Architectural photographer Marc Goodwin adds one more photo series to his Atlas of Architectural Atmospheres, this time capturing 12 architecture offices in the Austrian capital of Vienna. The series includes the intimate workspaces of AllesWirdGut, Feld72 Architekten, querkraft architekten amongst others.
Goodwin has been working on this project for several years, and the collection holds photographs of work environments of architecture offices in Madrid, Frankfurt, Berlin, Istanbul, Seoul, and many more.
Boston is the latest city to announce a city-wide plan that, if passed, would eliminate the use of fossil fuels in new constructions and major renovation projects. This measure expands upon the commitment to enact climate action and make Boston a Green New Deal city. Other US cities like New York, Los Angeles, San Jose, Seattle, and Berkeley have all imposed similar measures in recent years. Seven European cities - Bilbao, Bratislava, Dublin, Munich, Rotterdam, Vienna, and Winterthur - have also developed a project to phase out fossil fuel from urban heating and cooling.
Vienna in Austria has topped the rankings of The Economist Intelligence Unit (EIU) 2022 Global Liveability Index, gaining back its previous position from 2019 and 2018, mostly for its stability and good infrastructure, supported by good healthcare and plenty of opportunities for culture and entertainment. Western European and Canadian cities dominated the top positions with Copenhagen, Denmark in second place and Zurich, Switzerland, and Calgary, Canada in third place. Adding 33 new cities to the survey, one-third of which are in China, bringing the total up to 172 cities, the classification excluded this year the city of Kyiv, due to Russia’s invasion of Ukraine.
Classified across 5 categories, stability, healthcare, education, culture and the environment, and infrastructure, the index was largely driven by the covid-19 pandemic. While covid-19 restrictions have eased in big parts of the world, liveability rankings started resembling “those seen before the pandemic”, however, the global average score remained below the pre-pandemic time. Although covid-19 has receded, a new threat to liveability emerged when Russia invaded Ukraine this year.
If one were asked to picture a Catholic Church, the first image to come to mind would probably resemble a medieval gothic cathedral with buttresses, pointed arches, and a spire pointing toward the sky. On second thought, many more styles could easily be identified as catholic architecture: the simple yet grandiose structures of the Romanesque or maybe the ornate styles of Baroque and Rococo. An image more difficult to associate with sacred architecture is that of Modernism. The Roman Catholic Church is a particularly conservative establishment. Modernism, on the other hand, is revolutionary; it is rational, functional, and technical; it rejects ornaments and embraces innovation. Surprisingly, in the years after the end of the Second World War, places of worship defied expectations. Blocks of concrete, raw materials, angular shapes, and exposed structures have all been employed to break from tradition and create churches that barely resemble a church. This article will explore Modernist mid-century Church architecture with the support of images from Jamie McGregor Smith.
All architecture movements throughout history spur from shifts in society that demand a new style that better reflects the way that technology has advanced the practice and how people express their political, religious, and moral beliefs and practices. While some shifts occur over a period of several years, others are experienced as a sudden revolt. The Vienna Secession was undoubtedly the latter. At the end of the 19th century, a group of artists and architects aimed to explore what art should be as it pertained to filtering global influences in a way that could introduce new modernism.
Global Finance's ranking of the world's best cities to live in, during 2022 has just been released. Centered on 8 different parameters that calculate and compare the quality of life of people living in urban areas such as economy, culture, population, environment, etc., this year’s edition also took into consideration Covid-19 deaths per thousand for each country, to reflect the new reality we live in. With data from the Global City Power index, Johns Hopkins University, Statista, and Macrotrends, the list seeks to have a complete vision, putting together traditional metrics with new factors.
Claiming the first position is London, U.K, a city that although didn’t get high rankings in its Covid-19 metrics, still topped the list, mainly due to its scores in culture, accessibility, and population growth. Tokyo was selected for the second position, showing weakness in one parameter, population, as its numbers have been declining for the past 10 years. Shanghai followed next, in the third position, because of relatively low Covid-19 death figures and strong population growth. Singapore and Melbourne came in 4th and 5th positions.
Throughout history, architectural styles, have experienced numerous movements throughout time, giving us various expressions of interior and exterior spaces. These movements are often created out of dissatisfaction with the status quo, shifts in religious ideologies, or the emergence of new building technology. Perhaps one of the most famous instances in history was the precedent set by Adolf Loos and his desire to break away from Viennese tradition with his strong dissent of ornament in architecture in favor of simplicity, and his literary discourse that lay the cornerstone for the modernist movement in architecture.