Architectural exhibition: The Latest Architecture and News

Running from May 20th to November 26th, 2023 in the Giardini, at the Arsenale, and at various sites around Venice, the 18th International Architecture Exhibition will be titled: The Laboratory of the Future. Announced today by the President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the exhibition, Lesley Lokko, the theme and title of this edition will consider the African continent as the protagonist of the future. “There is one place on this planet where all these questions of equity, race, hope, and fear converge and coalesce. Africa. At an anthropological level, we are all African. And what happens in Africa happens to us all”, explains Lokko.

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The 60th edition of Salone del Mobile.Milano has been postponed and will now take place from the 7th till the 12th of June 2022. The decision was taken by the Board of Federlegno Arredo Eventi, in agreement with Fiera Milano, who voted to postpone the event from April 2022 to June 2022. 

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This article was originally published on Common Edge.

The problem with being a deliberative writer is that pretty much everything has already been penned by the time you’re ready to write about something. Such is the case with the 2021 Chicago Architecture Biennial (CAB): The Available City. There have been several well-written, insightful essays about the CAB by Zach Mortice, Anjulie Rao, Marianela D’Aprile, and others, so it would be foolish to travel the landscape they have so expertly traversed. Instead, I’m offering a trip through this edition of the CAB, which concluded a successful and significant run on Saturday, down a road less traveled.

In this week's reprint from Metropolis magazine, authors Theodore (Ted) Jojola and Lynn Paxson talk about embracing “place knowing” as a process to understand building and planning, and highlight modern achievements in Pueblo architecture.

The Pueblo people of the Southwest have been stewards of their lands for millennia. In contrast to the colonial and territorial experiences of many tribal nations, the Pueblos avoided being displaced from their homelands. This prevented many of their places from being erased. As such, their ancient worldviews still remain at the core of their planning and design. Nothing is so important as their imprint on the expression of architecture, especially its form and function.

Vladimir Belogolovsky talks with Mexican-American architect Francisco Gonzalez-Pulido on his exhibition 30 Projects/30 Years/30 Stories now on view at the Museo Metropolitano in Monterrey, Mexico.30 Projects/30 Years/30 Stories, a large retrospective on the work of Mexican-American architect Francisco Gonzalez Pulido, was opened on June 18 at the Museo Metropolitano in Monterrey, Mexico. The exhibition will remain on view until September 21.

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At the dawn of photography the city could only be recorded as a virtually empty stage by a camera lens too slow to fix for posterity the vitality of urban life.  Even before the new art of photography – literally writing with light – was announced in 1839 in Paris, the City of Light, Daguerre had pioneered street photography by capturing a view of the Boulevard du Temple through the double aperture of his window and his camera lens.  This first urban daguerreotype. captured perfectly the city’s architecture, but this man soon to be famous for portraiture left us scarcely a trace of the bustling traffic of that spring 1838 morning, all human presence was vanquished, save a blurry pair of men, a shoe shiner and a customer, who remained still long enough to be captured as a smudge on the otherwise pristine scene.  By the end of the century the camera was able to capture motion even below the threshold of human perception, making it a tool for the scientific study of human and animal locomotion.

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"When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes.

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The Alvar Aalto Museum is showcasing one last exhibition before it undergoes a complete renovation, highlighting the architect’s unbuilt museum designs. While Aalto designed a total of 15 museum buildings, only three made it from concepts to the actual built structures. The exhibition entitled “The Dream of a Museum” includes both detailed and more sketch-like plans, along with competition entries.

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Sigmund Freud, the author of “The Interpretation of Dreams” and the founder of Psychoanalysis, once argued that, “A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfillment in the creative work.”

Etherea, the installation conceived by Edoardo Tresoldi for the Coachella festival in 2018, has landed in Rome for "Back to Nature”, an exhibition project curated by Costantino d’Orazio. The large transparent mesh sculpture will dialogue with the trees of the Parco dei Daini, in Villa Borghese, until December 13, 2020.

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Running from 11 September till 15 November 2020, "Thom Mayne: Sculptural Drawings" is the latest architectural exhibition at Tchoban Foundation Museum for Architectural Drawing in Berlin. Curated by Kristin Feireiss, together with Esenija Bannan, the project questions the nature of architectural drawing and how it influenced the work of Thom Mayne, founder of Morphosis. The exhibition features Mayne’s works dating from 1979 through 2020 and leads visitors from “traditional” drawings and new experimentations with techniques, through to 3D paintings.

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Catalonia in Venice - air/aria/aire, part of the Collateral Event of the Biennale Architettura 2021, is an exhibition curated by architect Olga Subirós, commissioned by the Institut Ramon Llull, with the participation of 300.000 Km/s, an urbanism studio in macro data-based strategic planning. Reflecting on the central theme of the Biennale “How will we live together?” the project investigates the role of architecture and urbanism within the context of the climate emergency and the public health crisis.

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As the world is moving into a post-pandemic time, museums are finally resuming their work under strict social distancing and health measures. Arc en rêve d’Architecture in Bordeaux, France has reopened its main gallery with an exhibition by Ila Bêka & Louise Lemoine, entitled Homo Urbanus. Shown for the first time in its complete version, the exposition offers a vibrant tribute to public spaces.

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Wrightwood 659, a private institution located in Chicago’s Lincoln Park neighborhood, will host the first U.S. Exhibition of Indian architect, urbanist, and 2018 Pritzker Prize winner Balkrishna Doshi. Running from September 9 till December 12, 2020, the retrospective entitled Balkrishna Doshi: Architecture for the People, is the first display devoted to the works of the laureate, outside of Asia.

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MAAT, the museum of art, architecture, and technology in Lisbon, Portugal has officially reopened its doors on June 10, unveiling to the public the new projects originally scheduled to launch before the Covid-19 lockdown, such as Beeline, an architecture intervention by SO – IL. Transforming the museum into a landscape of encounters and conversations, this exhibition also generates a temporary second entrance to the gallery space.

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