The importance of public spaces in urban life is an issue that has been apparent since ancient Greece and is still with us today. Opportunities to meet and exchange ideas in these spaces are able to influence how the inhabitants participate in the development of their city, and occur in greater instances when public spaces are accessible to everyone.
However, in modern societies, the strategic role of these spaces has been limited. According to The City Fix, a blog on sustainable urban planning, one of the main reasons for this is the overabundance of automobiles. In fact, according to one study by the Brazilian Institute for Energy and the Environment, 70% of public spaces in urban centers are taken up by roadways and other spaces for cars, while car owners make up only around 20 to 40 percent of the city’s population.
How can public spaces be recovered to promote urban life? We discuss three important factors below.
In this fourth episode of GSAPP Conversations, third-year GSAPP Master of Architecture student Ayesha Ghosh speaks with Swiss architect Christian Kerez, who delivered the opening lecture of the school's Spring 2017 Semester. Kerez's recent projects include Incidental Space at the Swiss Pavillion of the 2016 Venice Architecture Biennale, an amorphous structure which raised questions of the limits of imagination and technical feasibility in architecture today.
https://www.archdaily.com/867558/columbia-gsapp-conversations-4-wonder-structure-christian-kerez-contemporary-swiss-architectureAD Editorial Team
IFC has announced the release of their latest documentary, Citizen Jane: Battle for the City, which will dive into “the enduring legacies of one of the most prominent figures of modern urban planning, Jane Jacobs, and talks about her David-Goliath fight to save NYC.”
MVRDV and developer Provast has revealed plans for a two new mixed-use residential towers in The Hague that will add over 500 new apartments to the city’s Central Business District. Located on Grotiusplaats adjacent to the National Library and near the city’s Central Station, the “Grotius Towers” will offer 61,800 square meters of residential and commercial space to service the needs of The Hague’s growing downtown core.
The towers’ design reacts to the typical tower typology found in the Hague by focusing on high-quality details, a subtle facade, a ‘soft’ landing on the street and a ‘crown’ of large outdoor spaces. Inside, a mix of social housing and private accommodations will ensure the buildings are inhabited by a diverse community, while their ground-floor commercial plinths will make the complex a destination for shopping, dining and socializing.
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Courtesy of Team Aesop (Josh Draper, Lisa Ramsburg, Powell Draper, Edward M. Segal, and Max Dowd)
Cast & Place has been announced as the winner of the 2017 City of Dreamscompetition to create a pavilion for New York City’s Governors Island. Held by not-for-profit arts organization FIGMENT, the AIANY Emerging New York Architects Committee, and the Structural Engineers Association of New York, the competition called for a design to be the hub of FIGMENT’s free community arts festival during Summer 2017, based on questions of the future of New York, how design can confront environmental challenges, and how architecture can be built from recycled or borrowed material.
With these questions in mind, Cast & Place was conceptualized as a pavilion made entirely from waste. 300,000 recycled aluminum cans, cast into the cracks of dried clay, will form structural panels that assemble into shaded spaces for performance and play.
In order to help design the sculpture, Watson was taught about the history and style of Gaudí and the architecture of Barcelona through volumes of images, literary works, articles, and even music. From these references, Watson helped to uncover critical insights on patterns in Gaudí's work—like crabs, spiders, and color palettes—that the design team didn't initially associate with Gaudí. The resulting four-meter-tall sculpture features a structural surface made of over 1200 unique aluminum parts, and is unmistakably reminiscent of Gaudí’s work both in look and feel, yet entirely distinct.
The sculpture was on display from February 27 to March 2 at Mobile World Congress in Barcelona, where it interacted with visitors by changing shape in real-time, in response to sentiments from Twitter. To learn more about the sculpture, ArchDaily was given to opportunity to speak with IBMWatson Manager Jonas Nwuke.
In this third episode of GSAPP Conversations, Columbia GSAPP Associate Professor Mabel O. Wilson speaks with Sharon Sutton about the publication of her new book, When Ivory Towers Were Black, which tells the story of how an unparalleled cohort of ethnic minority students earned degrees from Columbia University’s School of Architecture (GSAPP) during a time of fierce struggles to open the ivory tower to ethnic minority students.
Studio Libeskind has won competitions for two new mixed-use projects in France, the firm announced at the MIPIM world property market conference this past week in Cannes. The first project comprises a retail, conference and transportation center for the city of Nice, while the second will see the firm complete a 150-meter-tall skyscraper in Toulouse.
“With these important projects in two of the main French cities, we unveil our new development strategy to create urban mixed-use buildings. Once completed, both will become new landmarks for Nice and Toulouse. With Studio Libeskind, we are up to great things!” says Philippe Journo, CEO of Compagnie de Phalsbourg, the developer behind both projects.
Architecture and music are two very different art forms – one is visual, tactile and logical; the other audial and emotional. So what happens when you bring these two artistic media together?
This is the idea explored by Chilean web series Insigne Sesiones, which aims to “[expose] he ideal mix between contemporary architecture and music, generating the first audiovisual project worldwide that officially joins these two disciplines.” For their first season, Insigne Sesiones invited six world-renowned musicians to perform their music in the intimate settings of some of the most celebrated works of Chilean architects across the country.
A 1,400-foot-tall mixed-use skyscraper by Zaha Hadid Architects may be the next supertall structure to hit midtown Manhattan. Located at 666 Fifth Avenue between 52nd and 53rd Street, the project is the brainchild of Kushner Properties, who currently co-own the existing 483-foot-tall building with Vornado Realty Trust.
Estimated to cost up to $12 billion, the company is currently negotiating a multi-billion dollar deal with Chinese holding company Anbang Insurance Group to finance the project. If plans to buy out the building go through, Kushner would be in the clear to begin construction on the ZHA-designed tower, which would rebrand the property as 660 Fifth Avenue and offer 464,000-square-feet of residential space, an 11-story hotel, and a 9-story retail podium.
This is the inaugural column “Practice Values,” a new bi-monthly series by architect and technologist Phil Bernstein. The column will focus on the evolving role of the architect at the intersection of design and construction, including subjects such as alternative delivery systems and value generation. Bernstein was formerly vice president at Autodesk and now teaches at the Yale School of Architecture.
This semester, I’m teaching a course called “Exploring New Value Propositions for Practice” that’s based on the premise that the changing role of architects in the building industry requires us to think critically about our value as designers in that system. After studying the structure and dynamics of practice business models, the supply chain, and other examples of innovative design enterprises, they’ll be asked to create a business plan for a “next generation” architectural practice. I’m agnostic as to what this practice does per se, as long as it operates somewhere in the constellation of things that architects can do, but there is one constraint—your proposed firm can’t be paid fixed or hourly rate fees. It has to create value (and profit) through some other strategy.
The following excerpt was originally published in Natascha Meuser's Construction and Design Manual: Architecture Drawings (DOM Publishers). With our industry's technological advances, "the designing architect is not simultaneously the drawing architect." Meuser's manual aims to help architects develop and hone their technical drawing skills as the "practical basis and form of communication for architects, artists, and engineers." Read on for ten freehand drawing exercises that tackle issues ranging from proportion and order to perspective and space.
What is beauty? A few years ago, a group of international researchers sought to unravel the mysteries of human beauty. They used state-of-the-art, totally impartial computer technology and a huge dataset to establish once and for all why particular faces are perceived as beautiful, and whether beauty exists independently of ethnic, social and cultural background; in other words, whether it can be calculated mathematically. The scientists input countless photos of faces from all over the world, each described by survey respondents as particularly beautiful, into a powerful computer. The resulting information, they believed, could be used to generate a face that would be recognized by any human being as possessing absolute beauty. But what the computer eventually spat out was a picture of an ordinary face, neither beautiful nor ugly, devoid of both life and character. It left most viewers cold. The accumulated data had created not superhuman beauty, but a statistically correct average.
The MIRAGE series is made up of concrete handles, knobs, and robe hooks, all of which aim to create character through light and shadow. Some of the pieces, with a zigzag pattern, are meant to reduce the heaviness of the concrete material, making it seem light and delicate, while other pieces are meant to express a sense of solidity.
Once every two years architecture schools around the world are invited to submit their single, finest graduation project to the Archiprix International competition and exhibition. Since its inception in 2001 (born out of the Dutch Archiprix), an ever increasing number of schools choose to participate. This year, Archiprix International selected Ahmedabad, in India, to exhibit the results. Arjen Oosterman, Editor-in-Chief of Volume, spoke to Archiprix Director and "Mister Archiprix" Henk van der Veen.
As an architect, Frank Lloyd Wright was known for many things, but perhaps his most famed characteristic was his exceptional attention to detail – in many of his projects, each furniture piece was designed specifically for its intended location. This trait carried over into the design of the windows in his houses. Borrowing from organic motifs, Wright created a series of compositions suited for each house, from the tall, triangular stained glass windows of the Hollyhock House to the mahogany Samara clerestory panels of the Bachman-Wilson House.
One of Brazilian architect Oscar Niemeyer’s final designs, a 12-meter-diameter glass and concrete sphere perched on the corner of a factory building, is set to be completed in Leipzig, Germany, reports Mitteldeutscher Rundfunk (Central German Broadcasting, MDR).
“Feilden Fowles’ concept design for the dining hall subtly relates to the existing ensemble of buildings and the garden setting, and yet has the poise to convince as a showpiece,” said Professor Geoffrey Ward, Principal of Homerton College, Cambridge.
“What appealed so strongly about the team’s particular approach was their openness to creating many opportunities for dialogue. We are looking forward to working with them as they develop the detailed design.”
If an architecture firm is lucky, it can hit two birds with one stone on a single project—for example, prioritizing both historic preservation and energy efficiency. But a team at KieranTimberlake, based in Philadelphia, is aiming for four ambitious goals with its pro bono project, the Mars City Facility Ops Challenge.
Architects Fátima Olivieri, Efrie Friedlander, and Rolando Lopez teamed up with National Institute of Building Sciences (NIBS), NASA, and the Total Learning Research Institute (TLRI) to create a virtual working city on Mars—one that might reap multiple rewards.
https://www.archdaily.com/867605/kierantimberlake-is-using-virtual-reality-to-design-a-home-for-future-life-on-marsKim A. O'Connell
A degree in architecture teaches you to see the world differently. For confirmation of this fact, look no further than the poor souls who have accompanied an architect on vacation—people who, at some point between being dragged far outside of their destination city to visit some apparently exemplary office buildings, and stopping for hours to photograph structural details, probably started to question their companion's sanity.
But what happens when an architect visits the Taj Mahal? The experience of being in the presence of this wonder of the modern world must surely be so humbling that even he or she can do no more than stand in awe like any regular person... right?
In this second episode of GSAPP Conversations, Amale Andraos speaks with Spanish architect and GSAPP Professor Juan Herreros about the relationship between teaching and practicing architecture, and how he has carefully designed a particular way of working globally. Herreros, who co-founded Abalos&Herreros in 1984 and currently leads estudio Herreros, offers insight into how working sensitively in foreign settings also helps to develop a robust local practice, and how he is bringing new models of emerging practices to his students in GSAPP’s Advanced Architecture Studios.
https://www.archdaily.com/867553/columbia-gsapp-conversations-2-juan-herreros-amale-andraos-spanish-architecture-starting-small-practiceAD Editorial Team
Responding to this phenomenon, architect Ioannis Oikonomou of oiio architecture studio has proposed an alternate solution, called “The Big Bend,” that asks the question: “What if our buildings were long instead of tall?”
Carmody Groarke’s competition winning design for a new hotel retreat on Burgh Island off the coast of Devon, UK, has received planning approval, clearing the way for the dramatic structure to begin construction. The cliff-top “Pool House” will join the Grade-II listed art deco Burgh Island Hotel in providing accommodation to adventurous visitors, offering panoramic views of the of the Bantham Estuary and the hotel’s Mermaid Pool, an outdoor seawater pool and private beach for hotel guests.
120 Hours Winner 2017. Image Courtesy of 120 Hours
International student architecture competition 120 Hours has announced the winners of its 2017 competition, “The Way of the Buiy.” For this year’s edition of the challenge, which gives participants just 5 days from the announcement of the brief to its deadline to conceive a project, students were asked to design a 100-square-meter building housing a canteen and library for the LiangMeng school complex, located in the rural area of Puan City, China.
This year’s competition saw 3024 participants from 79 countries across the globe, with winners selected by a jury consisting of Jan Olav Jensen, Chiara Sala, Tran Kinh Manh, Angela Gigliotti, Fabio Gigone and Christian Hermansen Cordua. For the first time ever, the winning project will be constructed, after further development alongside the 120 Hours team. The building is expected to be completed by the end of 2017.
