3DCP Group has completed Skovsporet, a 3D-printed student housing development in Holstebro, Denmark, designed by SAGA Space Architects in collaboration with MS+. Located near VIA University College, the project comprises 36 ground-level apartments distributed across six building clusters, covering a total area of 1,650 square meters. Constructed over 12 months, Skovsporet applies large-scale 3D concrete printing at the scale of a residential development, combining printed structural elements with conventional construction methods. The project was developed for NordVestBO and is scheduled to receive its first students this month.
London-based art, architecture, and design collective Assemble has recently announced a new workspace project in the English capital. Since its founding in 2010, the studio has built a community around craft and making by providing creative and light industrial spaces resilient to market forces, working as a platform for ecologically and socially engaged work. It recently secured a 25-year lease, with the option to buy, on Bromley Hall, an early Tudor-period manor house considered one of the oldest houses in London. The plan is to transform the site's three buildings, Bromley Hall (c. 1485), the Old Poplar Library (c. 1904–5), and the RedBox container building, into Assemble's largest workspace to date, adding 14,000 sq ft to its current workspace provision, with the site's long-term development plan set to double this figure. The practice's new project follows a dual objective: restoring a Grade II*-listed building and increasing stability for the creative industries community, through long-term rental agreements and a new space for collaboration.
Bazaar in Hyderabad, India. Photo by Kanishq Kancharla on Unsplash
This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.
Architecture is most often represented as a stable object: a building captured at a moment of visual clarity, isolated from surrounding contingencies. Plans, sections, and photographs promise legibility by suspending time. Yet many of the world's most enduring public environments resist this mode of representation altogether. They are not designed to be read instantaneously, nor do they reveal their logic through form alone. Their spatial intelligence emerges gradually, through repetition, occupation, and duration.
The bazaar belongs firmly within this category. It cannot be understood through a single drawing or a finished elevation. Its organization is not fixed but rehearsed. What sustains it is not purely architectural composition, but shared timing, collective memory, and long-standing patterns of use. Togetherness in the bazaar does not arise from formal design decisions; it is produced through repeated encounters, negotiated proximities, and social familiarity accumulated over time.
This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
For centuries, most of the world has looked at itself through a 16th-century instrument of spatial representation. On September 4, the United Nations General Assembly voted to change that, adopting a resolution that asks governments, schools, media organizations, and technology companies to retire the Mercator projection wherever the relative size of countries actually matters, in favor of equal-area alternatives like the 2018 Equal Earth projection. The vote passed 164 to 1. The United States was the sole vote against.
MAD, the architecture studio founded by Ma Yansong, has revealed the designs for Danshuis, a new dance center planned for Rotterdam, the Netherlands. Located on a landmark site in the city's historic docklands, adjacent to the Fenix Museum of Migration, also designed by MAD, the project is expected to open in 2030. The 9,500-square-meter center will transform an Art Deco warehouse dating from 1923 on the south bank of the River Maas. Planned as a center for the production, development, and practice of dance across different styles, Danshuis aims to bring together professional and amateur programs for different ages and levels of experience.
Quipu by Gonzalez Moix Arquitectura. Featured in the Biennial's Central exhibition. Image Courtesy of Bienal Internacional de Arquitectura de Buenos Aires
The Buenos Aires International Architecture Biennial marks 40 years of history this year, across 20 editions. As one of the most important architecture gatherings in Latin America, it will celebrate this anniversary with an edition featuring around 100 architecture firms, 15 exhibitions, 50 conferences, 40 international guests, and representatives from more than 55 cities worldwide, in a free, open program running for five weeks. From September 22 and throughout October, as part of Buenos Aires' Design and Architecture Month, conferences will be held, exhibitions will open, installations will be inaugurated, and activities will take place at specific points around the city. Under the theme HABITAR (INHABIT), the Biennial will also host a six-day forum with 2026 Pritzker Prize winner Smiljan Radić, culminating in the presentation of this edition's awards.
In broad terms, a structure is a testament to its time. An architectural project's proposal and material scale often exceed the lifespan of a single human being, becoming, in this way, part of a historical narrative. This cross-cutting characteristic is particularly evident in specific project typologies: memorial sites, cemeteries, museums, and even educational and community centers. Lately, this value has extended not only to buildings but also to construction techniques, ancestral forms and geometries, and to nature itself. This historical value and its symbolic connotation are represented in this selection of five buildings designed by ArchDaily readers, still unbuilt, in Kosovo, Canada, China, Egypt, and Bangladesh.
This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.
Launched in September 2024, the Rediscovering Modernism in Africa series joined a growing worldwide interest in this topic. Previously underrepresented in architectural discussions, the work of architects and researchers on the continent and abroad has continued to tell the story of these high-quality modern works of architecture. These buildings represent designers striving to create locally suited architecture using global concepts and technologies, coinciding with huge political changes as most African countries gained their independence.
Historically, the way we design has been closely linked to the way we build. Architecture moved through physical testing, trial and error, projection drawings, mock-ups, and physical models: each introducing a new layer of abstraction, but still remaining tied to material, scale, and construction. The introduction of CAD significantly changed this dynamic. At first, it was largely understood as the computerization of precise geometry for construction. Over time, however, digital tools moved earlier into the design process, replacing sketching, physical trial and error, model-making, and other forms of thinking that had once kept scale and material close at hand.
The lineage of architectural design can therefore be understood, in part, as an evolution of abstractions. Some have been extraordinarily productive. Plans and sections, for example, isolate particular dimensions of architecture while still allowing the mind to reconstruct the whole. They flatten, cut, and reduce, but they do not abandon the building. Through the combination of drawings, one can understand rooms, circulation, structure, openings, and spatial relationships without becoming lost in the complexity of the project. Their abstraction is disciplined because it remains tied to an architectural reality that must eventually be measured, built, and inhabited.
Stefano Boeri Architetti has won the competition launched by Spain's Entidad Estatal de Vivienda, Casa 47, for a new affordable housing development in Ibiza. Named "Sa Casa," the project proposes approximately 190 below-market-rate rental apartments distributed across four residential volumes. The scheme combines a prefabricated timber construction system with adaptable housing layouts and shared open spaces, with the design organized around the relationship between the residential buildings, landscape, and public areas.
This week's stories share a common thread: the value of looking beyond established frameworks. Two French-Moroccan architects reflected on what architecture can learn from Moroccan culture and local knowledge, while the United Nations General Assembly voted to promote world map projections that more accurately represent the relative size of continents- a symbolic shift that challenges centuries of Eurocentric geographical representation, with direct implications for how we understand Africa and the Global South. A similar spirit of questioning convention runs through this week's featured projects, from city governments repurposing abandoned buildings for circular construction to the German Pavilion for the upcoming Venice Architecture Biennale addressing social isolation and democratic coexistence. On the Radar this week, we cover three recently announced projects: a new multifunctional sports complex in Hilversum that brings together sport, education, and community life around a continuous interior circuit; a low-density residential district in Yerevan where landscape restoration preceded construction; and a landscaped public plaza commissioned by the Las Vegas Raiders to replace underutilized parking lots adjacent to Allegiant Stadium.
Oslo, Norway. Photo by Collection Maykova, via Shutterstock
Oslo is the capital of Norway as well as its largest city, serving as the country's political, economic, and cultural center. Nestled at the head of the Oslofjord and surrounded by forested hills, it's home to roughly 700,000 people in the city, with over a million living in the greater metropolitan area. Founded around a thousand years ago, Oslo has a long history as a trading post and administrative seat. However, much of its modern character was shaped after a major fire in the seventeenth century led to a full rebuilding under Danish rule, when it was briefly renamed Christiania. Today it consistently ranks among the world's most livable cities, prized for its blend of urban life and easy access to nature.
French-Moroccan architects and twin sisters Salwa and Selma Mikoü have developed a practice that brings together architecture, engineering, craftsmanship, and cultural memory. Founders of the Paris-based Mikoü Architecture, the sisters draw on their different approaches to design as well as their experience growing up between Morocco and France. In a recent interview with Louisiana Channel, they discuss the influence of Moroccan architecture on their work, their collaborative process, and their interest in bringing contemporary construction technologies into dialogue with craft traditions.
The Praemium Imperiale is a global arts prize that recognizes exceptional achievements in architecture, painting, sculpture, music, and theater or film. The award has been presented annually since 1988 by the Japan Art Association, with one postponement in 2020 due to the COVID-19 pandemic. Previous laureates include Portuguese architect Eduardo Souto de Moura, Japanese architect and humanitarian Shigeru Ban, and Burkinabé-German architect Francis Kéré, recognized by the association as professionals "who transcend national and ethnic boundaries, embodying the culture and arts of our time." This year, the laureate in the architecture category is Polish-American architect Daniel Libeskind, co-founder of Studio Libeskind, known for the design of the Jewish Museum in Berlin and the World Trade Center Master Plan in New York City.
Throughout the history of architecture, the circle has been associated with multiple meanings—from the cosmic geometry of ancient temples and the oculus of classical buildings to the rose windows of Gothic cathedrals and the portholes of ships. However, in the 20th century, the circle acquired a new cultural meaning. As aviation, space exploration, and technological innovation transformed the way society imagined the future, circular forms began to evoke machines, spacecraft, capsules, and even new forms of habitation.
