Many authors address the importance of the street to vitality in urban space. Streets are public open spaces, typically bordered by the buildings that shape them. We rarely realize it, but it is through this open space that we appropriate the city, and where the experience of walking takes place.

For the past four years, Avenida Paulista has come alive with color, dance, music, and a vibrant flow of pedestrians and cyclists on Sundays and holidays. This is the result of mobilization by civil society organizations and the public, which in 2015 led the São Paulo Municipal Government to establish the Paulista Aberta Program as part of the city's Ruas Abertas (Open Streets) initiative. Since then, one of the state capital's busiest avenues has served as a stage for economic, cultural, and leisure activities, while providing a vast, free space for physical exercise.

Real estate speculation is undoubtedly the greatest villain singled out by those who study, inhabit, or are simply interested in cities today. It gets blamed for practically every urban problem: whether a city is too dense or too sprawling, choked with traffic or prohibitively expensive; whether local politics are corrupt or the poor are marginalized to the periphery; whether corporations profit from public investments or public infrastructure lies idle; whether historic heritage is destroyed, new buildings alter the cityscape, or informal settlements are burned down. The list is endless.

The Bamboo Experimentation Laboratory at UNESP - Bauru has shared with us the work developed by architect Roberval Bráz Padovan, who researched bamboo construction joints. In addition to analyzing various connection possibilities, Padovan concludes by proposing a joint component for space trusses. The thesis was presented in 2010 at the School of Architecture, Arts, and Communication of UNESP - Bauru, advised by Prof. Dr. Marco Antônio dos Reis Pereira and co-advised by Prof. Dr. Paula da Cruz Landim. Read the author's abstract below.

A successful interior design must be paired with a proper lighting design. It is responsible for ensuring that the quantity and wattage of the bulbs are suited to the space based on its dimensions and use.

Currently, until August 16, the second public consultation on the new Urban Intervention Project (PIU) for the city's central sector is open on the municipal government's website. The project involves the necessary revision of the Centro Urban Operation, a law enacted in 1997 whose alignment with the regulatory framework established by the 2001 City Statute had been expected since the passage of the last Master Plan (Law 16,050/2014).

The flooding issues in São Paulo, which have shown signs of worsening due to changing rainfall patterns, can only be effectively addressed by combining different approaches and drainage solutions—specifically those of urban planning and engineering. This means both improving the system of stormwater retention basins and promoting drainage solutions with urban design quality, such as linear parks, renaturalization, and network structuring linked to mobility axes. More importantly, these solutions must be implemented in areas where those most affected by disasters live: lands prone to landslides and flooding, occupied by vulnerable housing and severely lacking in infrastructure, such as favelas, informal settlements, and peripheral neighborhoods.

The so-called “right of protocol” is a legal anomaly today, as it allows private real estate developers to choose which legislation applies to their projects. This mechanism was established in the 1970s, prior to key democratic advancements, particularly those concerning the social function of property and rights to an ecologically balanced environment, housing, and cultural heritage. Today, maintaining this “right” of protocol delays the implementation of changes envisioned by new urban planning laws designed to correct the everyday dysfunctions of the city, such as flooding.

Architectural photographer Guilherme Pucci shared with us his photo essay of the boat garage that is part of the Santa Paula Yacht Club complex, designed by architect João Batista Vilanova Artigas in the early 1960s and closed in the mid-1980s. Currently, the building, one of the icons of São Paulo's modern architecture, located on the shores of the Guarapiranga Reservoir in the southern zone of the city of São Paulo, is in a state of disrepair and abandonment.

The real estate market and construction industry in São Paulo, which had been booming since the mid-1960s thanks to the creation of the National Housing Bank, allowed for broad architectural experimentation, such as a novel program: vertical multifamily housing. Nevertheless, as early as the 1950s, Revista Pilotis was already calling for architects to take a stance on the issues generated by this new program:

Lina Bo Bardi was undoubtedly one of the most expressive architects to ever practice in Brazil. Born in Rome, she became one of the most important figures to synthesize Brazilian culture for the world, merging architecture and politics by breaking down the barriers between high culture and popular culture.

Over the last few years, ArchDaily Brasil has published a series of articles and reflections on her material and immaterial work. To this end, we have compiled a selection of these texts to serve as a foundation for a deeper understanding of the architect:

Residents of Jardim Lapenna, in São Miguel Paulista, in São Paulo's East Zone, have created a participatory neighborhood plan in the state capital. Out of 32 urban actions planned in areas such as lighting, security, and paving, seven were selected as priorities and are currently being incorporated into the annual budget bill (PLOA) for 2019.

In modern architecture, designing involves analyzing, predicting, and determining spaces and functions with precision, leaving no room for error. Throughout the second half of the 20th century, this rationalizing character, driven by maximum efficiency, was harshly criticized, and "erring"—in the sense of wandering, roaming without aim or destination—became recognized as an inevitable part of the human experience.

After reflecting on design capable of establishing 'emotional belonging' and the antipatterns of social housing, Nikos A. Salingaros, David Brain, Andres M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit continue their series of articles on social housing in Latin America. In this installment, the text addresses how control influences urban form and ways of living.

In regions with high temperatures and intense solar radiation, buildings must ensure adequate thermal comfort for their occupants. To this end, the use of brise-soleils is an effective solution for projects featuring large glass surfaces, thereby reducing heat gain from direct sunlight.

Urban Brazil is deeply ugly. Why did this happen? Some blame "the absence of urban planning and zoning, manipulated height limits, and the nefarious power of contractors and builders influencing the drafting of master plans."

The future of architecture is urban; there is no longer any doubt about it. Projections indicate that by 2050—that is, in just over 30 years—75% of the world's population will live in cities, while in Brazil this figure will exceed 90%. However, our discipline must concern itself with the quality of life for everyone; therefore, projects in rural contexts will continue to be on the agenda of architects worldwide.

Below, we present a selection of residential projects built in the countryside. These Brazilian houses, nestled in rural and pastoral landscapes, are designed for the daily lives of their inhabitants or as temporary retreats to decompress from urban life. One way or another, they all share a single objective: to open themselves up to their bucolic surroundings. 

The Spanish word medianera carries a meaning that is often translated as "party wall" or "blind wall," yet its significance in Spanish-speaking contexts takes on a deeper cultural and urban resonance when considered in local terms. This architectural element, which simultaneously separates and connects adjacent lots in such a striking manner, is a recurring feature in Spanish-colonized cities across the Americas. In the case of Argentina, Buenos Aires took shape under the principles of those who arrived with gridiron plans and the rigor of orthogonal organization. The city developed within this logic, resulting today in an urban landscape persistently marked by the presence of these rigid, seemingly unavoidable elements known as medianeras.

Throughout Brazil and across different sectors of society, organized groups are collaborating to develop projects and initiatives aimed at improving the quality of urban life and transforming cities into more democratic spaces, reinforcing collective identity and a sense of belonging. The 4th Project Exhibition, an event taking place during the 4th COURB - Collaborative Urbanism Meeting, aims to celebrate and bring visibility to these groups. It focuses on themes such as Public Policy and Legislation, Communication and Information, Education and Culture, Physical Intervention in the Territory, Mobilization and Advocacy, Research, Projects, and Plans.

Videos

As part of the programming for the exhibition Infinito Vão, Casa da Arquitectura invited a group of architects from different generations featured in the exhibition on 90 years of Brazilian architecture for a series of talks hosted at the Instituto Moreira Salles in São Paulo. Architects Ruy Ohtake and Marcos Acayaba participated in this event, moderated by one of the exhibition's curators, Guilherme Wisnik. 

Tactical urbanism, a practice that has gained prominence in recent years, has proven to be an appealing strategy for activist collectives, architects, urban planners, and designers worldwide. By proposing low-cost, micro-scale, targeted urban interventions, it aims to promote the right to the city. This approach to thinking about public spaces in the city operates through a non-hierarchical logic, where civil society (whether or not in collaboration with the state and/or private enterprises) proposes alternatives to the traditional design process in the urban sphere.

With nearly four thousand projects published on ArchDaily Brasil in 2019 alone, and with less than a month left in the year, our curators wrap up this stimulating year for architecture with a selection of the most visited residential projects published on our Brazilian platform.

Set in urban, rural, or coastal landscapes; built using diverse structural systems, from traditional masonry to highly technological prefabricated methods; and ranging from compact dwellings to large-scale residences; this selection of 50 houses highlights the most popular projects from the past twelve months. According to our readers, these designs stood out as the most compelling in terms of innovation, construction techniques, and design challenges. Check them out below:

In episode #59 of our series on architectural figures, we invited architect and historian Renato Anelli, who is also a board member of the Bardi Institute, and architect, professor, historian, and architectural critic Ana Luiza Nobre to discuss the life and work of Lina Bo Bardi—the Italian architect who deeply absorbed Brazilian roots and translated them into her highly original architecture. Trained at Rome's traditional school of architecture, Lina went far beyond the conventional scope of the profession, also working as an illustrator, editor, designer, and set designer.

In another episode of the Architecture and Cinema series, Arquicast brings the film Paris, I Love You to the discussion. In addition to the usual podcasters, the episode features advertising professional and journalist Janaina Pereira, who holds a postgraduate degree in Cinema and contributes to various entertainment outlets. Janaina previously participated in episode #58 on the film Her. Another returning guest on Arquicast is cinematographer and cinephile Kiko Barbosa, who always brings engaging insights to our conversations.