The history of Venice’s architecture, as seen today, is a semblance of styles centuries old. A destination rich in culture, many of Venice’s existing buildings, from homes alongside the thin interior canals to the grand domed churches of Palladio, have remained stagnant in their overall design and layout since the 16th century. Once a hub of Byzantine and European trade, the city now thrives on a steady stream of tourism and a foundational group of local residents.
The structures that make up the city’s compact matrix, once integral to its function as a commercial empire, have come to take on new functions through architectural intervention; notably, architects such as Carlo Scarpa, OMA, and Tadao Ando have had a large hand in this process.
For the Dubai 2020 Expo, the United Arab Emirates and Sheikh Mohammed bin Rashid, Vice President and Ruler of Dubai, selected the theme Connecting Minds, Creating the Future. Organized around ideas of Sustainability, Mobility and Opportunity, the next world Expo will be the first to be held in the Middle East, North Africa and South Asia region. Organised every five years, the world expo lasts six months and is created as a global destination for millions of people to share ideas, showcase innovation, encourage collaboration and celebrate human ingenuity.
Studio Gang, BIG, Calatrava and SOM are among twelve leading architecture teams vying to work on the Chicago O'Hare International Airport expansion. The city’s request for qualifications calls for demolishing O'Hare's Terminal 2 to replace it with a global concourse and terminal for both domestic and international flights from United and American Airlines. The city’s Department of Procurement Services estimates the total costs of the expansion process (from design through construction) will cost an approximate $8.7 billion. Known as O’Hare 21, the project represents O’Hare’s first major overhaul in 25 years.
The opening of the World Trade Center Transportation Hub's Oculus will take a rain check on the 17th anniversary of 9/11, according to Steve Coleman, a spokesperson for the Port Authority. Designed by Santiago Calatrava, the 335-foot-long skylight was designed to allow the “Way of Light” to pass through the main hub of the transit hall at 10:28 a.m.—the moment that the North Tower of the WTC collapsed on September 11, 2001. Symbolizing the light that continues to shine through after the darkness of the tragedy, the Oculus opening allows light to fill the massive space as a memorial to the attacks on the twin towers.
It is rare for a father and son to share the same birthday. Even rarer is it for such a duo to work in the same profession; rarer still for them both to achieve international success in their respective careers. This, however, is the story of Eliel and Eero Saarinen, the Finnish-American architects whose combined portfolio tells of the development of modernist architectural thought in the United States. From Eliel’s Art Nouveau-inspired Finnish buildings and modernist urban planning to Eero’s International Style offices and neo-futurist structures, the father-son duo produced a matchless body of work culminating in two individual AIA Gold Medals.
The Athens Architecture Club seeks to resurrect the historical architecture clubs of the 19th century, functioning as an “open forum, an infrastructural framework, and support platform for architects, artists, and writers to discuss, challenge and enrich a dialogue among practitioners and scholars.
Known for his daring neo-futurist sculptural buildings and over 50 bridges worldwide, Santiago Calatrava (born July 28, 1951) is one of the most celebrated and controversial architects working today. Trained as both an architect and structural engineer, Calatrava has been lauded throughout his career for his work that seems to defy physical laws and imbues a sense of motion into still objects.
Earlier this month, in a conference held by the City of Arts and Sciences (Valencia) the winner of a private architecture competition to build the new CaixaForum Valencia was announced. The future cultural center in the Spanish city will be located inside one of Santiago Calatrava's building.
Of the nine proposals presented, architect Enric Ruiz-Geli (Figueres, 1968) from Studio Cloud 9 was chosen as the winner. An investment of around 18 million euros is expected to be needed to make the CaixaForum Valencia project a reality. In addition, about 5 million euros will be allocated annually for the maintenance, programming and operation of the center.
The office of Santiago Calatrava, known for their incredible feats of architecture and engineering, has come under scrutiny for the failures of three cable connectors on their Margaret McDermott Bridge in Dallas, Texas, which has been delayed in opening due to the failures that occurred in Spring of 2016. However, while the office has taken heat for the malfunction, as the Dallas Observer reported, a newly released set of documents show that Calatrava’s team tried to insist on testing the strength of the cables, even going so far as offering to loan money for these tests, but these offers were declined by the city.
Construction has begun on one of the centerpiece structures at the upcoming 2020 DubaiExpo, the Santiago Calatrava-designed UAE Pavilion.
Inspired by the shape of a flying falcon, the UAE Pavilion covers more than 15,000 square meters and four floors, including a 1,717-square-meter top story hospitality lounge. A 588-square-metre mezzanine will house support functions, with the remaining two floors containing 12,000 square meters will of exhibition space showcasing displays that respond to the Expo theme of “Connecting Minds, Creating the Future.”
As revealed by the Pappas Post, last week the construction company distributed a letter to its subcontractors informing them that the building contract had been terminated after The Greek Orthodox Archdiocese of America defaulted on making payment. In the letter, Skanska directed subcontractors to stop all work and to remove all tools and materials from the site, or risk not being able to recover them.
What did Pritzker Prize winner Frank Gehry get when he designed the Stata Center, an exuberantly whimsical academic complex for MIT? A very large check, plus a major lawsuit, alleging negligence and breach of contract due to rampant leaks, mold, cracks, drainage problems and sliding ice. Sometimes the most inspired designs can go awry. And when they do, some clients lawyer up. Here are 9 fascinating examples.
As a young boy, Santiago Calatrava's fascination with light in his native Valencia fueled his determination to draw, design, and eventually build. His Ciudad de Artes y Ciencias (City of Arts and Sciences) is a perfect example of the influence of the Valencian sun on the architect's work. The seven cultural buildings define a formal vocabulary all their own, with a dynamism between blanched curves and rhythmic visual patterns. So bright it almost glows on clear days, the materiality of the structures emphasizes the ability of light to outline the spatial relationships between Calatrava's shapes, and shift them as the sun moves through the sky.
In his most recent photo series, Sebastian Weiss has captured the tendency of the shapes of the City of Arts and Sciences to "complement each other and even merge to a harmonic unity," as the photographer himself puts it. The photos were originally featured on his Instagram, @le_blanc, and develop a new way of looking at the oft-photographed tourist spot. His images imagine the complex as a pulsating "light-space installation" of equally systematic and creature-like forms in constant conversation with one another. The series gives the sense of looking at different sections of a particularly beautiful beast—its ribs, underbelly, horns, etc.—captured within the complex's shallow pools.
Earlier this month, Hong Kong-owned developer Knight Dragonrevealed plans for an billion-dollar urban-development scheme that will completely transform London’s Greenwich Peninsula. In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the team speak to Santiago Calatrava—who will be designing the core of this grand new project—about this and his public-spirited design philosophy. Why, they ask, has he’s always wanted to leave a mark on the "Big Smoke?"
https://www.archdaily.com/806495/santiago-calatrava-ground-zero-design-philosophy-greenwich-peninsula-project-monocleAD Editorial Team
Santiago Calatrava has unveiled designs for a £1-billion mixed-use project in Greenwich Peninsula, East London. Named Peninsula Place, the 1.4-million-square-foot (130,000-square-meter) project will be located adjacent to the Roger Stirk Harbour + Partners-designed O2 Arena (formerly known as the Millennium Dome). It will include a new tube and bus station, a theater, cinema and performance venue, bars, shops and a wellbeing hub on the lower levels, with three towers rising above featuring offices, hotels, and apartments. The scheme will also be served by a new land bridge, also designed by Calatrava.
"You see, the first goal in this place was to deliver something beautiful where such an ugliness was there before,” says Calatrava in the film. “To deliver something optimistic looking to the future where so much sadness and depression was there.”
Since its opening in March, Santiago Calatrava's "Oculus" transport hub at the World Trade Center has garnered a lot of criticism for its exorbitant price tag. (The building cost nearly $4 billion to realize.) But look beyond the numbers, and there is something compelling about the physical form of the thing. Like all of Calatrava's work, the structure invites visual interpretations—spiky fish or a bird, a dinosaur or a hedgehog. Architectural designer and illustrator Chanel Dehond riffs on these and more in the following sketches.