Proposals for Statoil’s Norway HQ from OMA, Foster + Partners, Snøhetta and More

© Harald Pettersen / Statoil

Norwegian energy corporation Statoil has revealed proposals for a new corporate headquarters from the five architecture firms that were shortlisted last October: OMA, Foster + Partners with Space Group, Snøhetta, Wingårdhs, and Helen & Hard with SAAHA. The competition–announced in September of 2013–called for a project that would ”take into consideration a number of new measures in the region regarding public transport, parking, roads and other types of infrastructure.” The winner will be announced in April/May. 

Statoil hasn’t disclosed which project belongs to which firm, but the ArchDaily editors have had some fun trying to put a name to each model. What do you think? Let us know your guesses in the comments!

Grade A Architecture: The World’s Most Spectacular University Buildings

Lecture halls at dizzying heights, libraries with glass-domed roofs or crooked seminar rooms with slanting walls – it is not just in the field of learning that universities have plenty to offer, but on an architectural level, too. From the historic Universiteitsbibliotheek KU Leuven of 1928 to the enormous glass sphere of the Philologische Bibliothek in Berlin to the brand-new, tent-like Campus Luigi Einaudi in Turin: Emporis, the international provider of building data, has compiled a selection of the most spectacular university buildings from around the world. 

Apple’s Revised San Francisco Store Approved

Courtesy of

Third time’s the charm, at least in the case of Apple’s -designed flagship store planned for San Francisco’s historic Union Square. After being sent back to the drawings boards on multiple occasions, the signature glass box’s third proposal (which was claimed to be “more iconic” than the company’s famous Five Avenue glass cube in New York City) has been awarded approval from the city.

New Images Released of Foster + Partners’ Luxury Manhattan Condominium

© Hayes Davidson, Courtesy of

Foster + Partners has released new images of their revised, 19-story luxury condominium tower planned for West Chelsea in . Named after its address, 551 West 21st Street, the cast-concrete and glass structure plans to open its 44 residences, and three penthouses, to occupancy in the Fall of 2015. 

Why The Skycycle Would Never Work

Is this the answer to London’s cycle safety woes?. Image ©

Writing for Future Cape Town, this article by Julia Thayne – originally titled The Skycycle: A Plan for the People? - explores the proposal by Foster + Partners to build an elevated cycle highway above London’s, explaining why it is little more than an optimistic pipe-dream.

Headlines in London this November were grim. Six cyclist deaths in less than a fortnight. All but one cyclist killed in accidents involving trucks, buses, or coaches. People were understandably concerned. From 3,000 miles away, my mother sent me a fluorescent coat and another set of bike lights, and as a cyclist commuter, I avoided roundabouts that I had previously sailed through, noting that cars seemed to be driving more slowly and other cyclists thinking twice before flouting traffic laws.

In response to the deaths, the public and public sector alike launched a “cycling state of emergency.” Officers patrolled the streets to ticket both vehicles driving unsafely and cyclists disobeying road rules. A thousand citizens gathered for a candlelight vigil at the roundabout where three cyclists’ lives had been claimed. Another thousand staged a “die-in” outside of Transport for London’s , in which protesters lay down in the streets, using their bicycles to block traffic. Newspaper columns, magazine articles, and blog spots examined and re-examined the safety of cycling routes around London. Mayor Boris Johnson’s Cycle Superhighways (four blue-painted, supposedly safety-enhanced cycling routes around London) became a particularly contentious topic of discussion, as three of the six cyclist deaths during those two weeks (and of the 14 deaths thus far in 2013) had occurred on or near one of these routes.

From the conversation about cycling and safety, the Skycycle has emerged.

Read on for the problems with the Skycycle project

Foster + Partners Unveil 1,121-Foot Comcast Tower for Philadelphia

© dbox,

Comcast Corporation and Liberty Property Trust has commissioned Foster + Partners to design a 59-story, $1.2 billion mixed-use tower planned to neighbor Comcast’s existing global headquarter in . The 1,121-foot glass and stainless steel building is expected to be the tallest in the United States, outside of New York and Chicago, and the largest private development project in the history of Pennsylvania.

Yale School of Management / Foster + Partners

© Chuck Choi

Architects: Foster + Partners
Location: Yale University, , CT, USA
Year: 2014
Photographs: Chuck Choi

Milan Expo 2015: Foster Unveils Design for UAE Pavilion

© Foster + Partners

Foster + Partners have unveiled the design for the United Arab Emirates pavilion at the 2015 Expo. Designed to evoke the experience of walking through ’s ancient communities, the elongated site will be transformed into a contemporary reinterpretation of a desert city. Passive principles, such as rainwater harvesting and the integration of photovoltaic cells, are targeted to achieve LEED Platinum certification. These strategies are all designed to support the pavilion’s many dining areas, which embrace the Expo’s overarching theme “Feeding the Planet” by serving a taste of modern Emirarti cuisine. 

“We are very proud to be chosen again to create the national pavilion for the UAE,” stated Norman Foster. “Our challenge has been to design for two climates – to create a naturally cool, comfortable space for visitors in Milan, while considering the pavilion’s ultimate reconstruction in the Emirates, where there is a need to provide shade from the intense sun.”

Norman Foster Talks Meeting Niemeyer

and Lord Norman Foster in 2011. “He was in wonderful spirits—charming and, notwithstanding his 104 years, his youthful energy and creativity were inspirational.”. Image Courtesy of Foster + Partners

In this interview, originally published by Metropolis Magazine as “Q&A: Norman Foster on Niemeyer, Nature and Cities“, Paul Clemence talks with Lord Foster about his respect for Niemeyer, their meeting shortly before the great master’s death, and how Niemeyer’s work has influenced his own.

Last December, in the midst of a hectic schedule of events that have come to define Art Basel/Design Miami, I found myself attending a luncheon presentation of the plans for the Norton Museum of Art in Palm Beach, by Foster + Partners. While chatting with Lord Foster, I mentioned my Brazilian background and quickly the conversation turned to Oscar Niemeyer. Foster mentioned the talk he and Niemeyer had shortly before the Brazilian’s passing (coincidentally that same week in December marked the first anniversary of Niemeyer’s death). Curious to know more about the meeting and their chat, I asked Foster about that legendary encounter and some of the guiding ideas behind his design for the Norton.

Read on for the interview

Norman Foster-Designed Scheme Aims to Transform London into “Cycling Utopia”

SkyCycle. Image ©

Foster + Partners has unveiled a scheme that aims to transform London’s railways into cycling freeways. The seemingly plausible proposal, which was designed with the help of landscape firm Exterior Architecture and transportation consultant Space Syntax, would connect more than six million residents to an elevated network of car-free bicycle paths built above London’s existing railway lines if approved.

“SkyCycle is a lateral approach to finding space in a congested city,” said , who is both a regular cyclist and the president of Britain’s National Byway Trust. ”By using the corridors above the suburban railways, we could create a world-class network of safe, car free cycle routes that are ideally located for commuters.”

OMA, Foster + Partners, Heatherwick Studio Recruited to Design ‘Faena District’ of Miami Beach

Faena Art Center. Image Courtesy of Faena

Alan Faena — prominent argentine developer  — is partnering with an all-star cast of celebrated artists, architects and Hollywood darlings to revive the decadence of the roaring twenties, envisioning a booming cultural “epicenter” for the city of Miami. The development, Faena Miami Beach, would include the restoration of the historic Saxony Hotel (the original symbol of opulent resorts along Florida beaches), the construction of new luxury apartments by Foster + Partners and the Rem Koolhaas/OMA-designed Faena Arts Center and Artist Residency. Review them all after the break.

Foster + Partners’ Thames Hub On the Chopping Block

’ Proposal for Thames Hub. Image Courtesy of

The prognosis does not look good for Foster + Partners’ plan for an airport hub in the Thames Estuary. The Guardian reports that the Independent Airports Commission has released an interim report, revealing a shortlist of potential options for the UK – and the Thames Hub (with an estimated price tag of £112bn)  isn’t on it.  Yet hope (however slim) does remain for the proposal, as its persistent defender, mayor Boris Johnson, has managed to convince the commission to revisit the idea in early 2014. Get the whole story at The Guardian.

Foster Designs Extension for Florida’s Norton Museum of Art

©

Yesterday at Art Basel and Design Miami, Norman Foster unveiled plans that would double the gallery space at the historic Norton Museum of Art in West Palm Beach. By constructing three “bold” new pavilions beneath a single “shimmering” roof, Foster promises to restore the museum’s original elegance, strengthening its role within the surrounding community and provide the framework for future growth.

Which Architects Are Most Admired By Other Architects?

Foster + Partner’s Campus II. Image © City of Cupertino

As part of their annual research for the World Architecture Top 100, Building Design (BD) has compiled a list of which architects are most admired by their colleagues from across the globe. Last year’s results were somewhat predictable, with Foster + Partners leading and Renzo Piano’s Building Workshop and Herzog + de Meuron close behind. According to BD, “this year saw a trend towards more commercial names.”

This year’s “most admired” list includes:

Foster and Heatherwick Collaborate to Design Shanghai Finance Center

Courtesy of Foster + Partners

Foster + Partners has joined forces with Heatherwick Studio to design the new Bund Finance Centre (BFC) in the heart of historic . The mixed-use, waterfront destination will serve as the “end point” to the city’s most famous street, as well as a prime connection between the old town, the Bund, and the new financial district.

The Gherkin: How London’s Famous Tower Leveraged Risk and Became an Icon (Part 4)

Courtesy & Andrew Weigand

This four part series (originally published on Aggregate’s website) examines the Gherkin, the London office tower designed by Foster + Partners, showing how the urban icon engaged and leveraged perceptions of risk. In part one, author Jonathan Massey introduced the concept of “risk design” to describe how the Gherkin’s design managed the risks posed by climate change, terrorism, and globalization. In parts two and three, Massey examined the building’s treatment of risks associated with climate change and terrorism. In this final installment, Massey concludes by addressing the building’s engagement with risks posed to the City of London by globalization. 

Unlike New York and other cities in which zoning codes entitle landowners to some kinds of development “as of right,” the City of London regulates property development through case-by-case review by planning officers, who judge how well the proposed construction conforms to City-wide plans and guidelines regarding factors such as building height, development density, access to transit, and impact on views and the visual character of the area. In order to develop the Gherkin, the property owners and Swiss Re had to secure planning consent from the City Corporation through its chief planning officer, Peter Wynne Rees. The review and permitting process that culminated in the granting of planning consent in August 2000 spanned the planning office as well as the market, the courts, and the press. Rees brokered a multilateral negotiation so intensive that we could almost say the building was designed by bureaucracy. Part of that negotiation entailed imagining and staging risk: climate risk, terrorism risk, and, especially, the financial risks associated with globalization.

The Gherkin: How London’s Famous Tower Leveraged Risk and Became an Icon (Part 3)

Courtesy of Jonathan Massey & Andrew Weigand

This four part series (originally published on Aggregate’s website) examines , the London office tower designed by Foster + Partners, showing how the urban icon engaged and leveraged perceptions of risk. In part one, author Jonathan Massey introduced the concept of “risk design” to describe how the Gherkin’s design managed the risks posed by , terrorism, and globalization. In part two, Massey examined the building’s treatment of climate risk. In part three, below, he explains how the Gherkin redesigned the risk imaginary associated with terrorism.

Mornings the Zamboni scrubs the plaza. Moving across the pavement in parallel lines connected by tight turns, the sweeper cleans the stone of cigarette butts and spilled food and beer left the night before by the underwriters and bankers who patronize the bar and shops in the building’s perimeter arcade as well as the adjacent restaurant that in fair weather sets up outdoor tables and chairs.

By pulling away from its irregular property lines, the tower achieves almost perfect formal autonomy from its context. The gap between the circular tower base and trapezoidal site boundaries forms a privately owned public space, a civic and commercial amenity in this densely built part of the City. 

The Gherkin: How London’s Famous Tower Leveraged Risk and Became an Icon (Part 2)

Courtesy Jonathan Massey & Andrew Weigand

This four part series (originally published on Aggregate’s website) examines The Gherkin, the office tower designed by Foster + Partners, showing how the urban icon engaged and leveraged perceptions of risk. In part one, author Jonathan Massey introduced the concept of “risk design” to describe how the Gherkin’s design managed the risks posed by climate change, terrorism, and globalization. In part two, below, Massey examines the Gherkin’s enclosure and ventilation systems in detail to explain how the building negotiated climate risk.

In a poster promoting London’s bid to host the Olympic Games, the Gherkin supported gymnast Ben Brown as he vaulted over the building’s conical peak. The image associated British athleticism and architecture as complementary manifestations of daring and skill, enlisting the Gherkin as evidence that London possessed the expertise and panache to handle the risk involved in hosting an Olympic Games.

But a poster created three years later offered a very different image. Created by activists from the Camp for Climate Action to publicize a mass protest at Heathrow Airport against the environmental degradation caused by air travel, this poster shows the Gherkin affording only precarious footing to a giant polar bear that swats at passing jets as its claws grasp at the slight relief offered by spiraling mullions and fins.