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Intervention: The Latest Architecture and News

Restoration of Abandoned Church Connects Man, Nature, and God

Changtteul Church, is an old place of worship in Gyeonggi-do, South Korea, that gets its name from the term "changtteul", meaning "a frame containing a window", in Korean. As its name suggests, the building's character lies in its series of windows, giving the visitors both outside and inside a unique experience of light and scenery.

Designers Hanyoung Jang and Hanjin Jang of studio minorormajor utilized the windows of Changtteul as a metaphorical motif for their design concept: the first being the 'window between man and God', and the second being ‘the window between man and nature’, immersing the abandoned religious facility with dramatic experiences.

© studio minorormajor © studio minorormajor © studio minorormajor © studio minorormajor + 20

ARKxSITE Announces Winners of Site Mausoleum Competition

ArkxSite has announced the winners of its international architecture ideas competition.The competition has invited all architecture students and young architects to develop innovative ideas for the design of a Site Mausoleum located in the Jaspe Quarry, ‘Serra da Arrábida’, Portugal. The site is of great natural power as the remains of an old quarry are carved into its landscape, along with massive cliffs that drop dramatically into the Atlantic Ocean.

The competition committee wanted participants to develop an intervention that emphasizes, respects, and celebrates the site, all while providing visitors with a unique experience of movement between enclosed and open spaces.

1st Prize. Image © Giulio Pinci 1st Prize. Image © Giulio Pinci 1st Prize . Image © Giulio Pinci 1st Prize . Image © Giulio Pinci + 14

Porocity: Opening up Solidity

An exciting new manifesto from the Why Factory, Porocity: Opening Up Solidity makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers?

Artist Spencer Finch Evokes Kyoto's Ryoan-ji Garden at the Mies Pavilion

It would be hard to associate zen philosophy with Mies van der Rohe, even harder to associate it with the German Pavilion in Barcelona. Nevertheless, the latest work by American artist Spencer Finch, Fifteen stones (Ryōan-ji), precisely establishes that connection with the iconic pavilion.

Spencer Finch was the latest artist invited to intervene the Fundació's pavilion. With the aim of "provok[ing] new looks and reflections through [his] intervention in the Pavilion, [he] enhanced it as a space for inspiration and experimentation for the most innovative artistic and architectural creation." Finch joined a prominent team of artists and architects, including SANAA, Jeff Wall, Ai Wei Wei, Enric Miralles, Andrés Jaque, and Anna & Eugeni Bach, among others.

© Anna Mas © Anna Mas © Anna Mas © Anna Mas + 10

This Wood Pavilion is Supported Entirely Through Origami Folds

As part of Concéntrico 03, architects Manuel Bouzas Cavada, Manuel Bouzas Barcala and Clara Álvarez Garcí designed a temporary exhibition pavilion in the Escuelas Trevijano Plaza, with the objective of “making the unclear, transparent, and the heavy, light."

A paper sheet alone does not sustain itself, but when formed in a series of precisely folded sheets, they are capable of sustaining not only themselves but also much greater forces. With the same logic, a wooden panel does not sustain itself but when formed as a series of precisely folded wooded panels, it has the capacity to sustain not only itself but to support much more. An example of this is the information pavilion at Concéntrico 03.

Wooden Installation in Logroño is a Tribute to Spanish Wine

Concéntrico is Logroño’s Architecture and Design Festival. It is open to residents of the city and visitors from elsewhere, and it aims to discover and rediscover spaces of interest in the city’s Historic Center. The Festival invites attendees to tour these spaces through installations that create a connection between inner courtyards, tucked-away spaces and small plazas that, in the day-to-day, tend to go unnoticed.

Since 2015 Concéntrico is being organized by La Rioja Architects Cultural Foundation (Fundación Cultural de los Arquitectos de La Rioja, FCAR), along with Javier Peña Ibáñez, the promotor of the initiative, and in collaboration with the local government of Logroño, Garnica and the Integral Design Center of La Rioja (Centro de Diseño Integral de La Rioja, CEdiR). Its goal is to prompt reflection on the city through architectural and design proposals.

In this context, DP Architects presents an ephemeral intervention in the city of Logroño. The aims of "Cada cuba huele al vino que tiene" is to be a tribute to the wine of La Rioja, soil, climate and grapes, but also the wooden barrels used in the wine’s maturation.

© Josema Cutillas © Josema Cutillas © Josema Cutillas © Josema Cutillas + 23