Being such a recent movement in the international architectural discourse, the reach and significance of post-modernism can sometimes go unnoticed. In this selection, chosen by Adam Nathaniel Furman, the “incredibly rich, extensive and complex ecosystem of projects that have grown out of the initial explosion of postmodernism from the 1960s to the early 1990s” are placed side by side for our delight.
From mosques that imagine an idyllic past, via Walt Disney’s Aladdin from the 1990s, to a theatre in Moscow that turns its façade into a constructivist collage of classical scenes, “there are categories in post-modernism to be discovered, and tactics to be learned.” These projects trace forms of complex stylistic figuration, from the high years of academic postmodernism, to the more popular of its forms that spread like wildfire in the latter part of the 20th century.
The ambitious and seemingly well-supported plans to reconstruct London’s iconic Crystal Palace have been abandoned. As reported by the BBC, Chinese developer ZhongRong Group, who was leading the project, failed to meet the required criteria and 16-month deadline set by the south London Bromley Council, resulting in the project’s demise.
The original glass palace, designed as a prefabricated modular structure by Sir Joseph Paxton, was built in 1851 at Hyde Park, prior to being relocated to Crystal Palace in 1854. In 1936, the structure was destroyed by fire.
More about the Council’s decision, after the break.
URBAN TALES will showcase three distinct architectural artwork series exploring visions of narrative based city redevelopments. Featuring RIBA Presidents Medal-winning work, these original and engaging threads of imagery from UCL architecture graduates Ned Scott, Nick Elias and Anja Kempa objectify fiction and challenge political reality. The exhibitors question the role of architecture in a changing world and use fictional narratives to design fantastical, but possible, cities. URBAN TALES will kick off with an opening party on Friday, March 6 and remain on view through April 10, 2015 at Carousel London. Read on to learn more.
The recent unveiling of the 74 entries to the Nine Elms to Pimlico Bridge competition was undoubtedly intended to cause a media circus, hoping to emulate the furore that surrounded the much larger Helsinki Guggenheim competition when they released all 1,715 of their entries to the web in October of last year. The competition, which asked designers to propose “one of the most expressive and visible landmarks in London,” is the latest in a series of dramatic changes taking place on this stretch of the South Bank of the Thames. This new community, one of London’s most prestigious new neighbourhoods, includes Keiran Timberlake’s new US Embassy and a slew of residential developments, culminating in the highly-touted renovation of Battersea Power Station, complete with accompanying buildings by Foster + Partners and Frank Gehry, and a public space by BIG.
Initial reactions to the competition entries has been mixed at best. The Guardian’s architecture critic Oliver Wainwright took the opportunity to poke light-hearted fun at a selection of designs, using his considerable powers of wordplay to dub entries with titles such as The Greenhouse Funhouse, The Spaffy Tangle, Razorwire Party Bridge, and The Flaming Mouth of Hades. Similarly, City Metric ran the news with an article titled “The 12 Most Ridiculous Designs for the New Battersea Bridge”, sparking a debate on Reddit in which users branded the projects “varying degrees of insane” and “ridiculous doodles.” But beyond all this jovial name-calling, these designs are symptomatic of an unhealthy approach to wealth that London seems unable (or perhaps unwilling) to address.
All 74 “wild designs” being considered to become London’s next “landmark” have been released to the public. As part of a two-stage competition, architects worldwide have submitted ideas for a new £40 million pedestrian and cycle bridge that will connect London’s Nine Elms and Pimlico communities over the River Thames.
The jury, chaired by Graham Stirk of Rogers Stirk Harbour, will choose four schemes to move onto the competition’s second and final round in March. These designs will be then shortlisted and further developed with input by the community and client before a winner is announced in July.
See a selection of the considered bridge designs, after the break.
London’s Design Museum has released 15 shortlisted projects that are being considered for the prestigious “Design of the Year” award. From Wendell Burnette’s Desert Courtyard House to Jean Nouvel’s One Central Park skyscraper, the wide-ranging list spans all scales, showcasing some of the best newly completed projects from across the globe.
The award, now in its eighth year, “celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year.” 76 nominees over six categories have been selected. The jury, chaired by artist Anish Kapoor and includes architect Farshid Moussavi, will choose category winners on May 4. An overall winner will be revealed June 4.
View all the shortlisted buildings, after the break.
Arup have released a new image of the proposed copper-nickel alloy cladding that will adorn Heatherwick Studio’s Garden Bridge in London. According to a report by the Architects’ Journal, the “concrete structure will be coated in ‘cupro-nickel‘, from its feet on the riverbed up to the base of the balustrades on the bridge deck.” The copper will be donated from Glencore, a multi-national mining company, forming ”a protective skin to the carbon steel structure giving it a maintenance free 120-year life, protecting the bridge from river and environmental corrosion.” More than 240 tonnes of the metal alloy, which often finds use in medical equipment and ship propellers, will be used.
London based practice Henley Halebrown Rorrison’s (HHbR) have unveiled a scheme for affordable housing based on a model inspired by Andrea Palladio’s Villa Capra (1566-1571) near Vicenza. The Pocket Rotunda model hinges around their developer’s ambition to offer new two-bedroom accommodation that will help open up home ownership to couples with young children, joint buyers, and single parent families who earn too much to qualify for social housing but are, nevertheless, priced out of the UK market.
When Sheila O’Donnell and John Tuomey, who practice in partnership as O’Donnell + Tuomey, were named as this year’s recipients of the RIBA Royal Gold Medal, a palpable collective satisfaction appeared to spread throughout the profession. No one could find criticism in Joseph Rykwert and Níall McLaughlin’s nomination, nor the ultimate choice of the RIBA Honours Committee, to bestow the award upon the Irish team. Their astonishingly rigourous body of work, compiled and constructed over the last twenty five years, has an appeal which extends beyond Irish and British shores. A robust stock of cultural, community and educational projects, alongside family homes and social housing projects, leaves little doubt about the quality, depth and breadth of their mutual capabilities and the skill of those that they choose to collaborate with.
Read the conversation with the Gold Medallists after the break.
Last night, international design firm Gensler received the London Planning Award for Best Conceptual Project for its latest vision: London Underline. The proposal explores the potential of an underground bicycle and pedestrian park beneath the streets of London. Not only does this public interest design utilize existing abandoned space, but also generates the electricity to support itself simply by being used.
Polish studio Zupagrafika has released a collection of five paper cut-out models representing London’s brutalist architecture from 1960s and 70s. Scattered around the districts of Camden, Southwark and Tower Hamlet, the “raw concrete (paper) tour begins with iconic tower blocks (Balfron Tower and Space House), leads through council estates doomed to premature demolition (Robin Hood Gardens and Aylesbury Estate) and concludes with a classic prefab panel block (Ledbury Estate).”
The series, ”Brutal London” is Zupagrafika’s unique way of cataloging London’s modernist architecture at risk of demolition.
According to a document published last month, London’s aspiration to become “a great cycling city” has taken one step closer to reality. The office of the Mayor of London has approved plans to develop Europe’s longest segregated bicycle lane through the centre of the city following modifications to an original plan that drew sharp criticism from residents and commuters. The new plans, which have been supported by a number of private companies and public bodies, aims to maintain vehicular traffic capacity whilst allowing the segregated cycle lanes to cater for a large capacity of cyclists.
Rethinking the Urban Landscape, a (free!) exhibition curated by The Building Centre and Landscape Institute, presents a case for a landscape-first approach to city design and regeneration. The show, which is on view at The Building Centre in London until end of February and then tours, focuses on six problematic areas – from environmental issues to financial planning – and shows international projects that, due to the early procurement of landscape architects, deliver unique solutions.
The Smithsonian is considering opening its first international exhibition space in “Olympicopolis” – London’s former Olympic park that is to be transformed into a world-class cultural hub by 2021. Should the self-financed proposal be approved, it will be the first time in the institution’s 168-year history to build a public venue outside of the United States.
“We see this as an unprecedented opportunity to show the breadth of the Smithsonian in one of the most diverse cities in the world,” stated Smithsonian acting secretary Al Horvath.
The Royal Institute of British Architects (RIBA) have announced that a new exhibition exploring the Scottish designer and artist’s celebrated, but difficult, career is to open next month in London. Mackintosh Architecture will be the first exhibition solely devoted to his architecture, offering the opportunity to view over sixty original drawings, watercolours and perspectives spanning the entirety of his working life. Seen together, they “reveal the evolution of his style from his early apprenticeship to his later projects as an individual architect and designer.” Drawings on display will also show his collaboration with the accomplished artist and designer Margaret Macdonald, his wife.
Addressing increasing housing demands in the London Borough of Lewisham, Rogers Stirk Harbour + Partners (RSHP) has unveiled their plans for the “Ladywell Pop-Up Village,” which is to become one of the UK’s first temporary housing villages.
The short term housing will provide accommodation for 24 families, alongside community and commercial spaces at street level. Drawing its name from the site of the former Ladywell Leisure Centre upon which it is to be located, the Ladywell Pop-Up Village is fully demountable, thanks to its volumetric construction technology. It is envisioned that the housing units will remain at the Ladywell site for up to four years, after which point they can be relocated throughout the Borough as needed.
London practice Avery Associates Architects has unveiled their designs for No.1 Undershaft, a 270-metre tall office tower directly adjacent to Rogers Stirk Harbour + Partners‘ Cheesegrater in the City of London’s central skyscraper cluster. The building is currently planned to be the tallest in this cluster and the second-tallest in London (after the Shard) – notwithstanding an as-yet-unrevealed plan for the site of the scrapped Pinnacle project which could potentially supersede it.