The "Microcentralidad la Y" ideas competition, organized by the Metropolitan Institute of Urban Planning (IMPU) and the Pichincha College of Architects (CAE-P), aimed to develop a plan for the former "La Y" northern station, proposing a management model for its execution that incorporates environmental sustainability aligned with the New City Model outlined in Vision Quito 2040. The jury awarded first place to the team from Raíz Estudio. Read on to learn more about the winning project in the words of its designers.
Every four years, the city of Olympia hosted athletic competitions in honor of the god Zeus. During this period, time stood still: the city-states declared a truce and wars were suspended. These festivities were known as the Olympic Games. These new activities required new building typologies; architecture was put at the service of sports, a tradition that continues to this day.
For the third edition of the Youth Olympic Games, held in Buenos Aires, architects from across the country participated by creating various spaces. The multidisciplinary team from Galpón Estudio, along with Gruba and Hacelo Sonar, among other professionals, led the creation of Espacio Infancia, which invites visitors to awaken their senses. Running, climbing, walking, pausing, observing, listening, imagining. Learn more about the project in the words of its designers.
Educational facilities have evolved over the years in response to technological advancements and new pedagogical models, which increasingly focus on flexible methods that allow students to chart their own paths within a shared framework. The significance of these facilities lies in their role as meeting points that satisfy our social need to share physical spaces, pointing toward more horizontal and inclusive educational systems. A prime example is the Center for the Blind and Visually Impaired, designed by Taller de Arquitectura Mauricio Rocha + Gabriela Carrillo, which seeks to create diverse sensory experiences through materials, light, and temperature both inside and outside.
The National Ideas Competition for the Pabellón del Centenario and its surroundings, promoted by the State Property Management Agency and organized by the Sociedad Central de Arquitectos, closed on April 22, yielding a total of 65 proposals and the participation of architects from across the country.
The significance of the competition lay, on one hand, in the opportunity to restore the architectural value of the Pavilion which, designed by Virginio Colombo, is the only standing building of the 20 constructed for the Centennial celebrations in 1910. At the same time, it presents an opportunity to enhance and revitalize the adjacent areas, generating urban-scale impacts that will drive the future development of the area and integrate a wide variety of scenarios.
This November, Mexico City cements its status as one of the most exciting creative capitals in the world, featuring a circuit of activities designed to highlight the avant-garde, experimentation, and new digital art models that the city attracts and inspires. After 16 years of continuous work, MUTEK Mexico is proud to be part of this circuit, collaborating with other organizations to offer the public one of the year's most intense and stimulating weeks dedicated to digital art and sound.
"Horizontal Vertigo" Pavilion for the Venice Biennale 2018. Image
The Venice Architecture Biennale is arguably one of the most influential exhibitions in the world. Established in 1895 as the "Venice International Art Exhibition," the Biennale has become one of the most prominent cultural institutions worldwide, serving as a universal platform for nations to showcase their work. Consequently, every two years, the global spotlight turns to Venice.
However, just as the selection of the Pritzker Prize can shape public debate, it is also influenced by public opinion. Consequently, a month ago we asked our Ibero-American readers from ArchDaily en Español and ArchDaily Brasil to share their thoughts on the potential winners. We conducted a poll on who should win the 2019 Pritzker Prize, offering a selection of architects we thought stood a chance, along with the freedom to nominate their own candidates—always keeping in mind not who is likely to win, but who should win.
https://www.archdaily.com/1120841/our-readers-suggest-who-should-win-the-2019-pritzker-prizeArchDaily Team
The UNESCO World Heritage Committee has decided to remove the Humberstone and Santa Laura Saltpeter Works in northern Chile from the List of World Heritage in Danger, a status they had held since 2005.
Last month, the National Board of the Association of Architects of Chile announced Miguel Lawner as the winner of the 2019 National Architecture Award, the highest honor an architect can receive in that country. The following interview, conducted in 2015, not only delves into the details of his life story, but also reflects several of his thoughts on the political sphere.
In its fourth consecutive edition in Chile, Casa FOA 2019—the international exhibition that brings together design, interior design, architecture, landscaping, and art—showcased established and emerging design talents who revitalized the forgotten Paseo San Damián in Las Condes.
The exhibition aims to introduce the public to the latest trends in the design industry under the concept of creating, transforming, and rethinking the way we live and work. This year's edition was guided by the concept of Coliving, the current expression of social and generational evolution, pointing toward collaborative living and the construction of collective intelligence through shared workspaces and common home areas.
In 2018, a group of former political prisoners who had been incarcerated at the Punta Carretas prison from 1968 to 1985 formed a "pro-Memorial Site commission" to promote a project that would invite reflection and memory regarding the events that occurred during their years of confinement in the former penitentiary. Seeking to create a site that fosters memory for current and future generations, they launched a call for proposals to develop a Memorial. This project honors the victims, their families, and the entire community, continuing the struggle for truth, memory, and justice in Uruguay.
In the heart of Palermo, a large iron and glass structure houses species whose origins date back to distant eras predating the dinosaurs. This is the main greenhouse of the Carlos Thays Botanical Garden in Buenos Aires.
In September, we launched the fourth edition of our open call in Colombia, inviting architects to submit their undergraduate thesis projects. In this edition, the call received 104 submissions from more than 15 cities and 25 universities across the country, marking an 11% increase in proposals compared to 2018.
Following an exhaustive evaluation, and to celebrate Architects' Week in Colombia, we present the 13 thesis projects selected as winners by our editorial jury (Fabián Dejtiar, Mónica Arellano, and Santiago Baraya). The evaluation criteria prioritized projects that directly addressed current issues, such as urban, local, social, and environmental contexts.
How did a house designed by the world’s most renowned engineer—the Frenchman Gustave Eiffel, designer of the tower that bears his name in Paris—end up in Argentina?
How did this structure settle in one of Córdoba’s most culturally active neighborhoods, only to open its doors a century later as a cultural space thanks to the intervention of local residents?
On October 18, during the 17th edition of the Buenos Aires International Biennial of Architecture and concluding a series of keynote lectures, debates, and exhibitions held at the Usina del Arte in Buenos Aires, the winners of the “Evolución Ladrillo” (Brick Evolution) award, the CICA (International Committee of Architectural Critics) awards, the Bienal BA category awards, and the Grand Biennial Prize were announced, honoring a total of 28 architecture firms, institutions, and organizations for their work in the field of architecture.
1° Premio - Perspectiva Interior. Image Cortesía de Federico Canavese, Martin Rodriguez Frank y Fernando Vignoni
On August 2, the winners of the International Ideas Competition for the design of the new Argentine Pavilion for Expo 2023 were announced. Organized by the Central Society of Architects(SCA) and the Association of Architects of the Province of Buenos Aires (CAPBA), and sponsored by the Argentine Federation of Architect Entities (FADEA), the Argentine Pavilion is the first of six international competitions launched in recent months as part of Expo 2023.
May 3 is a holiday originating from the Feast of the Finding of the Holy Cross, also known as the May Cross (Cruz de Mayo) or Festival of the Crosses (Fiesta de las Cruces), which has its roots in the Roman Rite celebrating the devotion to the Cross of Christ. Over time, this commemoration has evolved and been adopted across cities in Mexico, Chile, Spain, Ecuador, El Salvador, Guatemala, Paraguay, Peru, Trinidad and Tobago, Argentina, Colombia, and Venezuela, where the festivities typically include floral decorations, processions, and dances.
Today, discussing infrastructure means discussing geopolitics and connectivity as a key driver of global competitiveness. Connectivity, however, should not be understood solely as physical infrastructure, even if we are talking about roads for autonomous vehicles or hyperloop tunnels.
The following project is the winning entry of the National Architectural Design Competition "Enhancement of the Cerro San Cristóbal Tourist Circuit and Creation of the Virgen de Cocharcas Santísima Theme Park."
https://www.archdaily.com/1120815/threshold-between-the-sacred-and-the-everyday-project-for-the-valorization-of-the-tourist-circuit-of-san-cristobal-hill-in-peruArchDaily Team