The Athens Architecture Club seeks to resurrect the historical architecture clubs of the 19th century, functioning as an “open forum, an infrastructural framework, and support platform for architects, artists, and writers to discuss, challenge and enrich a dialogue among practitioners and scholars.
Known for his daring neo-futurist sculptural buildings and over 50 bridges worldwide, Santiago Calatrava (born July 28, 1951) is one of the most celebrated and controversial architects working today. Trained as both an architect and structural engineer, Calatrava has been lauded throughout his career for his work that seems to defy physical laws and imbues a sense of motion into still objects.
Earlier this month, in a conference held by the City of Arts and Sciences (Valencia) the winner of a private architecture competition to build the new CaixaForum Valencia was announced. The future cultural center in the Spanish city will be located inside one of Santiago Calatrava's building.
Of the nine proposals presented, architect Enric Ruiz-Geli (Figueres, 1968) from Studio Cloud 9 was chosen as the winner. An investment of around 18 million euros is expected to be needed to make the CaixaForum Valencia project a reality. In addition, about 5 million euros will be allocated annually for the maintenance, programming and operation of the center.
The office of Santiago Calatrava, known for their incredible feats of architecture and engineering, has come under scrutiny for the failures of three cable connectors on their Margaret McDermott Bridge in Dallas, Texas, which has been delayed in opening due to the failures that occurred in Spring of 2016. However, while the office has taken heat for the malfunction, as the Dallas Observer reported, a newly released set of documents show that Calatrava’s team tried to insist on testing the strength of the cables, even going so far as offering to loan money for these tests, but these offers were declined by the city.
Construction has begun on one of the centerpiece structures at the upcoming 2020 DubaiExpo, the Santiago Calatrava-designed UAE Pavilion.
Inspired by the shape of a flying falcon, the UAE Pavilion covers more than 15,000 square meters and four floors, including a 1,717-square-meter top story hospitality lounge. A 588-square-metre mezzanine will house support functions, with the remaining two floors containing 12,000 square meters will of exhibition space showcasing displays that respond to the Expo theme of “Connecting Minds, Creating the Future.”
As revealed by the Pappas Post, last week the construction company distributed a letter to its subcontractors informing them that the building contract had been terminated after The Greek Orthodox Archdiocese of America defaulted on making payment. In the letter, Skanska directed subcontractors to stop all work and to remove all tools and materials from the site, or risk not being able to recover them.
What did Pritzker Prize winner Frank Gehry get when he designed the Stata Center, an exuberantly whimsical academic complex for MIT? A very large check, plus a major lawsuit, alleging negligence and breach of contract due to rampant leaks, mold, cracks, drainage problems and sliding ice. Sometimes the most inspired designs can go awry. And when they do, some clients lawyer up. Here are 9 fascinating examples.
As a young boy, Santiago Calatrava's fascination with light in his native Valencia fueled his determination to draw, design, and eventually build. His Ciudad de Artes y Ciencias (City of Arts and Sciences) is a perfect example of the influence of the Valencian sun on the architect's work. The seven cultural buildings define a formal vocabulary all their own, with a dynamism between blanched curves and rhythmic visual patterns. So bright it almost glows on clear days, the materiality of the structures emphasizes the ability of light to outline the spatial relationships between Calatrava's shapes, and shift them as the sun moves through the sky.
In his most recent photo series, Sebastian Weiss has captured the tendency of the shapes of the City of Arts and Sciences to "complement each other and even merge to a harmonic unity," as the photographer himself puts it. The photos were originally featured on his Instagram, @le_blanc, and develop a new way of looking at the oft-photographed tourist spot. His images imagine the complex as a pulsating "light-space installation" of equally systematic and creature-like forms in constant conversation with one another. The series gives the sense of looking at different sections of a particularly beautiful beast—its ribs, underbelly, horns, etc.—captured within the complex's shallow pools.
Earlier this month, Hong Kong-owned developer Knight Dragonrevealed plans for an billion-dollar urban-development scheme that will completely transform London’s Greenwich Peninsula. In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the team speak to Santiago Calatrava—who will be designing the core of this grand new project—about this and his public-spirited design philosophy. Why, they ask, has he’s always wanted to leave a mark on the "Big Smoke?"
https://www.archdaily.com/806495/santiago-calatrava-ground-zero-design-philosophy-greenwich-peninsula-project-monocleAD Editorial Team
Santiago Calatrava has unveiled designs for a £1-billion mixed-use project in Greenwich Peninsula, East London. Named Peninsula Place, the 1.4-million-square-foot (130,000-square-meter) project will be located adjacent to the Roger Stirk Harbour + Partners-designed O2 Arena (formerly known as the Millennium Dome). It will include a new tube and bus station, a theater, cinema and performance venue, bars, shops and a wellbeing hub on the lower levels, with three towers rising above featuring offices, hotels, and apartments. The scheme will also be served by a new land bridge, also designed by Calatrava.
"You see, the first goal in this place was to deliver something beautiful where such an ugliness was there before,” says Calatrava in the film. “To deliver something optimistic looking to the future where so much sadness and depression was there.”
Since its opening in March, Santiago Calatrava's "Oculus" transport hub at the World Trade Center has garnered a lot of criticism for its exorbitant price tag. (The building cost nearly $4 billion to realize.) But look beyond the numbers, and there is something compelling about the physical form of the thing. Like all of Calatrava's work, the structure invites visual interpretations—spiky fish or a bird, a dinosaur or a hedgehog. Architectural designer and illustrator Chanel Dehond riffs on these and more in the following sketches.
The Byzantine-styled structure was envisioned by Calatrava in 2013 as a non-denominational spiritual center to replace the original St. Nicholas Greek Orthodox Church, located at 155 Cedar Street, which was destroyed on 9/11.
Since first launching in April 2013, d3 has become the region’s preeminent destination for artists, designers and creative types of all kinds to work and collaborate. So far, d3 has welcomed in over 30 architecture firms of medium to large size, including SSH and Viktor Udzenija, RMJM and Wanders Wagner.
The winners of the 2016 LEAF Awards have been announced. Founded in 2001, the awards ceremony honors innovative architecture projects in 14 different categories dedicated to various aspects of building, including best façade design and engineering, best future building, and public building of the year. The winning projects are recognized as “setting the benchmark for the best in the industry.”
At the ground breaking ceremony this week, officials including His Highness Sheikh Mohammed bin Rashid Al Maktoum, UAE Vice President and Prime Minister and Ruler of Dubai, His Excellency Mohammad Al Gergawi, Chairman of Dubai Holding, and Mohamed Alabbar, Chairman of Emaar Properties, and Micael Calatrava, CEO of Calatrava International announced that upon its completion in 2020, the landmark observation tower will measure in at a height slightly taller than Dubai’s own Burj Khalifa, making it the tallest tower in the world.
“The design and architectural features of The Tower demand unique engineering approaches that are currently being implemented on site. Extensive studies were undertaken in preparation for the groundbreaking, and the learning that we have gained from the experience will add to the knowledge base of mankind,” said Santiago Calatrava.
The winners of the 2016 Leading Culture Destinations Awards have been announced. Presented this past weekend at a ceremony in London, the LCD Awards are given annually to recognize the success of “museums, art organizations, and cultural destinations from around the world [that] are investing in iconic architecture, cross-sector collaborations, [and] audacious programming […] to diversify the experiences offered to visitors and establish their global reputations.”
This year, awards were presented in four categories: Leading Cultural Destination of the Year; Best New Museum of the Year (for museums opened in the past 15 months); Best Soft Power Destination of the Year (a new award for 2016, given to destination who exhibit 'excellence, relevance, transparency, accountability and sustainability'); and the Traveller’s Award for Best Place to Visit.