After graduating from Tecnológico de Monterrey, a leading technical school in Mexico, Francisco Gonzalez Pulido worked on design-build projects for six years before leaving for the US where he earned his Master’s degree from Harvard’s GSD in 1999. The same year the architect started working with Helmut Jahn in Chicago where he stayed for 18 years – from intern to becoming the president of the company in 2012, at which point he renamed the firm into Jahn. By then he developed his own body of work there. Last year Gonzalez Pulido started FGP Atelier in his adopted home city.
Today the studio, counts a dozen of architects and is overseeing the design of a couple of high-rises in China, a baseball stadium in Mexico City, and university buildings in Monterrey, among other projects. The following interview was conducted at FGP Atelier in Chicago, during which the architect was explicit about transmitting his view: “Architecture is too rigid, too formal. It is time to break free…I want to build lighter. I want to build smarter.”
The 60,000-square-meter scheme will be located in the Lohsepark area of the city, where it will form part of the HafenCity ensemble of office, commercial, and residential buildings.
https://www.archdaily.com/903088/caruso-st-johns-ceramic-proposal-wins-hamburg-publishing-headquarters-competitionNiall Patrick Walsh
Kazuyo Sejima, co-founder of the architecture firm SANAA, shared details of their upcoming project the New National Gallery – Ludwig Museum in Budapest at the Hay Festival Segovia in Spain. The 2010 Pritzker Prize winner linked the underlying premise of this project to three iconic museums: the 21st Century Museum of Contemporary Art in Kanazawa (2004), the New Art Museum in New York (2007), and the Louvre Lens in France (2012).
In this conversation, Laszló Baán, General Director of the National Gallery, Budapest and Ministerial Commissioner of the Liget Budapest Project, explained the details of the 100-hectare (247-acre) masterplan at the heart of Hungary's capital city. The Liget Budapest Project will feature ten museums, including Sou Fujimoto's House of Hungarian Music, the expansion of the Budapest Zoo, and SANAA's New National Gallery for Budapest — a museum that will host 19th, 20th century, and contemporary artworks.
Architecture firms Selgascano and FRPO have been announced as a finalist in the competition to design Spain's National Pavilion for EXPO 2020 in Dubai. Their proposal includes an inflatable canopy of nine yellow ETFE cylinders set within a steel framework. Reinterpreting the Spanish plaza, the design creates a new take on the public square. The pavilion was made to be ultralight as a more sustainable structure that could be easily removed and transported. Formed as a 'breathing pavilion', the design allows two inflatables to move up and down to respond to views, light and breeze.
Created by the Union International des Architects (UIA)in 2005, World Architecture Day is celebrated on the first Monday of October, aiming to highlight and remind the world of the architecture's collective responsibility in designing the world's future cities and settlements. To celebrate, ArchDaily's editors have chosen stories from the year so far that have interested, excited, or inspired them. Read on to see the stories.
https://www.archdaily.com/903015/world-architecture-day-2018-our-editors-celebrate-with-their-favorite-stories-and-projectsAD Editorial Team
MAD Architects have officially begun construction on the QuzhouSports Campus in China. Led by the Ma Yansong, the team designed the campus as a futuristic landscape with mountains and a lake conceived as a sunken garden. The design connects to the historic city as a surreal, ethereal and tranquil landscape. The 700,000 sqm sports campus combines the functions of a sports park with natural and organic forms to embrace thousands of years of history and culture in Zhejiang.
The shortlist for the 2018 Architectural Photography Awards have been revealed, bringing together 20 atmospheric images of the built environment. Categories this year ranged from a “portfolio of an individual building to a single abstract: with a professional camera or on a mobile phone.”
The 2018 edition saw a record number of entries, with photographs from 47 countries, including the UK (28%), USA (20%), Germany (6%), and China (5%). The 20 photographs were selected from four categories: exteriors, interiors, sense of place, and buildings in use.
https://www.archdaily.com/903008/shortlist-for-the-2018-architectural-photography-awards-revealedNiall Patrick Walsh
This article was originally published as "What Marchers Today Can Learn from the May 1968Protests in Paris" on CommonEdge in May 2018. In the 50 years since the historic and worldwide protests of 1968, much has changed. But today's political climate seems equally volatile, with seismic changes threatening social and political establishments across the globe. Lessons from the past are, to borrow the phrase of the moment, more relevant than ever.
American friends recently sent an email: “What’s going on with the French political system? Why all the strikes? What about the endless protest marches? We’d like to visit you in Paris, but we’re a little wary.”
It's not easy to find theory in the implementation of architectural models: a practical model that allows you to analyze and showcase the organization of material elements according to a particular process. They also allow you to detect and modify the key elements of a project while also addressing the project's executive procedures.
Together with architectonic construction details, the development of the constructive facets is pushed to the background up until the ultimate steps of the design process, but this is also when we identify what is appropriate for a certain stage in the process in order to facilitate a seamless execution.
In the search to bring ourselves closer to the presentation and utility of architectural models, we invite you to take a look at a series of examples:
Over the past few months, Quintana Roo's coast has been overtaken by an invasion of seaweed that has put the locals to work cleaning up the beaches as the weeds wash ashore. The work is an exhausting day-to-day ordeal and while the cause of the invasion is still unknown, many point to the changes in climate impacting the Atlantic Ocean.
Currently, over 60 tons of seaweed has been gathered from the coast and locals are already putting the plants to good use as raw materials for biodigestors, cosmetics, plastics, fertilizers, and pharmaceuticals. However, another use for seaweed has recently come to the public's attention.
Walk into a room bathed in cozy, inviting light and you’ll feel instantly at ease. Walk into the same room buzzing with harsh fluorescents, and your teeth may start to grind.
Why?
In 2014, a Journal of Consumer Psychology study found that the more intense the lighting, the more affected and intense the participants’ emotions were — both positive and negative.
The study included six experiments that examined the link between emotion and ambient brightness. Feelings of warmth increased when participants were exposed to bright light with hints of reddish hues. A sensation of angst increased when bluer light dominated.
And the brighter the light, the more intense the participants’ emotions became. Both the intensity and the color of the light affected people’s moods.
For bpr architects, BIM Level 2 is becoming business as usual. This medium-sized, employee-owned firm based in the UK focuses on how good design can add value to a client’s vision. Led by Directors Paul Beaty-Pownall and Steve Cowell, the firm specializes in three core sectors: higher education, rail stations, and regeneration.
Founded by Juan Benavides in 2014, FILMATICA is an architectural film studio dedicated to making videos with a curatorial focus. The selection of projects is carried out in order to empathize with the formal interests of the studio, responding to aesthetic spatial conditions surrounded by powerful landscapes. With this in mind, FILMATICA makes a series of narratives that highlight architecture, time, movement, and our journey through the world. Below, a compilation of videos of contemporary architectural works narrated through the lens of Juan Benavides and the FILMATICA team.
Slum. Shanty Town. Favela. Ghetto. Barrio Marginal. Bidonville. The list goes on.
We have the foresight to understand and predict that demand for shelter in urban environments will continue to expand, perhaps indefinitely, but certainly until the highly-cited prediction that by 2050, more than two-thirds of the global population will live in cities. With this reality, is it time to reassess the way in which we talk about different forms of urbanization?
Is Artificial Intelligence (AI) the doom of the architecture profession and design services (as some warn) or a way to improve the overall design quality of the built environment, expanding and extending design services in ways yet to be explored? I sat down with my University of Hartford colleague Imdat As. Dr. As is an architect with an expertise in digital design who is an assistant professor of architecture and the co-founder of Arcbazar.com, a crowd-sourced design site. His current research on AI and its impact on architectural design and practice is funded by the US Department of Defense. Recently we sat down and talked about how this emerging technology might change design and practice as we now know it—and if so, would that be such a bad thing?
The iconic Empire State Building, the first construction to have more than 100 floors, went on to define the modern concept of the skyscraper. These images—originally published by HomeAdvisor—allow us to indulge in the brief folly of what the Empire State Building might have looked had it been conceived under a variety of easily recognizable architectural styles.
Architectural research initiative ‘arch out loud’ has announced the winners of the HOME competition. Entrants were asked to answer the question: ‘What is the future of HOME?’ A winner was identified for each category: Overall, Innovation, Adaptability, and Pragmatism.
As changes in global circumstances give rise to new design and living trends, the traditional definition of the home as a private place of permanence and stability has altered to accommodate these transitions. The competitors were asked to consider these changes, such as the impact of population shifts, the unpredictability of our changing ecosystem, contemporary forms of community housing and community relations, and newly engineered materials.
Denmark’s natural landscape along the shoreline of Mossø lake was once home to a vibrant monastic community. All that remains are ruins and unearthed artifacts - the reminisce of an active, self-sustaining monastic compound.
Galmstrup, a London-based architecture firm that specializes in community and cultural projects, has designed a gallery building to house the excavated archaeological objects and remains on site – maintaining the strong connection between the ruins and the growing collection of artifacts.
It’s well understood that a sense of place is an essential value for people, architecture, and cities. Everyone from designers to planners to city governments speak breathlessly of the power of places to transform cities for the better - but it’s not clear what placemaking really means.
https://www.archdaily.com/902961/this-week-in-architecture-what-makes-a-placeKatherine Allen
After carefully deliberating in their annual session, UNESCO's World Heritage Committee selected 19 new sites to inscribe on the World Heritage List in the city of Manama in Bahrain. Featuring 13 cultural sites such as Buddhist mountain monasteries in Korea, the industrial city of Ivrea in Italy, and the Caliphate city of Medina Azahara in Spain, alongside three natural sites and three mixed sites (classified as both cultural and natural heritage), the list now aggregates to 1092 sites in 167 countries.
From the historical Sultan Ahmed Mosque in Istanbul to the contemporary city of Brasilia orchestrated by Oscar Niemeyer, the World Heritage List has continuously exhibited varied examples of architecture and urban planning from different eras and movements from around the world. Amongst the new additions, there are several sites of religious importance, city organization, and natural conservation.
Matthias Jung's "Houses" series depicts finely stitched architectural facades against the picturesque landscapes of Northern Germany to create surreal architecture. Commencing as a childhood pastime in his father's photo lab, his passion for collaging has evolved into his career as a designer and artist.
For the Dubai 2020 Expo, the United Arab Emirates and Sheikh Mohammed bin Rashid, Vice President and Ruler of Dubai, selected the theme Connecting Minds, Creating the Future. Organized around ideas of Sustainability, Mobility and Opportunity, the next world Expo will be the first to be held in the Middle East, North Africa and South Asia region. Organised every five years, the world expo lasts six months and is created as a global destination for millions of people to share ideas, showcase innovation, encourage collaboration and celebrate human ingenuity.
“Architects don’t even look at it as an opportunity to put any living experience there…we can open that up” muses Sankarshan Murthy, former Tesla and Apple Watch engineer.
As humans inhabit ever-tighter living arrangements, Murthy’s start-up “Bumblebee Spaces” takes a novel approach: put everything in the ceiling.
https://www.archdaily.com/902937/robotics-start-up-proposes-smart-motorized-ceiling-furnitureNiall Patrick Walsh
System Magazine and Buro 24/7 recently brought together Virgil Abloh and Rem Koolhaas to discuss contemporary consumerism and millennial design. Abloh, a rising American fashion designer and artistic director at Louis Vuitton, explains how his background in architecture has shaped his research into consumerism and culture. Koolhaas expands the discussion to explore Abloh's work with IKEA and his thoughts on residential design and the future of work.