The 60th edition of Salone del Mobile.Milano has been postponed and will now take place from the 7th till the 12th of June 2022. The decision was taken by the Board of Federlegno Arredo Eventi, in agreement with Fiera Milano, who voted to postpone the event from April 2022 to June 2022.
In this week's reprint from Metropolis magazine, authors Theodore (Ted) Jojola and Lynn Paxson talk about embracing “place knowing” as a process to understand building and planning, and highlight modern achievements in Pueblo architecture.
The Pueblo people of the Southwest have been stewards of their lands for millennia. In contrast to the colonial and territorial experiences of many tribal nations, the Pueblos avoided being displaced from their homelands. This prevented many of their places from being erased. As such, their ancient worldviews still remain at the core of their planning and design. Nothing is so important as their imprint on the expression of architecture, especially its form and function.
Vladimir Belogolovsky talks with Mexican-American architect Francisco Gonzalez-Pulido on his exhibition 30 Projects/30 Years/30 Stories now on view at the Museo Metropolitano in Monterrey, Mexico.30 Projects/30 Years/30 Stories, a large retrospective on the work of Mexican-American architect Francisco Gonzalez Pulido, was opened on June 18 at the Museo Metropolitano in Monterrey, Mexico. The exhibition will remain on view until September 21.
At the dawn of photography the city could only be recorded as a virtually empty stage by a camera lens too slow to fix for posterity the vitality of urban life. Even before the new art of photography – literally writing with light – was announced in 1839 in Paris, the City of Light, Daguerre had pioneered street photography by capturing a view of the Boulevard du Temple through the double aperture of his window and his camera lens. This first urban daguerreotype. captured perfectly the city’s architecture, but this man soon to be famous for portraiture left us scarcely a trace of the bustling traffic of that spring 1838 morning, all human presence was vanquished, save a blurry pair of men, a shoe shiner and a customer, who remained still long enough to be captured as a smudge on the otherwise pristine scene. By the end of the century the camera was able to capture motion even below the threshold of human perception, making it a tool for the scientific study of human and animal locomotion.
"When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes.
The 2021 Venice Architecture Biennale finally opened its doors to the public, on May 22nd, despite all odds and after two postponements. Presenting 115 different responses to “How will we live together”, the architectural exhibition gathered innovative answers from across the globe, all arising from a common determination to change the status quo. Bringing people who face the same issues together to partake in a vital exchange of ideas, the 17th edition has amplified the role and status of the Biennale as the biggest platform for architecture.
Onsite, in Venice, ArchDaily had the chance to meet with curator Hashim Sarkis, to discuss once more the ever-growing relevance of the biennale, different overlapping scales and fields, recurring qualities, and the international language of architecture. Hoping that “people will walk out of the biennale with a stronger belief in architecture as being a medium that can make a difference”, Sarkis in his third interview talks of a collective imaginary that can inspire new spatial contracts.
La Biennale di Venezia has just announced in a press conference, live-streamed on April 12, that the 17th International Architecture Exhibition under the theme of “How will we live together?” curated by Hashim Sarkis, will open to the public from Saturday 22 May through Sunday 21 November 2021 at the Giardini, the Arsenale, and Forte Marghera. In addition, the preview will be held on 20 and 21 May.
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The Alvar Aalto Museum is showcasing one last exhibition before it undergoes a complete renovation, highlighting the architect’s unbuilt museum designs. While Aalto designed a total of 15 museum buildings, only three made it from concepts to the actual built structures. The exhibition entitled “The Dream of a Museum” includes both detailed and more sketch-like plans, along with competition entries.
Sigmund Freud, the author of “The Interpretation of Dreams” and the founder of Psychoanalysis, once argued that, “A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfillment in the creative work.”
Etherea, the installation conceived by Edoardo Tresoldi for the Coachella festival in 2018, has landed in Rome for "Back to Nature”, an exhibition project curated by Costantino d’Orazio. The large transparent mesh sculpture will dialogue with the trees of the Parco dei Daini, in Villa Borghese, until December 13, 2020.
Running from 11 September till 15 November 2020, "Thom Mayne: Sculptural Drawings" is the latest architectural exhibition at Tchoban Foundation Museum for Architectural Drawing in Berlin. Curated by Kristin Feireiss, together with Esenija Bannan, the project questions the nature of architectural drawing and how it influenced the work of Thom Mayne, founder of Morphosis. The exhibition features Mayne’s works dating from 1979 through 2020 and leads visitors from “traditional” drawings and new experimentations with techniques, through to 3D paintings.
As the world is moving into a post-pandemic time, museums are finally resuming their work under strict social distancing and health measures. Arc en rêve d’Architecture in Bordeaux, France has reopened its main gallery with an exhibition by Ila Bêka & Louise Lemoine, entitled Homo Urbanus. Shown for the first time in its complete version, the exposition offers a vibrant tribute to public spaces.
Wrightwood 659, a private institution located in Chicago’s Lincoln Park neighborhood, will host the first U.S. Exhibition of Indian architect, urbanist, and 2018 Pritzker Prize winner Balkrishna Doshi. Running from September 9 till December 12, 2020, the retrospective entitled Balkrishna Doshi: Architecture for the People, is the first display devoted to the works of the laureate, outside of Asia.
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MAAT, the museum of art, architecture, and technology in Lisbon, Portugal has officially reopened its doors on June 10, unveiling to the public the new projects originally scheduled to launch before the Covid-19 lockdown, such as Beeline, an architecture intervention by SO – IL. Transforming the museum into a landscape of encounters and conversations, this exhibition also generates a temporary second entrance to the gallery space.
WORKac in collaboration with Musea Brugge and Cultuurcentrum Brugge has created an exhibition entitled Water Works. Set to run initially from March 7th to June 7th, 2020 at the historic Poortersloge in Bruges, Belgium, the exhibition has been temporarily closed to the public due to the ongoing COVID-19 epidemic. However, the New York-based architectural practice has produced a brief video highlighting its six themed rooms and the eighteen projects on display.
Entering the Guggenheim Museum, visitors find themselves surrounded by a feast of vivid colors and mismatched fonts. Passing the gigantic green tractor at the entrance, they move across the ground floor, littered with stickers, like a lunchbox, or a lid of a laptop. A thick pillar that pierces the internal atrium has become a garish advertising column. A bale of hay, a drone, and some other object (impossible to identify) levitate high overhead. A cardboard cutout of Joseph Stalin on robot wheels moves down the ramp, scaring off visitors. Big reflective letters say: “Countryside, The Future”.
Architect Rem Koolhaas, the founder of the Office of Metropolitan Architecture (OMA) and Samir Bantal, director of OMA’s internal think-tank AMO, created this utterly confusing environment to exhibit years of research on the space beyond the boundaries of the 21st-century city.
Architect and educator Astra Zarina wasn’t just the teacher of Tom Kundig, Ed Weinstein, and Steven Holl (who designed ‘T’ Space); she was also an advocator for public spaces, cohesive urbanity, and the communities that these attributes fostered. ‘T’ Space’s newest exhibit Rome and the Teacher, Astra Zarina celebrates Zarina’s life and teachings in the context of recognizing overlooked pedagogical figures, particularly women. A recent article by Metropolis Magazine describes this exhibit in detail and with it, Zarina’s own life story.
I Am Interested in Seeing the Future is an architectural exhibition, that, contrary to what you might expect, includes no models and no drawings. Instead, as soon as visitors arrive, they find themselves surrounded by text. The wall facing the entrance is covered by an installation of single words on posters, interview transcripts on colored paper, and mirrors that reflect the sentences on flimsy scrolls arcing down from the ceiling.
_julkisivupiirustus._Alvar_Aalto_Museum_(1971-73)__facade._Original_drawing_Alvar_Aalto_Foundation..jpg?1604924810 "Alvar Aalto Museum (1971-73), facade. Original drawing . Image Courtesy of Alvar Aalto Foundation")
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__Viro._Sis%C3%A4perspektiivi._Tallinn_Art_Museum_(193-37)__Estonia._Interior_perspective._Original_drawing_Alvar_Aalto_Foundation..jpg?1604926715 "Tallinn Art Museum (193-37), Estonia. Interior perspective. Original drawing . Image Courtesy of Alvar Aalto Foundation")
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