This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

We are close to the announcement of the world's premier architecture prize. Here, we open the discussion on which architects from Portuguese-speaking countries deserve this honor. What is your take? 

Fernando Guerra, one of the most prolific photographers in the field of architecture, is set to be the subject of a documentary directed by Sara Nunes and produced by Portugal's Building Pictures. The Flying Photographer, the film's working title, is drawn from a dedication by Álvaro Siza, an architect whose works and life Guerra has been extensively documenting.

Designed by Nicolás Moraga, the project Chambeque Ruins Cultural Park was selected as one of the 10 winners in the Thesis Projects category of the 2018 Arquitectura Caliente Competition (CAC 2018), a Chilean contest organized by Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage.

A ruin does not only signal the end of a cycle; it is also the first stage of a long process of change. Based on this premise, the project proposes the progressive recovery of the Chambeque area through a series of architectural interventions that will shape a new public, cultural, and educational park for the city of Lota and the region.

The Colegio de Arquitectos de Chile (CA) has selected the curatorial team that will lead the XXI Chilean Biennial of Architecture and Urbanism 2019. After two editions at the Parque Cultural de Valparaíso, the biennial returns to Santiago in the Matadero Franklin neighborhood.

CITIC Tower in Beijing, designed by KPF, has entered the final stages of construction. Upon completion, the 528-meter-tall skyscraper will be the tallest building in Beijing, the tallest building in a high-seismic zone globally, and a prominent addition to the ranks of the world's tallest megatall buildings. Also known as "China Zun," the tower was designed by KPF in collaboration with the Beijing Institute of Architectural Design (BIAD), Arup, and PBA, alongside specialist consultants including ALT, Altitude, BPI, RWDI, and MVA.

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The São Paulo municipal government intends to launch a social leasing program to house homeless people in vacant downtown buildings in exchange for benefits to property owners, who will be able to offset their property tax (IPTU) debts and will be exempt from the progressive property tax on vacant buildings.

The social leasing system has been in place since 2004, currently serving 903 families across six buildings. Residents pay up to 15% of their income for permanent housing without, however, acquiring ownership of the properties, which remain under municipal ownership. The new program has already identified 370 eligible properties and aims to provide 1,000 new units.

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MRD designed Corporativo Santa Fe, a renovation proposal for a five-story office building covering an area of 490 square meters. Built in 2016, the project was led by Antonio Morodo Díaz in collaboration with Sergio Macotela Baca.

CAU/BR recently launched the book Commentary on the Code of Ethics and Discipline of the Council of Architecture and Urbanism of Brazil, which helps clarify professional conduct issues based on the Code of Ethics and Discipline for Architects and Urbanists, also published by the council.

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Since 2014, the School of Architecture at the Universidad Iberoamericana (UNIBE) in the Dominican Republic has developed several editorial projects. For this fourth initiative, students, alongside professor and architect Alex Martínez, have produced the inaugural edition of 'Statu Quo,' a publication examining the advanced deterioration of the country's modern heritage buildings.

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Concéntrico is an International Architecture and Design Festival that proposes to reflect on the city of Logroño (Spain) through the revitalization of undervalued public spaces. Its latest edition, Concéntrico 04, took place between April 27 and May 1, 2018, in Logroño's Historic Center. The festival invites visitors to explore the city through installations, exhibitions, meetings, activities, and performances that establish a connection between the venues, squares, streets, courtyards, and hidden spaces that usually go unnoticed in daily life. Collectif Parenthèse gives a new meaning to the architectural space by reflecting the construction details of the Palacio Church.

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After receiving more than 70 submissions from various Argentine universities and cities, our editorial team selected 10 of them, focusing on projects that demonstrated critical thinking regarding contemporary issues, formal execution, and representation. The selection not only highlights projects that delivered the best possible architecture through simple design tailored to their context, program, and users, but also those showing significant attention to human scale, mediation, transition, and new ways of approaching urban architecture.

Discover our 10 highlighted projects below.

THE NEIGHBORHOOD AS A CULTURAL CENTER: Alejandro Asens - Victoria Carbonin - Juan Cardozo Sánchez - Italo Parietti

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Most of us share childhood memories of drawing little houses—a triangular roof, a door, a window, and a tree beside it. What sets architects apart from the general public, however, is that we continue to make these drawings long after we grow up. Naturally, our skills usually mature along the way. Just as our residential architecture becomes more complex and refined, our representation of trees must also evolve (that broccoli-like scribble is unlikely to impress clients or professors). While trees are rarely the focal point of a drawing, they play a crucial role in architectural composition, establishing scale, casting shadows, and representing specific landscape designs.

On Wednesday, November 21, the winners of the XXI Pan-American Architecture Biennial of Quito (BAQ2018) were announced in Ecuador.

Divided into six participation categories, the juries selected a series of projects and publications that stand out as meaningful contributions to their respective fields, offering relevant lessons for our discipline. The following are the winners in Category A (Architectural Design), Category B (Urban Design and Landscape Architecture), Category C (Social Habitat and Development), and Category D (Architectural Rehabilitation).

CODHAB has released the results of another one of its competitions. This edition sought design proposals for an Escola Classe (EC) elementary school located in the Crixá Neighborhood development in the Federal District. The facility aims to provide public educational services, as the first phase of the social housing project is already under construction.

The objective of the competition was to select the most suitable proposal to contract the responsible technical team, who will sign an agreement with the organizing entity to develop the Complete Detailed Design (Architectural Design and Complementary Projects). See the results of the competition below:

Alô, alô, W/Brasil… Alô, alô, W/Brasil… / Jacarezinho! Avião! Jacarezinho! Avião! / Cuidado com o disco voador / Tira essa escada daí / Essa escada é pra ficar aqui fora / Eu vou chamar o síndico / Tim Maia! Tim Maia! Tim Maia! Tim Maia!

Upon entering one of these modern gated communities, designed with the latest urban planning engineering, one experiences a calming sense of having finally found order and security. We quickly realize that this is a way of life in which precariousness, risk, and uncertainty have seemingly been abolished. The space is homogeneous, governed by specific stylistic rules. Inside, locations are well-distributed, and positions are comfortably occupied. Security forces feel genuinely present, albeit private. The streets are well-paved and signposted, despite a slight excess of signs dictating directions and rules of use. The houses display their inevitable front lawns, without fences. Everything else is functional, managed, and clean. The image of this island of serenity captures the illusions of the average Brazilian consumer dream: a region insulated from the rest of the world, where one can freely cultivate a sense of community among equals. It offers a return to nature, a worry-free life, abundant in leisure and the company of peers—a shared destiny manifesting in countless variations: vertical, horizontal, residential, commercial, private, and even public.

The Housing Development Company of the Federal District (CODHAB-DF) recently launched Accreditation Call No. 001/2018 which aims to accredit companies to provide temporary home renovation and minor repair services in areas of social interest. Registration must be completed online at www.codhab.df.gov.br/credenciamento/01-2018 by 6:00 PM on March 26.

Estudio Lamela has unveiled the design for the Torre del Río project in Málaga, Spain. The residential complex comprises three 21-story towers featuring apartments where the living rooms and master bedrooms enjoy direct views of the Mediterranean Sea.

“The project pays meticulous attention to the layout of public open spaces surrounding the towers, connecting them to the buildings' communal areas through different volumes,” the firm explains.

When developing an architectural project, regardless of scale or program, architects face a series of decisions regarding the construction method to adopt, considering various aspects—structural, economic, available labor, aesthetics, among others—in pursuit of the best solution.

To address the many questions that arise during design development regarding the choice of structural systems, we have prepared a practical guide to the main types of cast-in-place and precast concrete slabs that designers should know, highlighting the advantages and disadvantages of each.

Learn more below:

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The news spread quickly that Wednesday afternoon. Chilean architect Eduardo Castillo, a partner of Smiljan Radic, was in critical condition following a car accident earlier that day in Santiago. The local architectural community barely had time to react before his unexpected passing at the age of 45 was confirmed the following morning, Thursday, October 5, 2017.

Cities are shapeless, changing realities that expand unpredictably, driven by socio-urban and socio-economic trends. But can we anticipate these growth trends? Here is a tool that allows users to analyze road networks and calculate the percentage of streets oriented in any given direction relative to the north. 

“Close your eyes and walk through the School of Architecture. Explore it, listen to the sounds, feel the textures, and try to mentally reconstruct the space.” I walked several yards blindfolded, and I still remember how my hearing sharpened, picking up the murmur of the people around me.

Although I knew the building's layout like my own home, I must confess those were perhaps the longest and most unsettling steps I have ever taken.

Yesterday, March 26, the Chamber of Deputies debated a bill that would make the unlicensed practice of architecture, urban planning, agronomy, and engineering a crime against public health. Currently, individuals practicing as architects and urban planners without a license are penalized under Article 47 of the Criminal Misdemeanors Act, which carries a sentence of 15 days to 3 months of simple imprisonment, or a fine.

Bill 6699/2002, which was on the agenda for debate and voting, proposes a detention sentence of 6 months to 2 years for anyone practicing Architecture and Urban Planning without professional registration. If the unlicensed practice is carried out for profit, the convicted individual will also face a fine ranging from 2 to 20 times the monthly minimum wage. The Brazilian Penal Code already criminalizes the unlicensed practice of medicine, dentistry, and pharmacy.

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Paparazza Moderna is a photographic project that emerged as part of the artistic work of the duo Lake Verea. Centered on the portraiture of modern architecture, the project began with Luis Barragán to showcase a perspective far removed from conventional architectural photography. If anything characterizes their approach to architecture, it is precisely this oblique gaze at space, which reveals the less obvious aspects of structures that have now become iconic.

When Clorindo Testa was asked how he felt upon learning that one of his works, the Casa Di Tella, was going to be demolished, he replied: “I believe that buildings are not made to last. One can say that the Roman Colosseum will endure. They are not going to tear down Notre-Dame Cathedral, nor the Duomo in Milan. But when you design a project, you don't go around thinking it will be memorable and last forever. Works of this nature have owners, and owners change their minds. People and society also change: what was valid twenty years ago is no longer valid today. It is inevitable. Personally, it doesn't bother me in the least if they demolish a work of mine; I don't design things to last forever. You make things to function when they are commissioned, and they last as long as they need to. The Casa Di Tella was built for Di Tella, and Di Tella died. In a sense, it is no longer his house... It became part of an institute that bought it. Therefore, the functions it needs are different.” [1]

Testa's words reveal a remarkable humility that seems rare in the DNA of architects who yearn for the eternity of their work. Indeed, this desire for permanence was imposed on us almost as a mandate, a necessity. Palladio knew this well when referencing Vitruvius: “utility, perpetuity, and beauty.”