BIG has revealed plans for a 2.6 million square foot (242,000 square meter) mixed-use complex in LA’s burgeoning Arts District. Called 670 Mesquit, the project will take the form of a series of stepped boxes containing 800,000 square feet of office space, 250 residential units and two hotels. The development will mark BIG’s first project in Los Angeles.
Following an unofficial update in August 2016, Apple's Campus 2 is entering the final stages of construction. A new drone video, captured by aerial videographer Matthew Roberts earlier this month, shows the 'Research and Development' facility nearing full completion and capped by a vast roof plant, the 'tantau roof' on the security kiosk in place, and an epic effort in landscaping taking place both within the "spaceship's" courtyard and across the company's enormous property. Only one crane now remains on site and the solar installations appear to be around 60% complete, suggesting that the scheduled 2017 move-in date remains on track.
Earlier this year construction started on the new home for The Mexican Museum, designed by TEN Arquitectos. Located in San Francisco’s Yerba Buena Cultural District, it will fill the first four floors of Millennium Partners’ 700,000 square foot luxury residential tower. The new museum will become a social, cultural and educational center for the promotion of Mexican and Mexican-American art and culture in San Francisco, California.
"The project encourages social commitment and celebrates diversity. The museum is a plural space via a social bond with the community’s history and culture and urban management strategies based on diverse uses and social gatherings," states TEN Arquitectos.
The museum plans to open its doors in the spring of 2019. See below for more details.
The California College of the Arts (CCA) has selected Studio Gang out of three finalists to design an expanded art and design college campus for the school in San Francisco. Currently split between San Francisco and Oakland, CCA’s expansion in San Francisco will allow all of the school’s programs to be housed in one location.
Over the next five years, Studio Gang and CCA will collaborate to create a new campus to host 2,000 students, 600 faculty members, 250 staff members, and 34 academic programs, and to be a model of sustainable construction and practice.
The California College of the Arts (CCA) has selected 3 top firms as finalists to design “a new, ground-breaking art school that will redefine 21st century arts education.” Chosen from an original pool of 75 architects, the three firms will now interview for the chance to design a new campus that aims to unify the college’s Oakland and San Francisco campuses into one vibrant Bay Area institution.
The chosen firm will work together with the school over the next five years to create a plan that will bring together 2,000 students, 600 faculty members, 250 staff members, and 34 academic programs to a consolidated campus located at the intersection of the city’s innovation corridor, the new DoReMi (Dogpatch, Potrero Hill, Mission) arts district, and Mission Bay. The primary project site will be a 2.4-acre lot that borders the college’s existing San Francisco campus buildings. The campus will house all of CCA’s programs, including art, crafts, design, architecture and writing, fostering interaction between the different disciplines.
Form4 Architecture’s project, Innovation Curve Technology Park, has been honored by the Green Good Design Awards presented by The European Centre for Architecture, Art, Design, and Urban Studies, in collaboration with The Chicago Athenaeum’s Museum for Architecture and Design.
The project, which recently broke ground in Palo Alto, California, “celebrates the creative process of invention” through its sweeping metal curves, which represent the highs and lows of exploratory research and development. The tall, two-story curves “rise to represent the crescendo of the creative spark and pragmatic analysis of ideas, and descend to transition into long, horizontal bands symbolizing the implementation phase of invention.”
Form4 Architecture has won first place at the International Design Awards for its project, Sea Song, which additionally was honored by the Green Good Design Awards presented by The European Centre for Architecture, Art, Design, and Urban Studies, in collaboration with The Chicago Athenaeum’s Museum for Architecture and Design.
California is suffering through its 5th year of severe water shortage. Aquifers and rivers continue to dry out as the water provided by melting snowpacks is reduced, and even the heavy rain brought by El Niño this year could not relieve the drought. Authorities are wary of the long-term consequences for California and neighboring areas of the Colorado River, and Santa Monica is now seeing a growing number of initiatives to control the use of potable water and find sustainable solutions.
Most recently, a competition asked architects, artists and scientists to conceive sustainable infrastructure projects to improve Santa Monica’s water supply. Bart//Bratke and studioDE developed a raft structure named “Foram” that illustrates the future of floating platforms in sustainable development.
With its iconic copper-clad tower looming over Wilshire Boulevard, the Bullock’s Wilshire has been a celebrated element of the Los Angeles cityscape since its opening in 1929. Known for its lavish Art Deco aesthetic, the department store made its mark as a prime shopping destination in a city filled with celebrities. But the Bullock’s Wilshire was more than a glamorous retail space; with a design centered around the automobile, it was to set a new standard for how businesses adapted to a rapidly changing urban environment.
Foster + Partners' Apple 2 Campus is racing towards its December 2016 completion date. As seen in this drone video captured by aerial videographer Matthew Roberts, the exterior of the spaceship-like main building is nearly finished, with many of the campus' other buildings, such as the auditorium, the research & development center and the 100,000 square foot corporate fitness center, also approaching full realization.
As A Quincy Jones rightly said, “There’s no unimportant architecture”. The late architect worked alongside his colleague, Frederick E. Emmons, putting their hearts and souls into the design of Case Study House #24, but sadly it was never built. The location in which Case Study House #24 was to be constructed was once a part of the Rolling Hills Ranch, the area which is now popularly known as San Fernando Valley.
The design of the house started with the surrounding environment, which is richly brought out in the architectural drawings by the architects. The region with its lush green vegetation invites swimming, barbecuing, horse riding and other such outdoor activities.
The “Googleplex” is back on. After the Mountain View City Council announced last year that they would be awarding the majority of the land needed to construct the futurist masterplan designed for Google by BIG and Thomas Heatherwick to fellow tech giant LinkedIn, the future of the ambitious glass-canopied corporate campus seemed to be dead in the water, with the architects even releasing images of a pared down design that would occupy a much smaller footprint. But all of that has now changed thanks to a surprising property swap between the two companies that will see over three million square feet of real estate switch hands.
Found in places as diverse as the Zhangjiajie Grand Canyon, Willis Tower, and Tokyo Skytree, glass bottom observation decks have become the favorite engineering marvel of thrill seekers looking for a new perspective on the world. Now, the U.S. Bank Tower in downtown Los Angeles has upped the ante for adrenaline-spiking structures – affixing a glass side to the building’s facade. Spanning from a window on the 70th story to a terrace on the 69th, the 45-foot-long chute opened to the public on Saturday, providing those brave enough to ride it with unprecedented views of the city.
The biggest surprise in this Archilogic model is the spectrum of color. Anyone who has visited the Case Study House 26 in San Rafael, California during the last 40 years would be familiar with the building’s classic all-white steel frame look, but the architect, Beverley David Thorne, had originally picked a very different color scheme: “Dull Gold” for the steel, saffron and other more vivid colors for the interiors. “The choice of exterior colors,” wrote Thorne in Arts & Architecture magazine, “was dictated by the climate and the character of the surrounding landscape.” This Archilogic model recreates the original 1963 conditions, down to the bedroom wall and tile colors.
Coachella, the annual music festival that takes place in California's Colorado Desert, is a spectacle on numerous levels, but it is the associated visual artists, architects, sculptors, and designers that are an often overlooked element of event's success. Below are the best architectural installations of Coachella 2016.
Jennifer Siegal, founder of Los Angeles-based Office of Mobile Design (OMD), has been announced as the winner of the fourth arcVision Prize – Women and Architecture, an international award to women’s architecture organized by Italcementi. Siegal was unanimously chosen by the jury for being “a fearless pioneer in the research and development of prefabricated construction systems, at low prices for disadvantaged users and areas, who has been able to invent and build practical solutions and a new language for mobile and low-cost housing."
"Innovation and unconventional thinking are both hardwired into my DNA. This shows in my body of work and research that questions everything, particularly the static, heavy, inflexible architecture that we somehow still expect in a world that is anything but," said Siegal in a press release.
Secluded behind a screen of tall bamboo shoots in West Hollywood, Los Angeles, the Kings Road House may be considered the first home ever built in the Modernist style. Designed by Rudolf Schindler in 1921, the architect’s use of tilt-slab concrete construction (highly innovative at the time) and an informal studio layout, set it apart from its contemporaries; indeed, the design would set the tone for other Modernist residential design for decades.
As part of its 50th anniversary celebrations, the Asian Art Museum of San Francisco has announced major renovation and expansion plans by wHY Architecture. The practice is expected to design a new 12,000-square-foot exhibition pavilion, reconfigure the Museum’s existing galleries, and modernize its education and public programming spaces. Work will begin in 2017.
"The new pavilion will underscore San Francisco’s cultural diversity, create one of the nation’s premier exhibition spaces dedicated to Asian art, and increase the number of special exhibitions on view for visitors," says the Museum.