Lluís J. Liñán, from the ARKRIT Collective, invites us to reflect, in his article "Global Valdrada," on the consequences of humanity's increasingly close relationship with its media representations, to the point where the distinction between the two realities is no longer discernible: it shapes our way of thinking and behaving, and therefore, how we produce everyday reality. Does the same apply to architecture?

Ink and paper were enough to immortalize the charm and spell of balconies, courtyards, and houses—both iconic and everyday structures. The giants of Argentine literature draw their pens to confront the concrete, reminding us once more of what moves and concerns us about architecture.

After receiving 94 proposals from 29 different countries, the Hyde Park Music Pavilion (HPMP) international ideas competition, organized by arquideas, has announced the winning projects. Hyde Park is one of the largest parks in London, England, and one of the city's nine Royal Parks, three of which form a chain from the entrance of Kensington Palace, through Kensington Gardens and Hyde Park, to Buckingham Palace.

The results of the International Ideas Competition for the design of the Thematic Pavilions for Expo 2023 on the Tecnópolis grounds have been announced. Organized by the Sociedad Central de Arquitectos (SCA) and the Colegio de Arquitectos de la Provincia de Buenos Aires (CAPBA), and sponsored by the Federación Argentina de Entidades de Arquitectos (FADEA), the fifth of the six international competitions involved the design of two pavilions to serve as exhibition areas for the themes addressed by the Expo, creating ideal spaces to explore creative industries in an educational and entertaining way.

The Government of the City of Buenos Aires recently announced that the capital has become the first in Latin America with 100% LED street lighting.

Iconoclast, painter, musician, photographer, visionary, genius… and architect. Fernando Higueras [Madrid, 1930-2008] left his mark on the history of Spanish architecture in an emotional way, showcasing architecture in its most essential quality.

Born in Madrid on November 26, 1930, Fernando Higueras was, like many others, a key exponent of late architectural modernism in 1960s Spain. Far from being merely novel or exceptional, his approach reiterated the timeless lesson of the creative process: talent and grace were not enough; they had to be accompanied by immense perseverance and, above all, passion. 

Argigram is a project that explores the possibilities of developing a local version of the future, presented as an exhibition from July 23 to September 8 at the Mar del Plata Museum of Contemporary Art (MAR). Curated by Martin Huberman, the exhibition focused on the production of nine cities for the 2050-2100 period, where various architects from Argentina had the opportunity to study and test territorial relationships, aesthetic tensions, and cultural developments to reclaim the creative and cultural sovereignty of Argentina's future.

We often think of heritage as a collection of valuable assets inherited by an individual or a group. While we sometimes identify fully with its meaning and the legacy passed down to us, we all too often squander its benefits.

To showcase the valuable output of Spanish universities, we launched an open call in September, inviting our readers to submit their thesis projects. Following a comprehensive evaluation of nearly 50 proposals, we selected 6 projects that not only offer innovative responses and deep research into complex, contemporary issues but also challenge and question the future of architecture.

Fifty years after its last participation, Cuba returns to the Milan Triennial for the XXII International Exhibition, titled "Broken Nature: Design Takes on Human Survival."

Addressing the relationship between humanity and nature, the Cuban Pavilion showcases unconventional examples of organic architecture: the National Art Schools of Havana, born of Fidel Castro and Che Guevara's desire to offer art education to all developing nations.

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As part of the 2019 Chicago Architecture Biennial, the Graham Foundation hosted Tatiana Bilbao's exhibition, "Unraveling Modern Living," featuring an immersive installation that transforms a former domestic space to explore new forms of collectivity. Through this intervention, Bilbao reconfigures the existing architecture to create a garden, a space for knowledge, a space for dialogue, and a space for gathering, in collaboration with the Sweet Water Foundation, Colectivo 1050°, MAS Context, and Lurie Garden, among others.

More than 10,000 readers nominated their favorite projects from nearly 1,000 built works in Latin America and Spain: the day has come to meet the finalists of ODA19.

On Wednesday, December 4, Mexican architects Arturo and Jorge Arditti received the Honorary Doctorate Latin America Leaders Awards 2019 at the United Nations headquarters in Vienna. The distinction was awarded by The Global School for Social Leaders in collaboration with 1MillionStartups, The Ban Ki-moon Centre for Global Citizens, the Humanist World Foundation, and the Analysis and Opinion Research Group (GIAO).

Bogotá's Historic Center is a crucial sector for the capital's development. But what makes a city an attractive hub for urban development? The answer depends on the scale of the evaluation; for its residents, it is measured in quality of life, job opportunities, and green spaces, among other factors. While economic factors drive the realization of these parameters, public policies that organize the territory and facilitate urban development ultimately take precedence.

On Tuesday, November 19, 2019, the College of Architects of Mexico City and the Society of Mexican Architects (CAM-SAM) held a ceremony to recognize the contributions of architecture to Mexican society over the last two years, presenting the 2019 CAM-SAM Awards.

Building sandcastles on the beach is an ancient practice that allows us to dive deep into our imagination, ideas, and dreams. For many, it was likely our first approach to construction. Water and sand merge, transforming into space—something greater than the sum of its parts. While fortresses, bridges, and moats are a thing of the past for some, another typology has emerged to take their place: the house.

Below, we present a selection of Argentine houses built on sand dunes, designed by architects who turned castles into houses, sand into concrete, and dreams into reality.

EMS Arquitectos, Pantoja Arquitectos and ALCUADRADO Arquitectos present their second-place winning proposal for the public design competition for the preliminary design of the infrastructure replacement of the UIMIST hospital unit in the municipality of Bucaramanga. The concept is based on redefining the traditional role of the hospital through four perspectives: urban, clinical, landscape, and technical.

Upgrading skills, renewing oneself, or reinventing a career can sometimes feel like a pipe dream. Indeed, work and family obligations, or simply where we live, often make it nearly impossible.

The artifacts found on public streets in most Latin American cities—wherever they are permitted—vary in function and use. These range from mobile street-vending carts and temporary stages to containers for collecting discarded waste, ready to be given a new life by others. 

Ruta 4 Taller together with Coonvite created this workshop format to reflect on the artisanal artifacts or contraptions (cacharros) placed in public space, aiming to foster new encounters through trans-architecture.

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The following project, commissioned to architect Sebastian Castro Aedo alongside Bowlpark, proposes seven new interventions and a series of repairs to the skatepark originally designed by Plan Rampa in Parque Araucano. Located in a public park in the eastern sector of Santiago, in the commune of Las Condes, the project demonstrates various ways to activate specific areas, enabling new, more fluid ways of navigating the circuits.

“In this house are the books that helped me write the history of Argentine literature, which is the history of Argentine pain; here is the copious correspondence exchanged over half a century with many wise minds; here is my archive—all of which I have been unable to organize or classify, because my work did not allow it, but everything has been cared for and arranged by my wife. With her consent, I say today that all of this no longer belongs to me: it belongs to the homeland, so that future researchers may find here the elements that will allow them to know how the heart of the country beat...”

These words welcome visitors to the Ricardo Rojas House Museum. A prologue, if you will. Ricardo Rojas's house is an enigmatic piece that encompasses several cultural layers. In the library rest the masters: Borges, Arlt, Walsh, Rojas. In the courtyard, fountains and mermaids, suns and stars. Symbols that appeal to our memory.

The Kalmanani Prize is an annual event held in Mexico City that has recognized the work of various prominent architects over the years, including SANAA, Sou Fujimoto, Steven Holl, and Álvaro Siza. This year, NODE is honored to present Bjarke Ingels of BIG in Mexico City, recognizing the career of one of today's most innovative and prominent architecture firms. Recently named Chief Architect of WeWork, Bjarke Ingels will deliver a keynote lecture in addition to receiving the eighth edition of the Kalmanani Prize.

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As part of the cultural program of Jardín 17 –a space designed by Luis Barragán as an extension of his House-Studio that for 20 years has hosted various universities from around the world to present major design and architecture exhibitions–, Japanese architect Go Hasegawa presents 'Flying Carpet,' a pavilion suspended in a corridor amidst the vegetation originally planted by Luis Barragán and later intervened by Mexican architect Alberto Kalach.

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For the third time, the Architecture and City Festival MEXTRÓPOLI is hosting the competition Arquine No. 21 | MEXTRÓPOLI Pavilion 2019. On Monday, January 14, from 10:00 am to 7:00 pm, all registered proposals were submitted. Following a deliberation at the Arquine offices at Avenida Ámsterdam 163 in Mexico City to evaluate the 297 proposals submitted (out of 371 registered), the jury—composed of Víctor Alcérreca, Sol Camacho, Mario Corea, Hernán Díaz Alonso, Jimena Hogrebe, and Fermín Espinosa (as technical juror)—reached the following decisions: