energy efficiency. But a team at KieranTimberlake, based in Philadelphia, is aiming for four ambitious goals with its pro bono project, the Mars City Facility Ops Challenge.
Architects Fátima Olivieri, Efrie Friedlander, and Rolando Lopez teamed up with National Institute of Building Sciences (NIBS), NASA, and the Total Learning Research Institute (TLRI) to create a virtual working city on Mars—one that might reap multiple rewards.
Architects, designers, engineers, artists, urban planners are given a unique opportunity to win one of the three prizes of the Jacques Rougerie Foundation - Institut de France by creating innovative and ambitious projects. These architectural projects based on emerging developments and a prospective vision should address some core issues of mankind: greater environmental, industrial and technical responsibilities, while taking sustainable development principles into account.
Copenhagen Architecture Festival (CAFx) was founded in 2014 and aims to rethink the presentation of architecture, highlighting its qualities and diversity, and create a relevant discussion about how it affects - and is affected by - our way of being in this world. CAFx is a platform to discuss and display ideas within the architectural world through a public program of talks, film, performances, workshops, seminars and exhibitions in collaboration with different partners primarily in Copenhagen but also in the cities of Aarhus and Aalborg.
.jpg?1517424651 "SOLAR SPORE, An algae photobioreactor in outer space / Pierre-Jacques Truyman, Alexandre Brassart, Sylve Truyman; France. Image Courtesy of Jacques Rougerie Foundation")
.jpg?1517424637 "Refuge-ground : Towards habitable offshore salt platforms / Lambert David, France. Image Courtesy of Jacques Rougerie Foundation")
.jpg?1517424660 "Currents for Currents, Blue is the new green / Deo Alrashid T. Alam, Robert Andrew P. Galano, Pierre Michael Monjardin; Phillippines. Image Courtesy of Jacques Rougerie Foundation")
