As part of the 2nd Placemaking Latinoamérica gathering –organized by Lugares Públicos A.C.– which took place in Mexico City during the first and second weeks of November, various activities were carried out, including the restoration of eight public spaces led by Mexican and Latin American participatory urban planning specialists in the boroughs of Cuauhtémoc, Iztacalco, and Miguel Hidalgo.
"An old skating area, a forgotten garden beneath bridges, and the reconstruction of a skatepark in a working-class neighborhood serve as the backdrops for this documentary. The parallel narrative of the construction of three new public spaces in Barcelona shows how once-marginalized territories are integrated into the urban fabric while respecting the site, its memory, its people, and its everyday life."
The premise of the documentary Landskating, directed by Kike Barberá, with a script and production by Sergi Carulla and Oscar Blasco (Scob), is highly promising. Filmed between 2013 and 2015, this period saw the realization of participatory processes led by the youth themselves, alongside the construction of Barcelona's first three urban sports parks: the Landskate Parks.
To mark the documentary's public premiere, we interviewed the team at SCOB to learn more about their work.
In 1900, Dr. José Ignacio Capetillo and his wife, María de la Luz Servín, purchased the land located at General Prim 32 from Archbishop Eulogio Gregorio Gillow. On this site, the Capetillo-Servín family began construction on an apartment building commissioned to architect Manuel Gorozpe, who designed it in the eclectic style characteristic of the period and completed construction in 1906.
https://www.archdaily.com/1119858/discover-the-history-of-one-of-mexico-citys-most-famous-porfirian-venues-proyecto-publico-primFabiola De la Miyar Martínez y Diana Fonseca Sepulveda
As part of the design program at AGO Projects—a multidisciplinary space focused on promoting design, photography, and architecture, based in New York, which opened its doors in Mexico City just a few weeks ago—the exhibition "Otro Reino" has opened. The showcase features previously unseen and well-known pieces by Isabel Abascal and Alessandro Arienzo's architecture studio, LANZA Atelier, and is complemented by "Neo-neo," a collection of ceramics based on urban concrete accidents by MT Objects.
As part of the Abierto Mexicano de Diseño 2019 (AMD2019), Jumbo, an international company focused on the development of urban spaces and furniture, presented the play sculpture “Infinito,” designed by Ariel Rojo. The project stems from the desire to design a line of urban elements that stimulate a sense of adventure and play through a range of play sculptures. These address not only an aesthetic responsibility to users, the city, its parks, and playgrounds, but also introduce an original approach to how children play and learn.
Through sculpture and drawing, Ivan Kurov (Mexico City, 1982) explores nature and transformation in their broadest definitions. While the former allows him to study the chemical properties of materials and the physics of objects, his paintings frame the confrontation between the organic landscape and the intervention of human architecture. For Kurov, art in its fullest sense is achieved outside of discursive intention, occurring when the hand works the material without the mediation of a concept. Consequently, his pieces emerge from the autonomy of processes and from matter in the freedom of its essence. The result is spontaneous and fluid, much like the artist's own conversation.
Colombia's topography features both plains and mountainous areas. Despite the challenges this poses for urban development, the country's major cities—from its capital, Bogotá, to Medellín and Cali—have been founded upon it. While this topography has posed significant challenges for construction and mobility, it has also paved the way for innovation, inspiring architectural projects that seamlessly integrate with the mountainous terrain, adapt to their specific altitude, and reflect regional culture.
On December 4, the opening of the Provincial Preliminary Design Competition for Cultural Spaces in Villa Carlos Paz took place.
The format involved intervening in three emblematic urban spaces under a single competition, but with individual prizes awarded for each site. The goal was for participants to achieve aesthetic and architectural proposals that would transform each space into a city landmark.
As part of Semana UTEM 2019—"The Project Within the Project"—21 teams from the Faculty of Architecture at the Metropolitan Technological University of Chile (UTEM) participated in the Domestic Pre-Existences workshop. The students proposed interventions for the historic "C Blocks" in Santiago's pericenter—residential complexes designed by the state Housing and Urban Development Service (SERVIU) between 1986 and 1996.
Cortesía de Arq.Bravo Nieto Ralph Tomas y Godoy Richard Marcelo
In December of last year, the provincial government of San Luis, Argentina, alongside San Luis Agua, launched the Portales de los Lagos Provincial Ideas Competition. The objective was to design an icon to identify and showcase a key local natural resource: water. Read on to discover the first-prize-winning project in the words of its authors:
The Venice Architecture Biennale is an event organized by the Italian State that brings together some of the world's most prestigious international architecture exhibitions. The Giardini and the Arsenale serve as the event's main venues. These spaces have hosted various exhibitions, national pavilions, and collateral events spread throughout Venice.
Colombian firm DARP has won second place in the design competition for the memorial space at the former Mónaco Building in Medellín, Colombia. Organized by the EDU and the Colombian Society of Architects (SCA), the international competition sought to design a space of memory and reflection on the period between 1983 and 1994, located on the site of the demolished building that was once the home of drug trafficker Pablo Escobar.
Vista desde parque. Image Cortesía de Guillermo Canutti
On November 15 of last year, the national ideas and preliminary design competition for the Norpatagónico Hospital in Neuquén was launched. Organized by the provincial government through the Ministry of Health and the Ministry of Economy and Infrastructure, the competition was endorsed by the Argentine Federation of Architects (FADEA) and sponsored by the College of Architects of Neuquén Province.
The site—where the objective was to build a facility that provides high-complexity services while connecting with the natural environment—is located on the Neuquén plateau and spans an area of 32,700 square meters. First prize was awarded to La Plata-based architects Guillermo Ariel Canutti, Bernardo Luna, Clara Gallardo, Agustín Ichuribehere, and Fernando Sebastián Fariña. Read on to discover the project in detail below.
BEMA is a new space by dèrive Lab opening its doors in the Historic Center of Querétaro, Mexico. The project restores and reactivates a building that previously functioned as a squash court, an event hall, and a commercial kitchen. This new space aims to become a platform that fosters impactful cultural and artistic projects to rethink the city, providing a sanctuary for gathering, production, and the exchange of ideas and experiences around urban issues.
The core of Castilian modern architecture, and indeed of the 20th century, emerged from the work of Rafael Aburto [1913-2014] and his contemporaries—this forgotten generation. An interwar generation whose trenches were fought not only on the battlefield, but also within architecture. This cohort of architects had to confront both the ravages of the Spanish Civil War and a sterile traditionalism, surrounded by professionals who had read, known, and seen almost nothing. Tradition—specifically, Spanish tradition—was what sustained everything. Unsurprisingly, the Civil War itself dealt a generational setback to the profession, impacting not only Aburto's peers but also those to come.
The generational divide was defined solely by the experience of having fought in the war. Oíza was eighteen when it broke out; Sota, Cabrero, Coderch, and Aburto were called to battle, mostly fighting on the Nationalist side. Once the war ended, Spain was unrecognizable compared to its pre-war self, and architectural thought was no exception. Returning to the profession in the 1940s, architects faced an outdated, practically useless tradition, alongside a precarious modernism devoid of depth or knowledge. This is why figures like Aburto broke through—these postwar architects who took on the role of pioneers, or at least demonstrated their determination to break free from academic constraints and embrace their own modernism.
Offering warmth and a modern yet artisanal aesthetic, wood is always an excellent choice when selecting wall coverings for interior spaces or manufacturing furniture. However, how do you choose the right cladding for a specific project?
We have compiled a selection of coverings with different aesthetics, formats, and installation systems, identifying their characteristics and differences to help you choose the right material. Slats or panels? Melamine, Trupán, or Radiata Pine? A natural look or colored pigments? Compare eight different options below.
Whether seeking distraction, escape, or reflection, metro passengers shorten their commutes by checking their phones, reading books, or listening to music. For Chilean photographer and civil engineer Felipe Lavín, this conceals a contradiction. "Commuting en masse is a highly social act, yet at the same time, it is deeply solitary. As Marc Augé notes, in the metro we constantly brush against the lives of others without ever truly encountering them," Lavín says in conversation with ArchDaily.
Courtesy of Gideon D.P.A. Aschwanden. ImagePunggol Wind: Procedural model of Punggol Singapore generated with CityEngine, used to estimate material flow and simulate wind with ANSYS, re-projected onto two planes at heights of 25 and 55 meters
Data is a controversial topic in the twenty-first century. Policy-making regarding data collection and use lags behind, while its value continues to rise—turning any initiative in the sector into big business.
"Photogrammetry is a technique used to obtain a three-dimensional model from a series of photographs," notes the video tutorial developed by 'Antes del Olvido'. The initiative seeks to generate a collective online archive to document the daily transformations seen in cities—particularly on monuments and facades—following Chile's social uprising.
To showcase the valuable output of Spanish universities, we launched an open call in September, inviting our readers to submit their thesis projects. Following a comprehensive evaluation of nearly 50 proposals, we selected 6 projects that not only offer innovative responses and deep research into complex, contemporary issues but also challenge and question the future of architecture.
The University of Navarra presents three Master's programs for 2019: the Master's Degree in Architectural Theory and Design (MtDA), the Master's Degree in Environmental Design and Building Management (MDGAE), and the Master's Degree in Architecture (MUA). These in-person programs will be taught at the university's Pamplona, Madrid, and Bilbao campuses starting in September of this year. Explore more details below.