With its interior and exterior blended together, the entire building becomes a stage. Featuring large windows that allow the public to watch performances and training activities inside, people on each side are both viewers and viewed.
Currently under renovation in order to turn its soaring shell into a hotel, Eero Saarinen's iconic TWA Flight Center has been off limits to the public since 2001. However last week, while a team of digital preservationists were making scans of the swooping curves of the building's interior, photographer Max Touhey was allowed access, camera in hand, to catalog the building's mid-century elegance. The photoset, published in full on Curbed NY, shows the building in a generally good condition considering its decade-long slumber. Read on after the break for a selection of these images.
Details have been released on a new residential project designed by ODA Architecture at Brooklyn Bridge Park in New York. Occupying two waterfront sites in the Pier 6 uplands development area, the project will include two10,000-square-foot buildings focused on affordable housing, community development and preserving the surrounding parkland.
COOKFOX Architects’ new project, 550 Vanderbilt Avenue has opened for sale. The 17-storey building will be the first of four condominiums in the 22-acre Pacific Park Brooklyn development in Prospect Heights. The project aims to create a new neighbourhood of 14 buildings, all connected to 8-acres of public green space designed by landscape architecture firm Thomas Balsley Associates. Read more about this project after the break.
The New York Lowline, a project which was first announced in 2011 and was rekindled last year, have now launched a Kickstarter campaign in order to make their dream of using solar technology to "transform an historic trolley terminal into the world's first underground park" closer to a reality. Their proposal, which seeks to unlock the potential of underused subterranean urban spaces, would see the creation of a living, green public space built beneath the streets of New York City. They are currently seeking funding to build a long-term solar device testing laboratory and public exhibition in order to test and present their designs.
New York-based studio Dror has unveiled design concepts for three new residential buildings in New York City. The imagined buildings, spread throughout lower Manhattan, are based on the studio’s idea to “disrupt conventional building design by rethinking structure, where beauty and efficiency result from an imaginative, clever framework.”
Learn more about each of the plans, after the break.
When the first images of Cornell University's new campus on Roosevelt Island were unveiled last year, the First Academic Building (now known as the Bloomberg Center) was highlighted as a design driven by sustainability. In this interview, originally published by Arup's newly-revamped online magazine Arup Doggerel as "Net zero learning," Sarah Wesseler talks to members of the team from Morphosis, Arup and Cornell about how they designed the building to be one of the most sustainable education facilities in the world.
For its new tech-focused New York City campus, Cornell University set out to create one of America’s most sustainable university centers. With the net zero Bloomberg Center now in construction, I interviewed three leaders of the design team — Diana Allegretti, Assistant Director for Design and Construction at Cornell; Ung Joo Scott Lee, a principal at Morphosis; and Tom Rice, a structural engineer and project manager at Arup.
The Council on Tall Buildings and Urban Habitat (CTBUH) has shortlisted four buildings for the annual "Best Tall Building Awards." Considered to be the four best skyscrapers of the year, the buildings have been named from each of the four competing regions in the world - Americas; Asia and Australia; Europe; the Middle East and Africa - from nominees representing 33 countries. One of the buildings will be crowned the world's best at a ceremony this November.
Currently on display at the Chamber in New York, Sung Jang’s “Mobi” is the investigation of transforming a modular, buttress-like element into “the human perception of beauty.” Mobi is part of Chamber’s latest exhibit, “This is Not a Duet,” curated by Maria Cristina Didero and Juan Garcia Mosqueda, and which showcases the oppositional work of two artists. Sung's Mobi is complimented by Gala Fernandez Montero's “Caro Ettore.”
WEISS/MANFREDI broke ground yesterday on Cornell Tech's pioneering building, "The Bridge." Spearheading the first phase of the $2 billion Roosevelt Island tech campus, the new building will "bridge" the gap between academia and industry, providing a seven-story "corporate co-location" loft where students and industry leaders will collaborate.
“The Bridge is a crystalline incubator with river-to-river views and creates a three-dimensional crossroads, an ecosystem of innovation to catalyze collaboration between academics and entrepreneurs,” say design partners Marion Weiss and Michael A. Manfredi.
Michael Green has teamed up with Finnish forestry company Metsä Wood and Equilibrium Consulting to redesign the Empire State Building with wood as the main material. The project is part of Metsä Wood’s “Plan B” program, which explores what it would be like for iconic buildings to be made of timber. Their work shows that not only can wood be used to produce enormous structures in a dense urban context, but also that timber towers can fit into an urban setting and even mimic recognizable buildings despite differences in material.
Last week, after a month of speculation, BIG unveiled their plans for New York's Two World Trade Center, replacing Foster + Partners' design which although started on site, was stalled due to the financial crash of 2008. With the building's high profile, in just one week BIG's design has been the subject of intense scrutiny. In this interview, originally published by New York YIMBY as "Interview: Bjarke Ingels On New Design For 200 Greenwich Street, Aka Two World Trade Center," Nikolai Fedak talks to Bjarke Ingels about the design of the tower and why it was necessary to replace the scheme by Foster + Partners.