The west side of midtown Manhattan is probably one of the more unexplored areas of New York City by residents and tourists alike. Aside from the Jacob Javits Center, and the different programs off of the Hudson River Parkway that runs parallel to the waterfront, there is very little reason to walk through this industry – and infrastructure – dominated expanse of land full of manufacturers, body shops, parking facilities and vacant lots. The NYC government and various agencies, aware of the lost potential of this area, began hatching plans in 2001 to develop this 48-block, 26-acre section, bound by 43rd Street to the North, 8th Ave to the East, 30th Street to the South and the West Side Highway to the West.
The new Hudson Yards, NYC’s largest development, will be a feat of collaboration between many agencies and designers. The result will be 26 million square feet of new office development, 20,000 units of housing, 2 million square feet of retail, and 3 million square feet of hotel space, mixed use development featuring cultural and parking uses, 12 acres of public open space, a new public school and an extension of a subway line the 7 that currently terminates at Times Square-42nd Street, reintroducing the otherwise infrastructurally isolated portion of the city back into the life of midtown Manhattan. All this for $800 million with up to $3 billion in public money.
Join us after the break for details and images.
As we announced in early October, British powerhouse Foster + Partners have been declared as winner of the six-month long, all-star competition to design the next “landmark” high rise on the prime site of 425 Park Avenue in New York City. The tapered, steel-frame office tower is planned to rise 687 feet to claim a spot on the New York City skyline by 2017. Upon competition, the world-class high rise is expected to achieve LEED Gold status and serve as an exemplar for sustainable office design.
Foster’s concept succeeded visions from Rem Koolhaas, Zaha Hadid and Richard Rogers (view all the proposals here). Construction is expected to begin in 2015, shortly after the completion of Foster’s first U.S. residential high rise, which broke ground this week in New York.
Details of 425 Park Avenue after the break…
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair, which we published a couple months ago here, has received an impressive number of registrations to-date and continue to receive wonderful design submissions. Due to the impact of SuperStorm Sandy on many of their registered and would-be participants, they recently announced that they have extended the competition submission deadline to Monday, November 19. For more information, please visit here.
Designed for the Land Art Generator Initiative competition, the ‘NAWT Balloons’ concept, which was recently shortlisted in the competition, aims to couple the image of an oversized helium-filled teardrop with a nuanced application of wind energy technology. While the balloon’s image and subsequent geometry are the primitives to the proposal, the deployment on the Fresh Kills site ignites an interest in the oversized and the attenuated. Designed by Norman Kelley, through its multiplication and reconfiguration, this design may be able to produce new, yet familiar, collections of iconicity. More images and architects’ description after the break.
Designed by Paolo Venturella & MenoMenoPiu Architects, their ‘Solar Loop’ finalist entry for the Land Art Generator Initiative competition aims to expose more surface as possible to the southern solar rays. Sited in FreshKills Park in New York City, the shape comes directly from the solar diagrams, and deals easily with the sun following it with the best angle almost like a frozen artificial sunflower.bThe aesthetic of the sculpture is the result of this dialogue that becomes synthesis between the solar power and the park. More images and architects’ description after the break.
New York-based COOKFOX, formally known as Cook + Fox Architects, has designed a state of the art office tower planned to neighbor the High Line by 2014. Projected to achieve LEED Platinum status, the glass and steel mid-rise offers large, light-filled interior spaces engineered for comfort and high performance, along with spectacular views of the Hudson River and direct connections to the High Line.
Continue reading for the architects’ description.
The Museum of Modern Art in NYC is launching an exhibit called Tokyo 1955–1970: A New Avant-Garde, that investigates the transformation of Tokyo from a war-torn nation into an international center for arts, culture and commerce. The exhibition will run from November 18 through February 25, 2012 and includes over 200 works of various media including painting, sculpture, photography, architecture, drawings, graphic design, video and documentary film.
More after the break.
Proposed by PinkCloud.DK, TENACITY seeks to revitalize the broken system of New York City Public Housing through architectural development, economic stimulus, education, and most importantly – community pride. The goal for this project is to be a catalyst for dialogue, spurring community and governmental action. The design of TENACITY is founded on the firm’s belief that a strong community is built upon three main goals – good health, prosperity, and family. More images and architects’ description after the break.
Co-organized, in cooperation with the Architectural League, by Christopher Marcinkoski and Javier Arpa, The City That Never Was symposium is a day-long event that uses the current crisis in Spain as a lens to reconsider patterns of urbanization and development around the world. Taking place November 9th from 9:00am-5:00pm at the Scholastic Building in New York, the event will reconsider how planners, designers, politicians, and financiers conceive of and realize large-scale contemporary urbanization and settlement. This event seeks to better understand the systems that have produced certain imbalances resulting from this urban growth and explore new models and approaches for urbanization and development. For more information, please visit here.
Jeanne Gang is about to make her New York debut, as the Chicago-based architect just unveiled the latest project planned to border New York City’s beloved High Line. The 180,000 square-foot office tower with ground level retail will replace an existing, disused meatpacking plant along 10th Avenue between 13th and 14th streets. It will feature a “gem-like”, glass facade that is intelligently shaped to avoid the disruption of light, air and views from the High Line.
Dubbed the Solar Carve Tower, the mid-rise structure is currently pending city approval and is planned for completion in 2015.
Continue after the break for the architects’ description.
Amidst the post-Sandy recovery efforts, we would like to share with you New York: Night and Day by Philip Stockton. The New York-based animator and director created the film in attempt to explore the city’s relationships between night and day from a series of fifteen preconceived locations. Using an interesting mix of non-traditional video time-lapse and animation, Stockton combined four to eight hours of footage from each location into single sequences using rotoscoping techniques.
Review each location after the break…
A few days before the wrath of Sandy, Skidmore, Owings & Merrill (SOM) broke ground on what will be the first net zero energy school in New York City and the Northeast U.S. Located on a 3.5-acre site on Staten Island, at the intersection of Crabtree Avenue and Bloomingdale Road, P.S.62 Richmond will serve 444 pre-kindergarten through fifth grade students. When completed in Fall of 2015, the cutting-edge primary school will harvest as much energy from renewable on-site sources as it uses on an annual basis.
Learn more after the break…
Wave Dilfert: Wave (moves in wave-form oscillations) + Dilfert (geek-like intelligence, absorbs information like a sponge).
Wave Dilfert is a new kind of space that reads the changes in light and shadow occurring within it, catalogs and calculates them, then pulses, contracts or expands in reaction. The installation was inspired by the work of Ushahidi; a non-profit, crowdsourcing disaster relief, tech innovator. Much how Ushahidi de-mystifies the complexities of war-torn or disaster ridden locales, The Principals developed a system that could de-mystify the complexities of space through sourcing the information of its users and making it accessible through interaction.
Urban planning is delicately intertwined with government. As much as architects and designers try to avoid the overwrought laws and codes and prescriptive government policies that guide the construction and development of the urban landscape, they are very much a shaping force in cities such as New York. Ask any architect working in a such as NYC and they will likely describe the bureaucratic hassles of working with outdated zoning regulations and restrictive building codes. In this NPR segment Leonard Lopate interviews New York Magazine’s architecture critic Justin Davidson to discusses the impact of Mayor Michael Bloomberg’s planning policies on New York City’s urban development.
Join us after the break for the link.
October 24 marks the long-awaited grand opening of the Franklin D. Roosevelt (FDR) Four Freedoms Park in New York City. Located on a triangular site formed by the southern tip of Roosevelt Island, the four-acre FDR memorial park stands for the “freedom of speech and expression, freedom of worship, freedom from want, and freedom from fear”. It was conceived nearly four decades ago by the legendary architect Louis Kahn, shortly before his death in 1974.
Read our previous coverage for all the design details and get a sneak peak after the break with images from the dedication ceremony.
Co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union as part of the program put on by the Architectural League, Mike Taylor of Hopkins Architects will be delivering a lecture on his current work at the Cooper Union in New York. Taking place on Tuesday, October 30th, the leader of the design team for the London 2012 Velodrome, and a senior partner at Hopkins Architects is “guided by deeply-rooted architectural, environmental, and social convictions.” Widely lauded for its elegant carefully engineered form, the Velodrome’s sustainable and flexible design has won awards for its architecture and engineering, as well as its civic presence from the RIBA, the Architects Journal, and the BCI, among others. For more information, please visit here.