Jungwoo Ji (of EUS+ Architects), Bosuk Hur (of Folio:), and Suk Lee (a fourth-year student at Iowa State University) have won the Liberty Museum / New York competition with their speculative design for a museum at the site of the Statue of Liberty National Monument in New York City.
Inspired by the concept of civil candlelight marches against social injustice in Korea—the designers’ home country—the proposal is designed to be an architectural device that reflects human rights and social justice disparity in real time. When visitors send messages, namely tweets, about dire events in their cities to the museum with their phones, each unit of the proposal receives electronic signals and changes its position to point towards the region in question.
The Office for Creative Research has been announced as the winners of the 2017 Times Square Valentine Heart Design Competition. Their winning design, titled We Were Strangers Once Too, is a public data sculpture in the shape of a heart that “highlight[s] the role that immigrants have played in the founding, development, and continued vibrancy of New York City.”
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
In this latest photoseries, architectural photographer Danica O. Kus takes her lens inside New York City’s SeaGlass Carousel, designed by WXY Architecture + Urban Design with artist George Tsypin. Completed in summer 2015, the 2,575 square foot nautilus-shaped pavilion has become a new attraction within a Piet Oudolf-designed landscape in Battery Park, drawing in visitors with an immersive LED and audio experience inspired by bioluminescent organisms found deep within the ocean.
Continuing in her firm’s tradition of blurring the lines between architecture, art and environment, Elizabeth Diller, founding partner of Diller Scofidio + Renfro, is producing an opera for the High Line. Dubbed the “Mile Long Opera,” the production will be set along New York’s new favorite attraction, which was designed by DS+R with James Corner and Piet Oudolf and opened to the public in 2009.
In the words of Bill de Blasio, New Yorkers have a “crisis of affordability” on their hands. This is a crisis built upon the success that the city has had in recent decades. These years have made the city safer, and more appealing, for people from all over the world to come and start businesses, studies, and their lives. This has put a huge strain on housing stock, and has led to New Yorkers having to spend increasing amounts to cover their housing expenses and have made entire neighbourhoods unaffordable.
"You see, the first goal in this place was to deliver something beautiful where such an ugliness was there before,” says Calatrava in the film. “To deliver something optimistic looking to the future where so much sadness and depression was there.”
New York City’s busiest airport is about to receive a major overhaul.
Proposed by New York governor Andrew Cuomo, the plan calls for a $10 billion renovation to New York City’s busiest airport, transforming the facility into a “a unified, interconnected, world-class’ complex.”
The Hudson River Park Trust has revealed plans to transform the 800-foot-long Pier 26, located on the Hudson River in the New York neighborhood of TriBeCa. Currently vacant, the pier is set to receive a new park designed by landscape architects OLIN Studio and a maritime education center designed by Rafael Viñoly Architects.
Completed in 1932, Maison de Verre—or “House of Glass”—has become a prime example of modern architecture, despite the fact that not many people have actually seen the hidden treasure, located on Paris’ Left Bank.
Although his work is currently viewed in high regard, Chareau had a tumultuous career, with large variances between his successes and his failures.
Drawing from a Cultured Magazine spotlight article on the designer, we have compiled a list of facts about Chareau’s life and career that showcase the rollercoaster of his success.
Continue reading for the 10 things you didn’t know about Pierre Chareau.
The architectural team comprised of Davis Brody Bond and Kieran Timberlake has unveiled its newest updates on the design for 181 Mercer, a 735,000-square-foot complex for New York University that will replace a 35-year-old gym facility and become NYU’s largest classroom building, as well as a space for performing arts, athletics, and students and faculty housing.
With the onset of the Great Depression in the 1930s, the great World’s Fairs that had been held around the globe since the Crystal Palace Exhibition of 1851 lost much of their momentum. With the specter of another global conflict looming like a stormcloud on the horizon in the latter half of the decade, prospects for the future only grew darker. It was in this air of uncertainty and fear that the gleaming white Trylon and Perisphere of the 1939 New York World’s Fair made their debuts, the centerpiece of an exhibition that presented a vision of hope for things to come.
Foster + Partners’ designs for the latest tower to be located within New York’s Hudson Yards megaproject have been revealed. Named 50 Hudson Yards, the building will rise 985 feet (300 meters) into the sky in becoming New York City’s fourth largest commercial office tower with 2.9 million gross square feet and the new home of leading investment firm BlackRock.
Ierimonti Gallery New York is pleased to present Re-Constructivist Architecture, curated by Jacopo Costanzo and Giovanni Cozzani with Giulia Leone and promoted by the Scientific Technical Committee of Casa dell'Architettura in collaboration with Consulta Giovani Roma. The exhibition will feature the work of thirteen international emerging architecture firms, aiming to portray a generation of architects born in the ‘80s: a countertrend that tries to recover a debate lost years ago and obstructed by a cumbersome star system.