A public event will be held to kick off World Space Week at AIA Houston on the evening of Thursday, Oct 4 as part of the AERIAL FUTURES: The Next Frontier think tank taking place in Houston between Oct 4-5, 2018.
Expanding Houston’s reputation as Space City, USA, Ellington Airport’s conversion into the Houston Spaceport will reiterate the city’s role as a front-runner in the space race of the 21st Century. As the most urban-centered commercial spaceport to date – Houston Spaceport is within a 15-minute drive of the central business district – this development will serve as a detonator in
TEN Arquitectos has released images of their NASA Research Support Building at the Glenn Research Center in Cleveland, Ohio. Marking the Agency’s diamond (60th) anniversary, the research center is to serve as “a new and contemporary public face for the home of the country’s most prolific aeronautic and aerospace innovations.”
The two-story, 60,000-square-foot research center, which has just broken ground, consists of a series of rectilinear massings positioned to optimize program adjacencies, creative interaction, and to accommodate public green spaces both indoors and out.
“The Blanket” seeks to “bring the waves of the ancient Lake Lahontan back to Playa,” influenced by wind conditions to mirror surreal forms such as waves, mountains, or giant sculptures. With an exterior metallic coating, the blanket will reflect 97% of radiated heat, creating a cool, refreshing environment underneath for those seeking shelter from the hot Playa sun.
AI SpaceFactory has released details of their proposed cylindrical huts for the Planet Mars, designed as part of the 3D Printed Habitat Challenge organized by NASA. Project MARSHA (Mars HAbitat) was endorsed by NASA with a top prize of almost $21,000, one of five designs selected from a field of seventeen.
The competition asked participants to design an effective habitat for a crew of four astronauts to be located on the Red Planet, using construction techniques enabled by 3D printing. The submitted schemes were then ranked based on their innovation, architectural layout, and level of detail in BIM modeling.
The Annual NASA Convention is the annual get together of National Association of Students of Architecture. It is a four-day-long event held towards the end of January and is attended by around 5,000 students. Called Annual NASA when it was started more than fifty five years ago, the convention has gone on to become an integral part of all architecture colleges not only in India but as well as in the SAARC Nation. With more than hundred events, NASA Convention offers a variety of fare to choose from for both the participants who are out to chill out and those
The team of Foster + Partners and Branch Technology have been awarded first prize in the latest stage of NASA’s 3D-Printed Habitat Challenge, a $2.5 million multi-phase competition designed to generate ideas and advance technology for the construction of sustainable housing solutions “for Earth and beyond.”
After printing three cylinder and three beams the first two levels of Phase 2, Stage 3 asked teams to design and print a 1.5-meter dome using indigenous Martian soil and recyclable materials, envisioning how future habitats could be constructed on the Red Planet. Teams were required to develop the 3-D printing technology itself as well as the structural design for each dome. The competition also dictated each structure be built within a 22-hour time frame, using the specific materials, geometric tolerances and autonomous performance that would be demanded by the Martian landscape.
NASA has announced the completion of the initial printing stage of NASA’s 3D-Printed Habitat Challenge, awarding Foster + Partners | Branch Technology and the University of Alaska, Fairbanks as the two top-scoring teams from this round.
After Phase 1 of the competition (won by Clouds AO and SEArch) tasked architects and engineers from around the globe to imagine hypothetical concepts for the habitation of Mars, Phase 2 is challenging designers to manufacture actual, 3D-printed objects using techniques that could be employed to create shelters on a future mission to the red planet or beyond.
Google Earth has released an update to its Timelapse feature, giving viewers a better look at the rapid expansion of the world’s urban areas between 1984 and 2016.
Originally released in 2013 in partnership with TIME and NASA, the update adds in four more years of data, as well as petabytes of imagery data from two new satellites, Landsat 8 and Sentinel-2, to provide clearer views of new developments and the recent effects of climate change on our natural environments.
Join David Nixon at the Architectural Association on March 2nd for an evening lecture and book launch for his new book – International Space Station: Architecture Beyond Earth – which is published by Circa Press on 1 March. This book offers the first comprehensive account of the Station’s conception, design development and assembly in space and its publication coincides with Tim Peake’s current mission to the Station.
"Recognizing that water is the building block to life, the team used a ‘follow the water’ approach to conceptualize, site and construct their design," said SEArch and Clouds AO. "[Our] proposal stood out as one of the few entries not to bury the habitat beneath regolith, instead mining the anticipated abundance of subsurface ice in the northern regions to create a thin vertical ice shell capable of protecting the interior habitat from radiation while celebrating life above ground."
Foster + Partners has been shortlisted among 30 other finalists in the 3D Printed Habitat Challenge organized by America Makes and NASA. The proposal calls for a 3D printed settlement built by pre-programmed, semi-autonomous robots who use regolith found on Mars' surface to construct dwellings that can house up to four astronauts each.
"The proposal considers multiple aspects of the project from delivery and deployment to construction and operations," says Foster. "The habitat will be delivered in two stages prior to the arrival of the astronauts."
NASA and the National Additive Manufacturing Institute (America Makes) have launched the 3D Printed Habitat Challenge, an inaugural design competition offering $2.25 million in prizes. Part of NASA's Centennial Challenges program, the competition challenges entrants to design and build a 3D printed habitat for deep space exploration. "The future possibilities for 3D printing are inspiring, and the technology is extremely important to deep space exploration," said Sam Ortega, Centennial Challenges program manager. "This challenge definitely raises the bar from what we are currently capable of, and we are excited to see what the maker community does with it."
Behrokh Khoshnevis of the University of Southern California has won Grand Prize in the NASA Tech Briefs magazine’s “Create the Future” contest for his entry, "Robotic Building Construction by Contour Crafting.” The revolutionary construction method was awarded for being a “major innovation” that could potentially 3D print entire neighborhoods in half the time and at 30 percent less cost than traditional building methods.
Though some have visions of using Contour Crafting (CC) to sculpt the moon's first settlements, Khoshnevis primary desire is combat the world's housing shortage by using the automated construction method to rapidly deploy housing in impoverished and disaster areas.
More information and an interview with Khoshnevis on CNN, after the break.
As revealed in an article on Gigaom, NASA has recently added an extra $500,000 into a collaboration with Tethers Unlimited, a company researching ways to 3D print and assemble structures whilst in orbit. Using this technology, their SpiderFab robots reduce the size of the rockets needed to launch materials into space, and also allow for much larger structures to be created than in any previous technique - opening up new possibilities for construction in space. You can read the full article here.
Three months ago, Commander Chris Hadfield captured the attention of millions by recording a cover of David Bowie's Space Oddity - entirely on board the International Space Station. The video was the culmination of five months of social media efforts to raise awareness and interest in current space programs worldwide, and it certainly seems that Hadfield succeeded in piquing the interest of at least a few future astronauts.
But for architects, something else probably stands out in the video: the ISS seems an extremely clinical and uncomfortable environment to live in for five months. The reasons for this are obvious: it is a highly controlled engineered environment; sending luxuries into orbit is expensive; the astronauts are there to work, and after all they are trained to cope in stressful and uncomfortable environments. However, with proposals for longer missions, such as a manned trip to Mars, as well as the continued promise of commercial spaceflight on the horizon, the design of living spaces outside of our own planet may soon become an issue which architects must get involved in.
Read on to find out about the challenges of architecture in space, after the break.
NASA, in cooperation with TIME and Google, has unveiled startling timelapse images of Earth from orbit collected by NASA's Landsat program since 1984. This program, created not for spycraft but for monitoring the way in which humans are rapidly altering the surface of the planet, consists of eight satellites that have collected millions of pictures in the course of two generations. When sifted through, cleaned up and stitched together, these pictures come together to create a high-definition slideshow that reveals some of the drastic changes our planet is undergoing - most notably through widespread urbanization.
Currently in the California State Polytechnic University, Pomona, Interim Design Center parking lot, students are constructing a 30 foot experimental structure that expands on the notion of housing astronauts in space. Funded by the National Aeronautics and Space Administration (NASA), the year-long research and experimentation project challenges students to design a vertical habitat capable of housing four astronauts in space for a period of 60 days. Not only is this an extreme case of micro-living, but to design a living quarters with no orientation, where walls, floors and ceilings are non-existent, is unworldly.