Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek
The team comprised of David Kohn Architects, noA Architecten, and Asli Çiçek has won the international competition for the redesign of SMAK, the Municipal Museum of Contemporary Art in Ghent, Belgium. The project includes the reconfiguration of the museum grounds and the extension of a cluster of historic buildings in the center of the city. Established in 1999, the Stedelijk Museum voor Actuele Kunst aims to redefine its relationship with the city and to create more appropriate space for the design of its extensive contemporary art collection.
Architectural competitions are valuable learning tools, offering architects a unique opportunity to experiment and expand their creative boundaries. By engaging with real-world challenges and receiving critical feedback, participants gain practical experience and a deeper understanding of the profession. Whether conceptual or not, competitions foster innovation, encouraging design professionals to think outside the. This week's curated selection showcases winning competition entriessubmitted by the ArchDaily community, providing architects and architecture students with new perspectives and inspiration for their own practice, be it diploma projects, professional licensing, or commissions.
From an immersive urban park in Seoul, South Korea, to a rural education campus in the Amazon, or a reimagined port in Corsica, this selection highlights projects that have stood out in competitions from around the world. While some of the proposals have been developed by established firms, including KAAN Architecten, ArchiWorkshop, Studio Akkerhuis, or Richez Associés, these competitions have also proven to be an opportunity for emerging designers to showcase their creativity and problem-solving abilities
In 2020, the French Minister of Culture approved an extensive renovation program for the Centre Pompidou with the purpose of resolving the building’s technical issues and ensuring the long-term viability of the iconic structure. Designed by Renzo Piano and Richard Rogers in 1971, the museum was conceived as a “living cultural machine,” sparking controversy due to its unusual architecture. To ensure an efficient renovation process, the building will be fully closed for a period of 5 years, from September 2025 until 2030. French architecture studio Moreau Kusunoki has been commissioned to lead the renovation project, collaborating with Frida Escobedo Studio and AIA Life Designers, who are entrusted with the technical component of the project. The architects have been selected following an international competition, with Renzo Piano as one of the jury members.
Squama Museum building from the Aura river. Image Courtesy of Sigge Architects
Finnish office Sigge Architects has been announced as the winner of the international competition for the design of the Museum of History and the Future in Finland's oldest city, Turku. The proposal, selected out of over 400 entries, creates a permeable structure along the waterfront, acting as a catalyst for the regeneration of the area. The museum aims to showcase the most innovative scientific research through a wide variety of exhibitions, audio-visual installations, and educational spaces. Construction is expected to start in 2027 and be completed by 2029, with a public opening scheduled for 2030.
Powerhouse, Australia’s largest museum institution dedicated to applied arts design, and technology, has revealed the plans for a comprehensive restoration of its three sites located in Sydney, Australia, in addition to the opening of a new site in Parramatta in Western Sydney in 2025. The Powerhouse Ultimo site contains two heritage-listed buildings: the Ultimo Powerhouse and the Ultimo Post Office. The project for the renovation of this heritage location is led by a team of architects, Durbach Block Jaggers working in partnership with Architectus, Youssofzay + Hart, and landscape architects, Tyrell Studio.
Diamond Schmitt Architects, together with Associate Architect EXP, has unveiled the design for the New Brunswick Museum (NBM). Envisioned as an extension of Canada’s oldest museum, the new wing will expand the museum’s spaces for research and exhibitions while maintaining a minimum carbon footprint. The intervention is located on the historic Saint John site, taking advantage of the unique location by opening up views towards both the urban center and the Harbor of Saint John.
The satellite practice of Stefano Boeri Architetti in China has won the tender for the Culture CBD Modern Technology Experience Centre in Xi'an, the capital of the Chinese province of Shaanxi. The new technology-focused museum is set to become a hub for scientific and cultural exchange. The winning project takes inspiration from the area's natural landscape, characterized by a tortuous system of rivers and mountains, as well as the culture of the ancient city of Xi’an.
Diller Scofidio + Renfro (DS+R) has unveiled their proposal for the expansion of The Broad, a contemporary art museum founded in 2015 by philanthropists Eli and Edythe Broad on Grand Avenue in downtown Los Angeles. The project is set to adapt the existing museum, also designed by Diller Scofidio + Renfro, to the growing expectations of the public, as the institution has far exceeded its projections, now regularly attracting nearly four times more visitors than originally envisioned. The intervention aims to enhance public accessibility and offer the opportunity to host live performances and events, while also accommodating the institution’s growing collection. The expansion is expected to open before the 2028 Summer Olympics.
Brooklyn-based firm SO-IL has revealed the design for a new campus art museum at Williams College in Massachusetts, created to become a primary teaching resource for the institution renowned for its art history program. Since its inauguration in 1926, the Williams College Museum of Art has gathered an expansive collection of over 15,000 works. Through the design of SO-IL, the museum will be able to move into its first freestanding purpose-built home. In May 2024, the museum will present an exhibition on SO-IL’s design.
The Joslyn Art Museum in Nebraska announced that the restoration and expiation works led by Snøhetta and Alley Poyner Macchietto Architecture (APMA) are nearing completion, as the transformed institution is scheduled to reopen on September 10, 2024. The new 42,000-square-foot Rhonda & Howard Hawks Pavilion, designed by Snøhetta and APMA will add new gallery spaces to Nebraska’s largest art museum, becoming the centerpiece of the large-scale project for reimagining the visitor experience.
RSHP has unveiled the urban and architectural design for the new Bayeux Tapestry Museum. The intervention is created to house and display the Bayeux Tapestry, an embroidered cloth measuring 70 meters in length and depicting the events leading up to the Norman Conquest of England in 1066 and culminating in the Battle of Hastings. The almost 1000 years-old artifact is also included in UNESCO’s “Memory of the World” list. The project proposes a contemporary extension of the 17th-century seminary where the Musée de la Tapisserie de Bayeux is located.
Some of the most memorable and moving exhibitions are the ones that simplify their staging, illuminating objects and narratives while pulling focus from everything else. A stark but meticulous –and above all modern– presentation is the goal of the museum curator. The process of installation shouldn’t be laborious. The fingerprint of the architect shouldn’t be visible. The eye of the visitor wants to see unbroken silhouettes of couture garments, archaeological treasures, and sculptures. Exhibitions tell stories, and the design of each show is the medium. The presentation must be crisp, clear, and light. A sense of perfection elevates the uniqueness of a collection of objects; barely apparent joins, lines and an overall feeling of transparency make that achievable.
https://www.archdaily.com/1009976/elevating-contemporary-exhibition-design-with-sliding-glass-panel-systemsMark C. O'Flaherty
Designed by MAD Architects, the FENIX Museum of Migration is set to be inaugurated in 2025 in Rotterdam’s City Harbor. The purpose of the institution is to showcase and highlight the stories of global migration through encounters with art, architecture, photography, and history. The museum broke ground in 2020 when the first images of the proposal were also released. MAD Architects is working with Bureau Polderman for the restoration of the historic warehouse dating back to 1932, which now represents the base and starting point for the museum experience.
Ennead Architects and KSS Architects have just unveiled the design for the Jean & Ric Edelman Fossil Park Museum of Rowan University. The museum is located at the heart of a 65-acre fossil park in Mantua Township, New Jersey. Spanning 44,000 square feet, the program focuses on exploration, preservation, and education. Moreover, it allows citizens and scientists to have the unique opportunity to participate in fossil excavation alongside research actively. The visitor and the researchers will study the events leading to the fifth mass extinction, all within the confines of a 66-million-year-old former quarry. The project is scheduled to open its doors to the public in early 2024, positioning itself as a symbol of scientific exploration and environmental stewardship.
India hosts a multitude of museums, art galleries, public libraries, theaters, and heritage centers. Nevertheless, many of these structures remain abandoned and fossilized like the artifacts they intend to present and protect. The development of cultural infrastructure in India has historically been a government endeavor, often resulting in a state of stagnation. The past two decades have seen a noticeable shift in the country’s cultural landscape. Increased interest from private institutions has paved the way for plenty of cultural projects to be initiated, usually in partnership with city authorities. These contemporary projects aim to celebrate the richness of India’s historical and contemporary culture, becoming prize destinations for the rising middle class.
Switzerland-based office Oppenheim Architecture has been announced as the winner of a two-phase competition for the redesign and restoration of the Besa Museum in Tirana, Albania. The institution is dedicated to showcasing the Albanian code of honor represented through the name “Besa,” a concept that dictates welcoming any guests as one’s own. The museum is conceived as a continuation of the Jewish Museum on Vlora, diving deeper into the principle of Besa and its role in the help given to the Jews in Albania during the Holocaust.
