Modernism has a long history in Morocco. Being close to Europe and under French Protectorate rule, it kept pace with architectural developments in the movement. Its relative peace after the Second World War further strengthened its role as some European architects sought a hub for new ideas. Architects in independent Morocco adopted Modernism as they were tasked to build the infrastructure of a new nation. The architect Jean-François Zevaco, born in Morocco to French parents, practiced across these formative periods, developing his own expressive version of modern architecture.
Wang Shu and Lu Wenyu. Image Courtesy of Venice Architecture Biennale
La Biennale di Venezia has announced that architects Wang Shu and Lu Wenyu will curate the 20th International Architecture Exhibition, opening in May 2027. Founders of Amateur Architecture Studio and leading voices in contemporary practice, the duo is known for an approach rooted in craftsmanship, material reuse, and deep engagement with place. Their appointment brings renewed attention to vernacular knowledge, construction cultures, and the social realities shaping architecture today.
In a former 16th-century church in Vicenza, two stories come together: that of Italian Renaissance sacred architecture and that of marble, the ancient material by excellence, reinterpreted here in a contemporary key. In this dialogue between eras, Lithos Design presents Quinte, a double-sided partition wall that transforms marble into a design tool: not just a surface, but a rhythmic and modular element that defines and enhances spaces. An idea designed for interior architects looking for solutions that are both functional and decorative, capable of shaping interiors with precision, elegance, and personality.
Stretching along the Atlantic coast at the southern tip of Florida, Miami is often introduced through postcard views of beaches, palm trees, and glass towers facing the water. Yet, behind this familiar image lies a city shaped by migration, tourism, and real estate cycles, where architecture has repeatedly been used to project new identities and reinvent the urban landscape. From early resort hotels and the Art Deco façades of South Beach to experimental high-rises and cultural institutions on the bay, the built environment offers a way to read how Miami negotiates climate, economy, and everyday life.
Over the past century, the city has grown through successive layers of development that remain visible in its streets and skylines. The streamlined geometry and pastel colors of the historic Art Deco District coexist with the exuberant forms of Miami Modern (MiMo) motels and postwar infrastructure along Biscayne Boulevard. Downtown and Brickell have transformed from low-rise business districts into dense clusters of residential and office towers, many designed by international firms working alongside local practices. At the same time, neighborhoods such as Little Havana, Allapattah, and Wynwood reveal how diasporic communities, industrial heritage, and creative industries occupy and adapt existing fabrics, often in contrast with the image-driven waterfront.
Foster + Partners has developed a master plan for the redevelopment of the former FIX brewery in Thessaloniki, Greece. The proposal, commissioned by Dimand, outlines a mixed-use district that integrates public space, housing, hospitality, and cultural programs. Positioned along the western seafront and within walking distance of the city center, the site serves as a key point of connection between emerging neighborhoods and the waterfront. The project builds on the industrial history of the brewery complex while introducing new spatial configurations intended to support broader urban regeneration efforts across Thessaloniki.
Biblioteca dos Saberes by Kéré Architecture. Northern view. Render. Image Courtesy of Kéré Architecture
Kéré Architecture has unveiled its proposal for the 40,000-square-meter Biblioteca dos Saberes (House of Wisdom) in Rio de Janeiro's Cidade Nova neighborhood. Designed by Francis Kéré, Mariona Maeso Deitg, and Juan Carlos Zapata, the cultural complex is commissioned by the Rio de Janeiro City Hall and planned for a site near Valongo Wharf and the Little Africa area. The design was presented to members of the community on November 20, the National Day of Zumbi and Black Consciousness in Brazil. Important features include a perforated façade for sun protection, roof gardens, landscaped terraces, shaded courtyards, open-air areas, a canopied amphitheater, and a pedestrian bridge connecting the building to the nearby monument to Zumbi dos Palmares.
Spectrum Architecture, in collaboration with SOG and F&M, introduces the masterplan for Gonio Yachts and Marina—a significant waterfront development on the Black Sea coast designed to provide high-end residential and hospitality infrastructure for over 30,000 people.
The project is part of EMAAR's substantial investment in Georgian real estate under the Eagle Hills brand, which plans to develop two megaprojects in Tbilisi and Batumi. The total investment exceeds $6.5 billion and aims to attract $10 billion in foreign direct investment, generate 30,000 jobs across multiple sectors, and host 350,000 visitors annually.
Created by California surfers who wanted to bring the lines of surfing onto asphalt, skateboarding soon outgrew its role as a simple alternative for flat days. It established itself as a practice that reads the city through a different logic, reinterpreting steps, handrails, walls, and interstitial spaces as possible lines, challenges, and opportunities. Over time, it evolved into a global urban culture, a way of inhabiting and transforming public space through movement. What was once marginal has become a catalyst for urban activation, community building, and new uses for overlooked spaces. At its core, skateboarding reveals how many cities coexist within the same city, depending on who moves through them and how each person is able to reinterpret their surroundings.
The new headquarters for Cybernet Systems was designed around the Japanese architectural concept of flexibility, promoting well-being, collaboration, and productivity. As a global leader in Computer-Aided Engineering, supporting industrial production through advanced digital solutions, the headquarters, located in the Fuji Soft Akihabara Building in Tokyo, embodies the company's commitment to creating a dynamic, technology-driven community.
Developed by MB-AA (Matteo Belfiore Architect & Associates) and Shukoh, in collaboration with Cybernet Systems, the project translates corporate values into spatial design. Minimalism, natural light, and openness define the environment. Transparent partitions and adaptable layouts foster communication while allowing each employee to personalize their workspace. Well-being, creativity, flexibility, and technology form the core of the project.
The European Cultural Centre (ECC) has announced the winners of the ECCAwards 2025, selected from participants of the seventh edition of Time Space Existence and unveiled during the exhibition's Closing Day on 23 November 2025 in Venice. Bringing together 207 practices from more than 52 countries, this year's edition highlighted a broad spectrum of architectural and design approaches responding to the themes of Repair, Regenerate, and Reuse. The awards recognise four projects that stood out for their originality, execution, narrative clarity, and forward-looking engagement with questions of sustainability, community, and the future of the built environment.
On November 21, 2025, the closing day of the 30th edition of the Conference of the Parties (COP) took place, the yearly gathering of United Nations member states to negotiate international climate agreements and assess global progress toward emissions reduction. This year, the event was held in Belém, Brazil, a port city of fewer than 1.5 million people, widely known as a gateway to Brazil's lower Amazon region. First convened in 1992, UN Climate Change Conferences (or COPs) are an international multilateral decision-making forum on climate change involving 198 "Parties" (197 countries, nearly all of them, depending on definitions of country, and the European Union). Their purpose is to assess global efforts toward the central Paris Agreement aim of limiting global warming to as close as possible to 1.5 °C above pre-industrial levels. The event brings together leaders and negotiators from member states, business figures, young people, climate scientists, Indigenous Peoples, and civil society around issues considered essential to that climate goal. This year, COP30 was marked by strong criticism of its ties to the fossil fuel industry, descriptions of agreements as fragile and insubstantial, and the struggle to move climate finance "from pledge to lifeline."
The prestigious BAUMunich, the world's leading trade fair for architecture, materials, and systems, served as the stage for Orama Minimal Frames' latest innovations in architectural frame technology. The exhibition offered a platform for industry connections and showcased advancements that challenge conventional boundaries in frame design.
Meta fitting in Matte Black. Image Courtesy of Dornbracht
Are living spaces getting smaller? As cities densify and the global population continues its steady migration toward urban centers—projected to reach around 70% by 2050—domestic space is becoming increasingly compressed. Rising land prices, high construction costs, and a surge in single-person households push developers toward smaller units and tighter floor plans. At the same time, cultural shifts toward resource efficiency and minimal living support this move. Shrinking living spaces require fewer materials, consume less energy, and encourage people to live closer to their means.
Natural History Museum Abu Dhabi by Mecanoo. Exterior photograph. Image Courtesy of Natural History Museum Abu Dhabi
Back in April 2022, Abu Dhabi unveiled the first images of a new Natural History Museum designed by the Dutch practice Mecanoo. Three years later, on November 22, 2025, the museum opened its doors to the public, presenting 13.8 billion years of science and discovery with a special focus on the Arabian region. Covering more than 35,000 sqm, the design is intended to resonate with natural rock formations. Geometry acts as the unifying theme, with pentagonal shapes referencing cellular structures. Water and vegetation, symbols of life in the desert, also play an important role in the design. Located in Abu Dhabi's Saadiyat Cultural District, the building houses rare meteorites, dinosaur fossils, and reconstructions of the region's prehistoric landscapes, combining natural history, storytelling, and immersive environments. Through interactive exhibitions, special events, and community-science programmes, the museum seeks to encourage audiences of all ages to engage with the natural world.
The future of cities has long been defined by intelligence: networks of sensors, data, and engineered systems. From traffic-flow algorithms to climate dashboards, the smart city promised to make urban life optimized, measurable, and predictable. Yet amid this technological abundance, something essential feels absent: sensitivity. Cities are becoming increasingly equipped to process information but less able to perceive atmosphere, emotion, or care.
As recent global debates on urban innovation reveal, the next challenge is not about adding more devices but cultivating new forms of awareness. A sensitive city listens to its climate, adapts to its inhabitants, and responds to the subtle rhythms of the environment. In this shift from computation to perception, architecture and urban design are rediscovering intelligence as a form of empathy.
Can academic projects explore new directions and contribute to public discourse on global and local issues? The 2025 Politecnico di Torino Architecture Students Award aimed to address these questions, showcasing how architectural research, training, and experimentation can be integrated into a school curriculum.
While adaptive reuse has been increasingly acknowledged as a vital architectural strategy worldwide, its discourse and implementation in Asia are still expanding—driven by growing ecological awareness and a shifting understanding of architectural knowledge. Rather than accelerating a developmentalist model centered on demolition and new construction, architects today are confronted with a different approach to the built environment: treating the existing structure as a resource—an archive of materials, spatial organizations, and informal histories.
Adaptive reuse is often associated with the preservation of historic buildings and culturally significant heritage. Yet the vast field of seemingly 'less-valued' structures—abandoned houses, standard yet old dwellings, non-conforming office buildings, and overlooked urban voids—has become ground for experimentation. These sites challenge architects and designers to reconsider prevailing standards of efficiency and market-driven development, and to imagine spatial and ecological practices that avoid the continual loss of embodied material and cultural knowledge inherent in constant rebuilding.
Heatherwick Studio and MANICA Architecture have released the design for Birmingham City Football Club's new stadium, set to anchor the forthcoming BirminghamSports Quarter in East Birmingham, England. The 62,000-seat venue, planned for Bordesley Green, forms part of a wider redevelopment strategy and coincides with the club's 150th anniversary. Developed through a competition led by filmmaker Steven Knight, the project aims to introduce a multifunctional sports and cultural venue integrated into its urban context.
Louisiana Channel, a web TV platform based at the Louisiana Museum of Modern Art in Denmark, is launching a new film titled Søren Pihlmann: Make Materials Matter. Over the course of 54 minutes, Marc-Christoph Wagner and Simon Weyhe offer a glimpse into the work and mind of the founding architect of Pihlmann Architects, presenting his vision of Danish architecture, the practice of architecture itself, and, in particular, his sensitivity to materials. The film provides a behind-the-scenes look at the process and thinking behind the Danish exhibition at this year's Venice Architecture Biennale. Led by Søren Pihlmann, the team used the opportunity to renovate and conduct material research on Denmark's permanent building in the Giardini, transforming it into a material laboratory and experimental construction site. The result is a process exhibition that highlights how rethinking and reusing existing structures and materials can address critical architectural challenges. As of today, November 20, the documentary is available to watch online for free.
The Holcim Foundation for Sustainable Construction has announced the Grand Prize Winners of the 2025 Holcim Awards, selecting one project from each global region to represent the most impactful approaches to sustainable design in this cycle. This edition marks the introduction of the Grand Prize format, replacing the previous tiered distinctions to better acknowledge diverse regional contexts and avoid hierarchical rankings. Evaluated by juries chaired by Sou Fujimoto (Asia Pacific), Kjetil Trædal Thorsen (Europe), Sandra Barclay (Latin America), Lina Ghotmeh (Middle East and Africa), and Jeanne Gang (North America), the winning projects reflect the Foundation's principles of holistic, transformational, and transferable design.
Across Europe and beyond, architects are confronting a turning point. As rising emissions targets collide with shrinking material supplies and the growing urgency of climate commitments, the built environment is being forced into a deeper reckoning with how it consumes, circulates, and discards resources. What was once considered waste is now revealing itself as a dormant architectural archive, an urban ecosystem of materials waiting to be reclaimed, revalued, or reimagined. Within this shift, architects are beginning to play a radically different role. Not only as designers of buildings, but also as orchestrators of the flows that sustain them.
This emerging mindset is reshaping the foundations of practice. Instead of depending on long, extractive supply chains, designers are beginning to build their own closed-loop networks, establishing material banks, negotiating deconstruction protocols, and participating in new forms of urban mining.
Architectural space has long been framed by permanence: rooms for fixed functions, facades that clearly define where exterior ends and interior begins. Yet contemporary life is defined by overlap and transition: between work and living, interior and exterior, privacy and community. Spatial needs evolve continually, demanding architecture that can respond, adapt, and remain relevant over time.
In this context, adaptability has emerged not only as a design ambition but as a sustainable necessity. Buildings that adjust to shifting uses, evolving climates, or new forms of living extend their lifespan and reduce the need for demolition or extensive retrofits. Flexibility becomes a measure of resilience, allowing structures to remain vital across decades. But how can architecture respond to the evolving ways we inhabit and experience space?
