It has been just over a week since the 7.0 magnitude earthquake destroyed 50,000 homes in North Lombok, a city just east of the island of Bali, Indonesia. Although much of the town is gone, the community has already rallied together to begin the long and arduous rebuilding process. With the rainy season approaching in less than two months, DOME Lombok is working to begin building earthbag domes and teaching their construction techniques to help the area rebuild.
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DSGN (Design Student Global Network) has unveiled the winners of the Innovation Hub Competition, its first international design competition and part of its participation at Fuorisalone Milan Design Week this past April. The winning proposal — an Innovation Hub development scheme for a rural community site in Bali, Indonesia— will be built in a series of international design workshops starting in 2019. The hub will be used by the local Five Pillar Foundation to host classes focusing on community development and social entrepreneurship in the region.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Indonesia Pavilion. Below, the curatorial team describes the exhibition in their own words.
Loose or corroded joints have been identified as the likely culprit of the collapse of a mezzanine floor at Jarkarta’s Indonesia Stock Exchange on Monday that resulted in injuries to more than 70 people.
"Bamboo is close to an ideal structural material." This statement by Neil Thomas during his talk at Bamboo U, which took place in November 2017 in Bali, really caught my attention. Neil is the founding director of atelier one, a London office of structural engineering, whose outstanding projects include stage and scenography for the Rolling Stones, Pink Floyd, and U2; art installations by Anish Kapoor and Marc Quinn; the Gardens by the Bay, in Singapore, among many others. From the last few years, the engineer has exhaustively studied about bamboo, its structural properties and its most diverse potential.
To speak of Paul Rudolph’s illustrious career is to trace a grand arc stretching from the 1940s to the 1990s. More often than not, the popular narrative begins with his student days at Harvard under the tutelage of Walter Gropius, touches upon his earliest, much-loved Florida beach houses, circles around his eventual break from the rigidity of both the Sarasota School and the International Style, and finally races towards the apex: his chairmanship of the Yale School of Architecture, and the concurrent shift to a Brutalist architectural style characterized by monumental forms, rugged concrete, and interwoven, multilevelled spaces awash with a remarkable interplay of light. Then comes the fall from grace: the beloved Yale Art and Architecture Building went up in flames just as the architecture profession began to question modernist ideals, and eventually Postmodernism was ushered in. Flickering, sputtering, Rudolph's grand narrative arc lurched towards Southeast Asia, bearing away the “martyred saint.” Save for several scattered commissions in the United States, Rudolph spent the last two decades of his life building abroad, mostly across Hong Kong, Indonesia, and Singapore, until his death in 1997.
Due to rapid population and economic growth, Indonesia is facing issues such as land subsidence and rising sea levels. To combat these problems and more, SHAU Architects created a master plan for the Jakarta Jaya Foundation focused on large-scale land reclamation to integrate green space. By addressing impending challenges, SHAU Architects proposal, Jakarta Jaya: the Green Manhattan, won a Smart Cities prize at the World Architecture Festival 2017.
Each material has its own peculiarities and, when using it for building, the design and construction process must accommodate these characteristics. A steel-framed building, for example, must be designed with a certain level of accuracy so that components and parts, usually manufactured off-site, fit together during assembly. A wooden building can have its cross sections drastically modified according to the species and strength of the wood used, or even according to the direction of the loads in relation to their fibers. With bamboo, no pole is exactly the same and each one tapers and curves differently, which requires a different approach when designing and building.
The main objective of the BambooU build and design course is to promote bamboo as a green building material, and to provide tools to architects, designers, builders, engineers, and carpenters from all over the world to value this material and increase its use.
As part of the second Bamboo Biennale held in October 2016, the city of Solo in Central Java received a public Bamboo Bridge courtesy of Indonesian Architects Without Borders (ASF-ID). Connecting the Pasar Gede market and colonial Dutch Vastenburg Fort, the 18-meter bamboo structure offers a revitalization of river life in the historic Indonesian city. Spanning across the Kali Pepe river, residents of Java can traverse the pedestrian bridge on its track that varies in width from 1.8 to 2.3 meters.
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