Lilas, Zaha Hadid Architects’ design for the 2007 Serpentine Gallery pavilion, has been reinstalled at a new location on the south lawn of Chatsworth House, the Derbyshire home of the Duke and Duchess of Devonshire. The mushroom-like pavilion has been put on display as part of Sotheby’s annual Beyond Limits sculpture exhibition, and is for sale through the international auction house.
The Society of Architectural Historians will host its 70th Annual International Conference in Glasgow, Scotland, from June 7–11, 2017. Meeting in Glasgow reflects the increasingly international scope of the Society and its conference, and we expect SAH members from all over the world to join us in Scotland's largest city, world renowned for its outstanding architectural heritage. This is the first time that SAH has met outside North America since 1973, when it planned a joint meeting in Cambridge with the Society of Architectural Historians of Great Britain. Architectural historians, art historians, architects, museum professionals and preservationists from around the world will convene to present new research on the history of the built environment.
Kerez, Herzog & de Meuron and Studio Gang Shortlisted to Design London's Royal College of Art's Battersea Campus
London's Royal College of Art (RCA) have revealed seven invited shortlisted practices for its new state-of-the-art £108million Battersea South campus. Featuring a smattering of architects from Europe, including Herzog & de Meuron and Lacaton & Vassal, and from the USA, such as Diller Scofidio + Renfro and Studio Gang, the organisation intends to announce the winning scheme in October 2016.
UPDATE: We have added new night photos of the i360 as the ‘breathing’ lighting has been switched on for the first time. The lights were designed by Do-Architecture and can be programmed to display a range of color and pattern options.
David Marks of Marks Barfield Architects, explains, “The concept for the lighting at the top of the tower is that it ‘breathes’, gently increasing and decreasing in intensity at the average rate of a human being breathing at rest.”
The world’s tallest moving observation tower, British Airways i360, will open to the public this Thursday, August 4th. Designed by Marks Barfield Architects, the firm behind the iconic London Eye, the i360 tower will transport 200 visitors at a time up 138 meters to take in views of the city of Brighton and Hove, the Sussex coast and the English Channel. With a height to width ratio of more than 40:1, the structure was also designated as the most slender tower in the world by the Guinness Book of World Records after topping out in February.
Are the rigors and tribulations of architecture school causing serious impacts on students' mental health? A new student survey conducted by Architect’s Journal has found that more than a quarter of architecture students in the UK are currently seeking or have sought medical help for mental health issues related to architecture school, and another 25% anticipate seeking help in the future.
The results have prompted Anthony Seldon, vice-chancellor at the University of Buckingham and a mental-health campaigner, to describe the situation as “a near epidemic of mental-health problems.”
Stanton Williams and Asif Khan have been announced as the winners of the competition to design the new Museum of London at West Smithfield. Beating out 70 entries from top firms and a shortlist including BIG, Caruso St. John and Lacaton & Vassal, the winning proposal was selected for its “innovative thinking, sensitivity to the heritage of existing market buildings and understanding of practicalities of creating a great museum experience.”
The Royal Institute of British Architects (RIBA) has announced six projects that will compete for the 2016 Stirling Prize, the award for the building that has made the greatest contribution to British architecture in the first year. Selected from the pool of regional winners around the country, the shortlisted buildings range from a small house in the south of England to a new college campus in Glasgow, Scotland. However, in a first for the Stirling Prize, the shortlist features two buildings coming from one client, Oxford University.
"Every one of the six buildings shortlisted today illustrates the huge benefit that well-designed buildings can bring to people’s lives," said RIBA President Jane Duncan. "With the dominance of university and further education buildings on the shortlist, it is clear that quality architecture’s main patrons this year are from the education sector. I commend these enlightened clients and supporters who have bestowed such remarkable education buildings."
The winner of the Stirling Prize will be announced on Thursday 6 October.
On the 29th December, 1940, at the height of the Second World War, an air raid by the Luftwaffe razed a 35-acre site in the heart of the City of London to the ground. The site was known as the Barbican (a Middle English word meaning fortification), so-called for the Roman wall which once stood in the area. Following the war, the City of London Corporation—the municipal governing body for the area—started to explore possibilities to bring this historic site into the twentieth century.
In this interview, presented in collaboration with PLANE—SITE, Jack Self—co-curator of the British Pavilion at the 2016 Venice Biennale—reveals how the frontline of architecture in Britain today is not just a housing crisis, but "a crisis of the home." In provocatively presenting "the banal," Self reveals why the British participation at the 2016 Venice Biennale proposes five new models for domestic life, each curated through time of domestic occupancy, alongside how it seeks to address the ways in which we might live in the future.
Update: On June 24, 2016, 52% of eligible voters in the United Kingdom voted to leave the European Union. This article was published prior to the referendum announcement.
In 2003 George Steiner—a Paris-born, American, UK-based literary critic, philosopher and essayist—gave a lecture in Tilburg, a small Dutch city on the Belgian border. His talk, which he titled “The Idea of Europe,” made some waves in certain circles but, ultimately, wasn't widely discussed. Years later I found a copy of the transcript in Amsterdam’s Athenaeum, who had tucked it in the corner of a sunken room on a shelf devoted to "Brexit." I read it the following day while on a train to Brussels.
As I trundled across the Flemish hinterland Steiner’s words, delivered with judicious insight and a reassuring cautionary edge, served as a reminder of one irrevocable fact: that Europe is a continent “of linguistic, cultural, [and] social diversity;” a “mosaic” of communities that have never been united with the same scale and ambition as that of the European Union. But before the contemporary Euro-project, came European café culture.
At 6:20pm on the evening of October 16, 1834, a fire began in the old Palace of Westminster in London – the foremost seat of parliamentary governance for both the United Kingdom and the British Empire across the seas. The inferno, which burned until the early hours of the morning, destroyed so much of the medieval complex that neither restoration nor preservation were considered viable options – a new palace would have to rise from the ashes to surround the largely undamaged Westminster Hall. The fire gave the United Kingdom a chance not only to replace what was considered as an outdated, patchwork of government buildings, but to erect a Gothic Revival landmark to spiritually embody the pre-eminence of the United Kingdom across the world, and the roots of modern democracy.
For centuries, faith has been a source of immeasurable blessings as well as uncountable catastrophes. People, no matter how different, have always felt protected under the aegis of a common belief and united to accomplish the unthinkable. But its fruitful potentials are only equal to its destructive dangers. Faith can be the most untameable of fires, and with the promise for righteousness or virtue it can tear families apart, close down borders, promote genocide, foster war.
Wolfgang Buttress’ The Hive, a Gold Medal-winning UK Pavilion originally built for the 2015 Milan Expo, has been relocated to the Kew botanical gardens in central London. The striking (and photogenic) "beehive" was designed by the British practice to provide visitors with a glimpse into the life of a working bee; its 169,300 individual aluminium components—reaching 17-meters tall and fitted with hundreds of LED lights—created a multi-sensory experience that shed light on the importance of the pollinator. Following its relocation, photographer Laurian Ghinitoiu has turned his lens to this installation and its new home.
"There is Much More at Stake Than Simply Being In or Out" – Rem Koolhaas Speaks Out Over a Potential EU 'Brexit'
In a recent interview with the BBC, Rem Koolhaas (OMA) has spoken out against the campaign seeking to remove the United Kingdom from the European Union, upon which the British people will vote in a referendum next week. Reflecting on his time spent at London's Architectural Association (AA) in the 1960s and '70s, Koolhaas fears that advocates for withdrawal may be looking at the past through rose-colored glasses.
If you look at the arguments to leave you can see this is a movement of people who want to fundamentally change England back into the way it supposedly was before.
Thomas Heatherwick’s Garden Bridge project has been under fire since plans were announced in 2013, drawing skepticism of the fairness of the competition process, and even being called “nothing but a wasteful blight.” Last month, London's new mayor Sadiq Khan gave a lukewarm endorsement of the project, noting that since £37.7m of the £60m allocated by the government has already been spent, scrapping the project now would end up costing taxpayers more than going forward with it.
The current predicament has inspired architects Allies and Morrison to design an alternative option – one that could both save the taxpayers money and create a new greenway spanning the Thames. Many of the complaints directed toward the original design have been associated with the cost of building a new bridge that would serve limited transportation needs; Allies and Morrison eliminate this issue by simply placing a garden pathway onto an existing piece of infrastructure, the nearby Blackfriars Bridge.
After weeks of movement testing, the British Airways i360 observation pod has achieved its maximum height of 138 meters as the attraction enters final inspection phases in preparation for its opening this summer. As a part of “the world’s tallest moving observation tower,” the 18 meter diameter viewing pod will provide 360 degree views of the British seaside resort towns of Brighton and Hove, the Sussex coast and the English Channel, for to up to 200 passengers at a time.
Herzog & de Meuron's ten-storey extension to London's Tate Modern, which officially opens to the public this week, is the latest in a series of ambitious building projects pursued by the internally renowned gallery of contemporary art. Sitting above The Tanks, the world's first dedicated galleries for live art and film installations, the building's pyramidical form provides 60% more exhibition space for the institution. Two days before its doors welcome art-lovers from around the world, photographer Laurian Ghinitoiu has captured a collection of unique views on this highly anticipated addition to London's skyline.
As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.
Britain is suffering from a terrible housing crisis – one that is an incredibly predictable outcome of decades of neoliberal economic policy. The Chilean architect Alejandro Aravena has become well-known for building “half a house” – only completing core infrastructure in social housing, then encouraging residents to finish the other half with their own money over time. In effect, the first generation get a significantly cheaper home, but once the house has been doubled it could be sold at market rate. The discount, and profit, only applies to the original owners.