Architecture: The Latest Architecture and News

MVRDV and Balance Architettura have unveiled their proposal for the renovation of the Civic Gallery of Modern and Contemporary Art (GAM) in Turin, Italy, following their selection through a public competition in December 2025. The project seeks to restore the spatial qualities of the museum's 1959 building while introducing new exhibition strategies, publicly accessible storage, and flexible display systems designed to accommodate evolving curatorial needs. Conceived as both an architectural restoration and an institutional transformation, the proposal aims to reconnect the museum with the surrounding city while adapting it to contemporary approaches to exhibition-making and public engagement. The project is supported by Fondazione Torino Musei and funded by Fondazione Compagnia di San Paolo, and the construction is expected to begin during the second half of 2027.

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Dar al Funoon Abu Dhabi, the new performing arts institution designed by the late architect Frank Gehry, is among his final works. Translating to "House of the Arts," the landmark building, commissioned by Abu Dhabi's Department of Culture and Tourism, was designed as a global hub for the performing arts and is expected to open in 2030. The project adds to Gehry's work in the emirate, which also includes the upcoming Guggenheim Abu Dhabi, and follows the city's designation as a UNESCO Creative City of Music in 2021.

Most people probably have their own ritual when entering a swimming pool. Some dive in without hesitation, others start by dipping their toes, some swim for sport, and others immerse themselves simply for pleasure. Whether individual or shared, intense or contemplative, every experience with water takes place within an environment carefully designed to receive it.

Architecture and water belong to opposing realms. While architecture defines boundaries and contains space, water constantly seeks to spread beyond them. It is from this tension between the solid and the liquid that aquatic centers emerge. In these buildings, the presence of water transforms everything around it. Light breaks into shifting reflections, sounds acquire a distinctive reverberation, temperature and humidity shape the atmosphere of the spaces, and materials and construction systems are continuously put to the test. Yet their uniqueness is not merely technical.

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This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

Before architecture students become authors of space, they are subjected to one. For years, they work inside a building that teaches without announcing itself as a teacher. It organizes their exhaustion, their ambition, their visibility, their solitude, their friendships, their sense of scale, and their relationship to judgment. Long before a student can articulate a position on architecture, the school has already offered one in its implicit built environment.

This is not to suggest that buildings determine architects. The influence is slower and less complete than that. A school building operates more like a hidden curriculum: a spatial discipline that works alongside faculty, syllabi, institutional culture, and student life. It teaches through access and obstruction, program adjacencies, daylight exposures, and scale. It produces habits of attention before it produces explicit beliefs.

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The third edition of the Sharjah Architecture Triennial (SAT03) will take place from November 14, 2026, to April 14, 2027, under the title Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Curated by anthropologist and curator Vyjayanthi Rao, with Tau Tavengwa serving as Associate Curator, the exhibition will bring together 32 participants working across architecture, anthropology, urbanism, art, design, education, and community-based practices. Opening to the public on November 14, the Triennial will unfold through installations, films, archives, workshops, performances, and public programs distributed across Sharjah, positioning the city itself as a site for dialogue and engagement.

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The project developed by CRA-Carlo Ratti Associati, Park Associati, Politecnica Building for Humans, Openfabric, DOTDOTDOT, Studio Mattioli, and Eckersley O'Callaghan has been selected to design the new Main Hospital and Children's Hospital in Brescia, Italy. The international competition mandate was to redevelop an existing hospital, preserving and extending a radial plan conceived by engineer Angelo Bordoni in the early twentieth century. The existing healthcare complex, Spedali Civili di Brescia, follows a hexagonal masterplan and radial layout that informs the new design for the premises. The geometry is reinterpreted to update the campus for future models of care, drawing a new CareRing around it that connects people, nature, and healthcare through the principles of One Health, the idea that human health, environmental health, and social wellbeing are inseparable.

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Mexico City is a sprawling metropolis of layered temporalities, where architecture operates as a continuous negotiation between deep-seated history and intense urban mutation. Built over the aquatic traces of Tenochtitlan, the city's fabric is an ongoing dialogue between eras: the monumental scale of the Pre-Hispanic Templo Mayor and the Viceroyalty architecture of the Catedral Metropolitana coexist with the modern and contemporary impulses that define its skyline. This dense juxtaposition creates a unique urban canvas where sacred geography, colonial imposition, and 20th-century ambition intersect.

The mid-century marked a definitive era of experimentation, forging a Mexican Modernism that masterfully synthesized international structural rationalism with local identity and materiality. This synthesis is epitomized by the sweeping, plastic integration of art and architecture at the Ciudad Universitaria, the structural poetry of Félix Candela's hyper-parabolic shells, and the raw, monumental brutalism of Teodoro González de León and Abraham Zabludovsky. Parallel to this, the intimate, introspective mastery of Luis Barragán and Juan O'Gorman redefined domestic space, experimenting with light, vernacular color, and tectonic honesty to create spaces of profound spatial stillness.

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Cities are increasingly designed to mitigate risk, and by doing so, need to collect data on climate, infrastructure, biodiversity, and social fragmentation so that the language of resilience becomes a fixture of planning. Yet the underlying conditions that produce polarization, civic disengagement, and ecological breakdown often remain unquestioned. The tools that dominate urban practice tend to address only one register of human experience, while the emotional and imaginative dimensions of transformation are not treated as reliable solutions.

Philosopher Felix Guattari proposed that sustained ecological transformation depends on simultaneous attention to three distinct ecologies: the ecology of the mind, the ecology of society, and the ecology of the environment. Mainstream environmental politics tends to concentrate on one or two of the three, flattening a complex condition into a defined problem with a clear answer. Ancient rituals remind us that transformation depends on practices that simultaneously engage the body, the community, and the environment.

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Recent events highlighted the many ways architecture responds to changing environmental, social, and cultural conditions. Major earthquakes in Venezuela, Japan, and Northern California renewed attention to the role of planning, infrastructure, and building practices in shaping resilience to natural hazards. As these questions continue to inform the built environment, the opening of the 2026 UIA World Congress of Architects in Barcelona brought together practitioners and researchers to discuss climate, housing, public space, and the future of the profession. Recent project announcements, preservation initiatives, completed works, and new design tools further reflected the range of approaches shaping architectural practice today, from heritage conservation and adaptive reuse to environmental performance and long-term planning.

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The 15th São Paulo International Architecture Biennial (BIAsp), scheduled to take place in September and October 2027, announced architects Gabriela de Matos and Pedro Rossi as the event's chief curators. Following the previous edition on the theme Extremes: Architectures for a Hot World, the duo is expected to bring critical perspectives on architecture, culture, and the city to bear on the theme Architecture, Culture, and Sovereignty. Their role is to direct the conceptual development of the Biennial, assemble a curatorial team, and run a public call for co-curators.

Every twelve years, the banks of the Ganges at Prayagraj become one of the largest cities on Earth — and then disappear. The Maha Kumbh Mela draws over 400 million pilgrims across six weeks, requiring the construction of a full urban infrastructure: pontoon bridges, field hospitals, kilometers of temporary roads, a grid of tent cities visible from space. When the festival ends, it is dismantled entirely. No gathering in human history produces a more complete architecture of movement; built for arrival, engineered for transience, and designed to leave no permanent trace. The Kumbh Mela is exceptional in scale, but not in condition: movement has become a defining spatial problem of the century.

This month, ArchDaily explores Architectures of Movement: Land, Borders, and the Politics of Belonging, a theme that examines how mobility reshapes architecture's relationship to territory, ownership, and identity. The topic does not treat movement as a crisis to be managed, but as a fundamental lens through which to reconsider what buildings, cities, and borders actually do: who they accommodate, who they exclude, and what they make permanent.

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On June 30, 2026, Portuguese architect Eduardo Souto de Moura received the 2026 UIA Gold Medal, the highest distinction awarded by the International Union of Architects, during a ceremony held at the Basílica de la Sagrada Família in Barcelona. Presented as part of the 2026 UIA World Congress of Architects, taking place from June 28 to July 2, the award recognizes Souto de Moura's sustained contribution to architecture through a body of work defined by contextual sensitivity, material precision, and a lasting influence on contemporary architectural culture.

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On the occasion of the 250th anniversary of the United States' Declaration of Independence, the World Monuments Fund has announced a new list of ten heritage places representing the country's history. The special initiative, titled "Irreplaceable America," recognizes historic places across the country whose preservation is considered "essential to the richness and complexity of American history," spotlighting urgent preservation needs. From the oldest botanical garden in the country to I.M. Pei's modernist Dallas City Hall, the selected sites bear witness to Indigenous heritage, artistic experimentation, and public health, colonial, and Black history.

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While human life depends heavily on plants for the medicines, building materials, and fuel they provide, they also play a vital role in many ecological processes. From climate regulation through carbon dioxide absorption to soil fertility and the purification of air and water, plant diversity offers opportunities to address some of the most pressing challenges of this century, including food security, energy availability, climate change, and habitat degradation. In this context, botanical gardens act as living refuges that foster innovation, adaptation, and human resilience. But what can architectural practice learn from botany and its methods?

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The exhibition What is This? A Spa, a Gym, a Zoo for Tiny Animals? is on view at the Palau Victòria Eugènia in Barcelona from May 11 to July 5, 2026. Organized by the Fundació Mies van der Rohe and curated by Anna Sala and Ivan Blasi, the exhibition presents the institution's archive through a new curatorial framework, bringing together architectural models, drawings, documents, films, and records of artistic interventions that have taken place at the Barcelona Pavilion since 1986. Open daily with free admission, the exhibition invites visitors to engage with the archive as both a historical collection and an evolving record of architectural discourse.

Bjarke Ingels Group (BIG) has unveiled new images of the National Juneteenth Museum, offering a closer look at the design of the 72,000-square-foot institution planned for Fort Worth, Texas. Designed in collaboration with Alligood Song Architecture and architect of record KAI Enterprises, the project is scheduled to begin construction in fall 2026 and will serve as a national center dedicated to preserving the history and legacy of Juneteenth. Led by activist Dr. Opal Lee, widely recognized as the "Grandmother of Juneteenth," the museum combines exhibition spaces with community-oriented programs intended to support both cultural preservation and neighborhood revitalization.

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The UIA 2026, the 29th edition of the triennial international event for architectural dialogue organised by the International Union of Architects, has opened its doors on Sunday, June 28th, with an inaugural event held at Three Chimneys, a former power plant in Sant Adrià de Besòs. Each Congress focuses on a pressing topic relevant to the profession, articulated through a central theme. The topic for 2026 is "Becoming. Architectures for a Planet in Transition," calling for a broad and critical overview of the possible futures of architecture. The event runs through July 2, 2026, as a distributed event across multiple venues and urban contexts. With a multidisciplinary approach, Barcelona, the UNESCO World Capital of Architecture 2026, is set to become a global laboratory and hub for debating forthcoming ecological, social, material, and cultural transitions.

Three decades after it first hosted the event, Barcelona once again becomes the host of the global disciplinary debate. The UIA World Congress of Architects 2026 Barcelona aims to bring together 10,000 professionals, students, and institutional representatives from more than 130 countries. Discussions address topics such as the climate emergency, the housing crisis, the circularity and sustainability of materials, and the evolution of public space at large and small scales, as well as more specific topics such as the future role and responsibility of architectural awards or conferences dedicated to the DANA floods in Valencia. The daily program will be marked by two plenary sessions each day, at the start (09:00) and at the end (16:45).

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In many Latin American cities, peripheral neighborhoods have historically had less access to the resources that make urban life more than just livable. Housing, transportation, and public services are the usual markers of that gap. But there is another gap that is harder to quantify: the absence of places where people can gather, learn, rest, and participate in collective life. When those spaces do not exist, the city not only fails to provide a service. It fails to acknowledge a presence.

In recent decades, a growing number of projects have tried to address that absence directly. Rather than focusing only on physical infrastructure, they invest in spaces designed to support education, culture, recreation, and community, often merging several of those functions within a single building in neighborhoods where those spaces are otherwise limited.

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