In AAVS Brussels you will experiment with film with the cutting edge film director Luis Cerveró. Film will be addressed as a critical instrument to inquire on the role of architecture in providing a space of representation for contemporary political bodies. Brussels, home of Benelux, EU and NATO, will be taken as a paradigmatic example, and the European Parliament as a concrete case study. The output of the workshop will be short films directed by the students and produced with the support of a specialized team from the HELB.
Architectural disAssociation - A reflection on the state of the education of architecture at the AA. Open discussion inviting everyone with an opinion of the school - students, tutors and alumni alike to retrospectively reflect on the state of the AA's unit system and speculate the possible future of its education. This discussion will have no panel as it is an open floor discussion.
The AA Visiting School Hawaii is an architectural workshop dedicated to the investigation of flying machines through fabrication and geometry as well as performance and choreography.
From their earliest use as measurement tools for the city, the 2000 year old history of flying machines is deeply rooted in architectural investigations.
Gliding between its leisure vocation and its scientific relevance, we will immerse into this legacy starting from the world’s oldest from of air-craft: the kite.
AAgora is a debate platform based at the Architectural Association, London, which aims to shed light on relevant architectural topics. These debates take the form of an open-table discussion which encourages the audience to participate at any time. AAgora's third debate will be "Pret A Habiter" - or, Ready to Inhabit - Towards Nomadic Homogeneity, in the city through the sharing economy and Airbnb.
AAgora is a newly-founded critical architecture debate platform at the Architectural Association in London, which aims to shed light on relevant architectural topics. These debates take the form of an open-table discussion which encourages the audience to participate at any time. AAgora's second debate will be "On the Chicago Biennial" - On Biennials, and how we define contemporary architecture.
On the 26th of February 2016 the project Savage Architecture — an exhibition at Architectural Association of London and a book published by Black Square both curated by Davide Sacconi — will be presented in a symposium at the Italian Cultural Institute of London. The project recounts the research at the intersection between architecture and anthropology developed in the last fifty years by Gian Piero Frassinelli (former member of Superstudio) and his recent collaboration with 2A+P/A (architectural practice based in Rome).
Join David Nixon at the Architectural Association on March 2nd for an evening lecture and book launch for his new book – International Space Station: Architecture Beyond Earth – which is published by Circa Press on 1 March. This book offers the first comprehensive account of the Station’s conception, design development and assembly in space and its publication coincides with Tim Peake’s current mission to the Station.
Drawings from the private collection of Alvin Boyarsky, Chairman of the Architectural Association (AA) from 1971 to 1990, will be on display as part of Drawing Ambience: Alvin Boyarsky and the Architectural Association. Hosted by The Irwin S. Chanin School of Architecture of The Cooper Union from October 13 to November 25, 2015, the free, public exhibit will also feature panel discussions with Nicholas Boyarsky, Joan Ockman, Bernard Tschumi, Anthony Vidler, Michael Webb and Dean Nader Tehrani. Read more about this event and the drawings exhibited after the break.
Architecture is a swarm, and a self aware one at that. That's the vision presented by noMad: a built environment made of Buckminster Fuller-like geometric structures that compile themselves entirely autonomously, according to data gathered and processed by the units. Developed by Architectural Association students Dmytro Aranchii, Paul Bart, Yuqiu Jiang, and Flavia Santos, on a basic level noMad's concept is fairly simple - a small unit of motors that is attached to several magnetic faces, which can be reoriented into different shapes. Put multiple units together, however, and noMad's vision becomes an entirely new form of architecture: non-finite, mobile and infinitely adaptable.
This year the Architectural Association (AA) Visiting School programme will extend its reach to the Dutch city of Rotterdam – a place which, "by some strange twist of geographical and historical fate, has the highest concentration of architects and architectural thinkers in the world." The workshop, which will run for two weeks in July, will explore issues of inhabitance, perception, and intensity through analysis and creative interpretation of Rotterdam’s 'core' "or, more likely, its multiple cores, invisible to the untrained eye." Based in the Shell Tower on Hofplein, students will be afforded the opportunity to observe and analyse the city from on-high.
A Clockwork Jerusalem, the exhibition showcased in the British Pavilion at last year's Venice Biennale, will make it's UK debut at London's Architectural Association (AA) next month. Commissioned by the British Council and curated by Sam Jacob, co-founder of FAT, and Wouter Vanstiphout, partner at Dutch practice Crimson Architectural Historians, the exhibition shines a light on the large scale projects of the 1950’s, 60’s and 70’s by exploring the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious - but also the moment that witnessed its collapse."
Dalibor Vesely, a celebrated architectural historian, philosopher and teacher, died this week in London aged 79. Over the course of his teaching career, which spanned five decades, he tutored a number of the world’s leading architects and thinkers from Daniel Libeskind, Alberto Pérez-Gómez and Robin Evans, to Mohsen Mostafavi and David Leatherbarrow.
Vesely was born in Prague in 1934, five years before the Nazi occupation of Czechoslovakia. Following World War II, he studied engineering, architecture, art history and philosophy in Prague, Munich, Paris and Heidelberg. He was awarded his doctorate from Charles University (Prague) having been taught and supervised by Josef Havlicek, Karel Honzik, and Jaroslav Fragner. Although later he would be tutored by James Stirling, it was the philosopher of phenomenology Jan Patočka who, in his own words, “contributed more than anyone else to [his] overall intellectual orientation and to the articulation of some of the critical topics” explored in his seminal book, Architecture in the Age of Divided Representation, published in 2004.
Now on view at London’s Architectural Association, Jan Kaplický Drawings presents work by the Czech architect Jan Kaplický (1937-2009) – a visionary designer with a passion for drawing as a means of discovering, describing and constructing. Through drawing he presented beguiling architectural imagery of the highest order.
The earliest projects date from the early 1970s when, for Kaplický, drawing was essentially a speculative pursuit. Whilst his days were spent working for other architects, during evenings and weekends he designed and drew at home. His architecture at this time was the plan and the finely detailed cross-section. Never satisfied, he constantly developed and honed his graphic language, perfecting the technique of the cutaway isometric which became his trademark.
A preview of Kaplický’s drawings, after the break.
Created for AA DLAB 2014 - the annual summer workshop undertaken by the Architectural Association at their Hooke Park facility - the 4.4 metre wide "CALLIPOD" pavilion blends perfectly into the wooded surroundings, appearing as though the roots of nearby trees have sprung from the ground to create a dome in the depths of the Dorset woodland. However, despite its natural outward appearance, the process of creating CALLIPOD was highly technical, combining a detailed algorithmic exploration of form and structure with both digital and traditional methods of fabrication.
UPDATE: The Jury has selected Jeremy Jacinth and Luliana Teodora Amza as the winners of the £600 scholarship to participate in the GIPpy workshop at the AA Visiting School in Santiago, Chile.
What does Soviet Union architecture have to do with Chilean astronomy? A lot more than many realize. In the 1960s, the Soviet Union manufactured three Grand Passage Instrument telescopes (GIPpy), and their accompanying domes in Saint Petersburg. Unfortunately, they fell into ruin after the Soviet astronomical mission’s departure from Chile following the 1973 military coup d-etat. Now, however, the Architectural Association Visiting School in Santiago, Chile, in partnership with the Pontifical Catholic University, will host a 10-day workshop in January on the GIPpy telescopes. The workshop is organized by the team that was recently awarded the Silver Lion at the 14th Venice Architecture Biennale for their work on Soviet prefabricated housing in Chile, and we’ve teamed up with the Architectural Association Visiting School to give away two £600 scholarships to attend the workshop!
For more information on the workshop and to find out how to enter to win a scholarship read on after the break…
The Architectural Association Visiting School in Athens, as part of the AI research agenda, has continued its investigations to challenge the static built environment with its 2014 installation entitled Kinetic Haze. The project investigates the possibilities of architectural modeling via scripting, digital fabrication, and large scale installations.
This year's investigation follows the theme of the previous year’s work entitled Cipher City: Recharged, in which the creation of complex form-making systems resulted in the discovery of interactive design patterns. Following their discoveries in 2013, students in this year’s program further investigated kinetic and interactive architecture in their new study entitled Revolutions. After a series of design ideas were developed by smaller groups of students, the teams collaborated to create the final prototype Kinetic Haze in less than five days. Read on after the break to learn more about the project.
As a student of architecture, the formative years of study are a period of wild experimentation, bizarre use of materials, and most importantly, a time to make mistakes. Work from this period in the life of an architect rarely floats to the surface - unless you're Zaha Hadid or Frank Gehry, that is. A treasure trove of early architectural drawings from the world's leading architects has recently been unearthed from the private collection of former Architectural Association Chairman Alvin Boyarsky. The collection is slated to be shown at the Kemper Art Museum, Washington University, St. Louis, as a part of the exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association from September 12th to January 4th, 2015.
Take a look at the complete set of architects and drawings for the exhibition after the break.
A few years ago London’s Architectural Association held an exhibition called First Works: Emerging Architectural Experimentation in the 1960s & 1970s, which wonderfully gathered together early projects from a host of the most famous names in architecture. In both Zaha Hadid’s gorgeously animated plan/perspectives of the Taoiseach’s Residence and Daniel Libeskind’s intensely unstable drawings of Micromegas, you can already sense a lifetime of formal exploration ahead for the pair; and yet who would ever guess the unique tectonic language to come from the anonymously mundane drawings of the Sequoyah Educational Research Centre by Morphosis?
When I set up the Global Architecture Graduate Awards (GAGAs) at The Architectural Review in 2012, it was with the insight that, at its best, the work produced at the start of a career can be its most daring and projective. At that fertile threshold between the academy and practice, uncertain graduates can be years ahead of more assured and mature colleagues in the creative risks they are willing to take.