This interview is part of a collaboration with the digital magazine Hysteria.mx. It was originally published on January 24, 2020, under the title "Stories from the US-Mexico Border" as part of Issue No. 31, titled "Bodies and Territories," and was conducted by Tadeo Cervantes.

Alejandra Aragón is a visual artist, photographer, documentarian, and activist from Ciudad Juárez, Chihuahua—a city on Mexico's northern border infamous for the cases of femicide recorded from the early 1990s to the present. From this vantage point, Aragón narrates various aspects of daily life for women in a territory shaped by violence, conflict, and complexity.

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In Latin America, the concept of emergency architecture refers to spaces that serve as temporary shelter in the face of adverse circumstances, such as earthquakes, floods, and migration. Various countries, including Mexico, Chile, Colombia, Ecuador, Uruguay, and Panama, have faced events that required redefining emergency housing according to each nation's specific needs.

Bookshelves are one of the elements present in almost every interior space, whether in homes, retail, offices, or even pavilions. Yemail Arquitectura, a Bogotá-based firm, shares its exploration of this element, which plays a key role in the spatial configurations of its multi-use projects.

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The state of Querétaro is located in the north-central region of Mexico, bordered by the states of San Luis Potosí, Guanajuato, Hidalgo, Estado de México, and Michoacán. Covering an area of 11,684 km², it is one of the most expansive regions in the country. Its capital is Santiago de Querétaro, which is also the state's most populous city. Among its most popular Pueblos Mágicos (Magical Towns) are Bernal, Tequisquiapan, Jalpan de Serra, Cadereyta de Montes, San Joaquín, and Amealco de Bonfil. Additionally, the state boasts four UNESCO World Heritage sites and one entry on the Intangible Cultural Heritage list: the Historic Monuments Zone of Santiago de Querétaro, the Franciscan Missions of the Sierra Gorda, the Otomí Chapels, and the living traditions of the Otomí-Chichimeca culture, respectively.

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Historically, bamboo has been used as a raw material in low-resource traditional construction, serving as a substitute for other woods to build structures, enclosures, and even furniture. Today, owing to its numerous advantages related to durability, strength, versatility, and low environmental impact, it has earned the moniker "vegetable steel" and gained a privileged position within the construction industry. The ongoing search for new materials for sustainable development has generated new construction fusions that bring contemporary materials and techniques into play with traditional elements, merging and enhancing the qualities of local materials in each region.

Why stay in the city?

For many urban dwellers, the answer is obvious: “It’s hard to find a job in a smaller town. Plus, there’s not even a movie theater, restaurant options are limited, and the schools aren’t that great.”

Still largely overlooked by the international media, Angola's contemporary architectural production faces, much like many of its African neighbors, social and economic realities that do not favor its dissemination. When the typical challenges of architecture are compounded by others stemming from an intense process of neocolonialism, taking good ideas off the drawing board and actually building them becomes a formidable task. Stretching the relationship between the physical and the digital, the Angolan collective Banga turns to virtual space to bring to life projects that blend architecture, sensory experiences, and art.

Colombia has an immense territory with some of the greatest biodiversity in the world thanks to its privileged geography, and human presence spans the majority of this territory, regardless of how far it is from urban centers. Below, Sebastian Contreras of Estación Espacial Arquitectos presents the experience and both the human and architectural challenges of building a Maloca with and for the Ticuna community deep in the Colombian Amazon.

On July 31, during the 103rd Ordinary Plenary Session, the CAU/BR Temporary Commission on Gender Equity released the 1st "Gender in Architecture and Urbanism" Diagnosis. Conducted online from July 2019 to February 2020, the survey was answered by 987 professionals (767 women and 208 men), with a margin of error of plus or minus 3.11%.

The place where we are born, where we live, and our urban reference points are part of history and shape our identity. Can we decipher what these spaces tell us? Can we express our perception of them? Vale do Anhangabaú signals an essential part of São Paulo's development and is woven into the imaginary of those who have built memories there. This article is an exercise in traversing different themes to instigate multiple possibilities—collective and individual, real and utopian—of experiencing this space.

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The following article is the result of a thesis research project by Colombian architect Sebastián Rojas (Pontificia Universidad Javeriana), which explores the materialities and vernacular construction techniques across 23 prototypes from regions such as the Coffee Axis, the Colombian Amazon, the Cundiboyacense Highlands, and the North Coast.

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As one of Mexico's most internationally renowned tourist destinations, Cancun is a city founded just 50 years ago. Since then, it has woven a unique narrative, both in its urban layout and in the culture and heritage that residents actively seek to elevate to foster a shared historical consciousness. While primarily known for its massive resort complexes and nightlife, Cancun is much more than that. Several emerging practices, such as Warm Architects and TAFF Arquitectos, are constantly striving to promote a regional architecture that responds to the unique ways of living in this tourism-driven area.

This article by Alberto Bravo de Laguna Socorro was originally published in the 12th issue of revista rita_ under the title "Transgression, experimentation and communicability of the graphic in collective architectures: Indices of an engaged graphic expression."

Within the framework of the 27th Colombian Biennial of Architecture and Urbanism (BICAU XVII), the Colombian Society of Architects (SCA) has announced the winners of the parallel IV Colombian Biennial of Architecture Students. For these awards, the proposals were selected across four categories: Architectural Project; Research, Theory, and Criticism; Urban, Rural Design, and Territory Planning; and Architects as Agents of Change. Meet them below:

Brutalisim is an architectural movement that emerged in Europe in the 1960s and became one of the most controversial yet popular styles worldwide. This was due to various factors, including its use of raw concrete and, more broadly, its ideals focused on public service through monumental works. Furthermore, it became a new medium for expressing contemporary political stances through functional public spaces.

Mixed-use buildings are urban devices characterized by a diversity of uses. Sharing an existence fraught with obstacles and setbacks, those that manage to get built endure as true survivors of a vigorous species that thrives in areas of opportunity, carving a path through real estate speculation.

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Continuous trial and error. Architects draw and redraw lines, shapes, objects, and images on napkins, tracing paper, or black CAD backgrounds. Discarding, restarting, and repeating the cycle. The path between the initial idea and the final project is long and arduous. The challenge lies at the core of design: an endless decision-making process where a single change impacts countless other elements, turning the exercise into a series of trade-offs and concessions. These choices range widely, from determining how much site coverage minimizes environmental impact, to maximizing desk capacity in an office while maintaining fluid circulation. Every decision requires extensive research or calculation to yield an optimal solution. For example, a window placement that looks elegant on the facade might leave no room for a bed inside, or inadvertently spike the building's energy consumption.

In any project, pressing deadlines and tight budgets mean clients are often in a rush, leaving little time to explore every possible combination or calculate the exact impact of each decision. It is at this juncture that the concept of generative design is increasingly coming to the fore in architecture.

Mapas Sonoros is a project by the Usted no está aquí Archive that documents Latin American cities and towns in a non-traditional way. Functioning as a “map of maps,” the website compiles more than 40 independent sites with sound archives from countries such as Argentina, Bolivia, Brazil, Chile, Colombia, Costa Rica, Ecuador, Mexico, Peru, and Uruguay, creating a comprehensive log of georeferenced audio documents that offer an alternative way to map and understand Latin America.

While some works serve as monuments to the egos of those who practice this profession, other architectural approaches propose the exact opposite. These practices deliver projects that—almost poetically—harmonize built elements with the surrounding natural environment. There are also designs that adapt to the morphological order of nature, resulting in an organic language that generates highly unique and singular interior spaces. 

The crisis brought about by the pandemic and the resulting new global order compel us to review and adjust all Land-Use Plans—or their local equivalents—across Latin American cities. 

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Driven by a personal quest to explore heritage and preserve Mexican traditions, architect Ana Ibañez has created a collection titled “Barraganescas,” featuring jewelry pieces inspired by the houses designed by architect Luis Barragán in the city of Guadalajara.

Videos

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Chuchín is that endearing figure whom you always remember despite the passage of time, whether you are a student, architect, professor, staff member, or fellow worker. Felipe de Jesús Cortés Guevara—or Chuchín, as he is commonly known—seems to go nowhere else; he is always watching over what he considers his second home, the UNAM School of Architecture.

In the early hours of January 11, 1967, a polar air mass swept into the country, bringing snow to Mexico City and blanketing the entire capital under a soft, pristine white layer. One day, more than 50 years ago, our urban sprawl woke up covered in white. It was not smog, nor the pollution of an unrelenting beltway; it was pure snow. The last time it snowed in Mexico City was January 11, 1967. That day, schools closed, people went outside to build snowmen and throw snowballs, and emergency services were overwhelmed by the beautiful catastrophe of so much snow.

Charlas de Terraza is an initiative hosted at the office of OPUS in Medellín. It features conversations that extend beyond architecture and, adapting to the COVID-19 lockdowns, is currently being held virtually. Alongside these talks, there is another initiative dedicated to sketching called Club de Dibujo (Drawing Club). In this session, both formats merged as the Medellín-based practice, along with Alejandro Enriquez from Bogotá, discussed the sketch and its process.