After the controversy surrounding their rejection by San Francisco and subsequent relocation to Chicago, the Lucas Museum of Narrative Arts has today announced a team of MAD Architects and Studio Gang as the designers of their new building in Chicago‘s museum district near Northerly Island.
The building itself will be designed by MAD Architects, chosen “because of its innovative approach to design and the firm’s philosophy of connecting urban spaces to natural landscapes.” In this case, that landscape will be designed by Studio Gang, who will also add a bridge to Northerly Island, an area which they have worked on turning into an ecologically diverse urban park.
Construction has commenced on MAD’s Chaoyang Park Plaza within one of Beijing’s largest public parks and central business district. A continuation of Ma Yansong’s “Shan-Shui City” concept, which aims reintroduce nature into the urban realm, the mixed-use complex reinterprets natural formations illustrated in traditional Chinese paintings as contemporary “city landscapes.”
“Like the tall mountain cliffs and river landscapes of China, a pair of asymmetrical towers creates a dramatic skyline in front of the park,” described MAD. “Ridges and valleys define the shape of the exterior glass facade, as if the natural forces of erosion wore down the tower into a few thin lines.”
I look into myself, trying to express myself. I think sometimes maybe you have an idea from a dream. It sounds ridiculous but you draw something out of your dream. Where does this dream come from? It must somehow relate to some situation. So what I’m interested in is to keep discovering what is really inside of me. I’m not a genius that from the first moment I already know what I want. - Ma Yansong -
Beixinqiao district, in Beijing, is changing fast: the ancient urban tissue is being demolished as new high-rises are growing.Located in this environment, Ma Yansong’s office sits within an old and anonymous construction. In contrast to its exterior, the inside is characterized by wood, white walls and plants that transform the place into a sophisticated environment.International young architects are busy modeling new organic-shaped buildings on the other side of the world; meanwhile a golden fish swims in the eternal loop of the “fish tank” in the centre of the room.
In the following interview, Ma Yansong explains contemporary cities as environments that are out-of-scale with nature. He believes a new approach must be used, one that breaks the monotonous “chessboard” of contemporary Urban China and re-establishes the balance between human beings and the natural world.
Ma Yansong, founder of MAD, has been named the 2014 Young Global Leader. The award, bestowed each year by the World Economic Forum (WEF), aims to “recognize the most distinguished leaders under the age of 40, nominated from around the world.” Winning the title from a collection of 214 young leaders from 66 countries, Yansong is the first Chinese architect to be awarded this honour. According to the WEF, Yansong “commits himself to exploring the future of architecture by combining the city density, function, and the spirit of Shanshui, to reconnect the emotional link between human and nature.” Watch our interview with Ma Yansong here.
Ma Yansong of MAD recently presented a 600,000 square meter urban design proposal for the city of Nanjing titled, “Shanshui Experiment Complex,” at the 2013 Bi-City Biennale of Urbanism / Architecture in Shenzhen, China. The concept takes into account the culture, nature and history of Nanjing while reconsidering the methodology in which Chinese cities are built.
As a continuation to his “Shan-Shui City” concept, which envisions a “city of mountains and water,” Ma Yansong of MAD Architects has proposed an interpretation of China’s ancient natural philosophy in the contemporary city: the Chaoyang Park project. Situated in the world’s second largest city park and surrounded by a typical Chinese business district, the Chaoyang Park project seeks to infuse the “vigorous Shan-Shui culture” with a new urban typology that unites architecture and nature as a single entity.
Since ArchDaily started, we have interviewed close to two hundred architects to understand the diversity of our profession, and to give you insights from the most successful practices in the world.
Here is a round up with excerpts from some of these interviews, focusing on advice for the young architects.
Displayed earlier this month in a Qing Dynasty courtyard garden at Wu Hao in Beijing, Ma Yansong‘s ‘Shanshui City exhibition featured more than twenty architectural models and works of art that are scattered around the ancient courtyard. Among rocks, screen walls, bamboo groves, pools of water and beneath the sky, the scale of each piece varies and collectively they form a futuristic utopian urban landscape. The newly issued book “Shanshui City” – released simultaneously with the exhibition – is an important turning point for Ma Yansong’s ten years of architectural practice and theory. More images and information on the exhibition after the break.
Architects: MAD Architects Location: Harbin, China Director In Charge: Ma Yansong, Dang Qun Design Team: Yu Kui, Daniel Gillen, Bas van Wylick, Diego Perez, Jordan Kanter, Huang Wei, Julian Sattler, Liu Weiwei, Tang Liu, Mao Peihong, Maria Alejandra Obregon, Nickolas Urano, Gus Chan, Shin Park, Alejandro Gonzalez Area: 12,959 sqm Year: 2013 Photographs: Xiazhi, Iwan Baan
While we were in Beijing, we had the opportunity to visit an architect who we have been following for quite some time: Ma Yansong, founder of MAD.
Ma Yansong graduated from the Beijing Institute of Civil Engineering and Architecture, and went to Yale thanks to the AIA Scholarship for Advanced Architecture Research, where he received his masters degree in Architecture in 2001. Afterwards, Ma Yansong worked at Zaha Hadid’s office in London, and started MAD in 2004.
His strong research background is mixed with a deeper understanding and interpretation of traditional Chinese architecture, inspired by urban typologies such as the hutong and the siheyua. This can be seen in projects such as the Hutong Bubble, the Wooden Sculpture Museum (under construction) and the recently opened Ordos Art & City Museum. MAD’s vision for Beijing 2050 is a bold proposal that opens up debate, challenging what the future of the CBD (Central Business District, an area populated by tall generic buildings) could be.
Video available at Youku for our Chinese readers.
Projects by MADat ArchDaily:
Architects: MAD Architects
Location: Mississauga, Ontario, Canada
Director In Charge: Ma Yansong, Yosuke Hayano, Dang Qun
Design Team: Shen Jun, Robert Groessinger, Florian Pucher, Yi Wenzhen, Hao Yi, Yao Mengyao, Zhao Fan, Liu Yuan, Zhao Wei, Li Kunjuan, Yu Kui, Max Lonnqvist, Eric Spencer
Client: Fernbrook / Cityzen
Photographs: Iwan Baan, Tom Arban, Courtesy of MAD Architects
MAD Architects just unveiled plans for a high-density village near the Huangshan Mountains (Yellow Mountain) in Anhui Province, central China. The low-rise residences echo the contours of the surrounding topography and offer unequalled access to one of China’s most famous landscapes. Their design affirms the inherent significance of this landscape. Composed in deference to the local topography, the village provides housing, a hotel and communal amenities organized in a linked configuration across the southern slope of Taiping Lake. More images and architects’ description after the break.
Designed by MAD Architects for the 2011 international competition for a new national museum in Beijing, their proposal aims at being a city-sized museum where the public space is the greatest good. Situated on the central axis of the 2008 Olympic site, and part of a six mega volume masterplan, the main question became how to design something iconic on an unrealistic and inhuman city scale. Their response became a hybrid between an elevated public square and a floating mega building above. More images and architects’ description after the break.
Designed by MAD Architects, Destination Forus is intended to be a clear, robust and effective masterplan to become an exclusive commercial district, both in form and function, which radically differentiates itself from the surrounding building fabric. Increased density and urbanity on one side is juxtaposed against the openness of Forus Park on the other. This sustainable commercial development includes good housing areas, an efficient infrastructure, an abundance of wildlife and agricultural areas, and forests and green fields. They are creating a place that is worthy of a strong identity. More images and architects’ description after the break.