In conjunction with the release of the results of their "Design Competition Survey", the Van Alen Institute have put forward 10 propositions for the improvement of design competitions. Accompanied by a series of vibrant graphics, the propositions can be read after the break.
He may have risen to prominence for his disaster relief architecture and deft use of recyclable materials, but Shigeru Ban describes his idiosyncratic use of material as an "accident." Speaking to The Wall Street Journal, the 2014 Pritzker Prize Laureate recalls turning to cardboard tubes as a matter of necessity. "I had to create a design for an exhibition," Ban told the newspaper, "But I couldn't afford wood. Instead, I used the many paper tubes from rolls of drafting paper that were lying around. The tubes turned out to be quite strong." The most prominent of Ban's cardboard tube structures is Christchurch's Cardboard Cathedral, built in the aftermath of an earthquake that devastated the city in early 2011. Read WSJ's full interview with Ban here.
The future of Helsinki's contemporary art scene has never been brighter; Amos Anderson Art Museum has announced plans to build a new venue at the heart of the the Finnish city. Designed by local firm JKMM, the New Amos Anderson Art Museum is to be built in and below Lasipalatsi square, a landmark site of Finnish Functionalism.
For years, competitions have powered the stream of architectural output, producing such icons as the Vietnam War Memorial, Sydney Opera House, Central Park, and Ground Zero memorial. One need only look to the buzz surrounding the Guggenheim Helsinki competition and ArchDaily's own amply filled tag to see that competitions are part of the very lifeblood coursing through contemporary architecture. But what do architects really think about design competitions?
With 1414 responses from 65 countries, the Architectural Record/Van Alen Institute Competition survey is one of the most comprehensive investigations of this question to date. Speaking to the Architectural Record in February, Van Alen Institute competitions director Jerome Chou said that the survey hoped to identify the pros and cons of the competitions process, and offer suggestions for its improvement. "[W]e're hoping to advance the dialogue about the future of competitions, develop new models, and reach new audience," Chou said.
Launched in February this year, the survey sought responses from international design professionals who had participated in a competition during their career.
Read a summary of the survey's key findings after the break.
Hovering high above the earth's surface and presenting a serenely distant view of the terrain we inhabit, ULTRADISTANCIA is the latest photographic project from Argentinian artist, academic, and veteran traveller Federico Winer. The experimental series uses "the marvelous screens of Google Earth" to present stunning images of environments both built and natural.
Learn more about the project and view selected images after the break.
The Society of Architectural Historians (SAH) have announced the winners of the 2015 Publication Awards in Chicago, as part of their 68th Annual International Conference Awards ceremony. David Brownlee, Keith Morgan, Pauline Saliga, and Stanley Tigerman were also inducted as Fellows of the Society of Architectural Historians for their "lifelong contributions to the field of architectural history."
Awarded annually, the SAH Publication awards honor excellence in "architectural history, landscape history, and historic preservation scholarship," alongside outstanding architectural exhibition catalogs. Eligible publications must have been published in the two years immediately preceding the award, with nominations for the 2016 Publication Awards opening on June 1.
Learn more about the winning publications after the break.
Nearly two hundred years after construction first began, and 150 years after being formally closed to the public, Isambard Kingdom Brunel's Rotherhithe shaft in the Thames Tunnel is slated to become London's newest performance space.
Learn more about the project after the break.
Aileen Sage and Michelle Tabet have been announced as the creative directors of the Australian Pavilion at the 2016 Venice Biennale. Selected by the Australian Institute of Architect's Venice Biennale Committee, their proposal "The Pool" will be the first architecture exhibition displayed at Denton Corker Marshall's newly inaugurated pavilion.
From April 10, the Frac Centre will host "Relief(s)— Designing the Horizon", a series of exhibitions, workshops, and meetings exploring the place of the relief in the timeline of modern art. Over five months the work of Yasuaki Onishi, Gérard Singer, and Aurélie Pétrel will be on display alongside a host of supplementary cultural and educational programs. Hoping to "[shed] new light on the way in which contemporary art can renew our reading of the landscape and, more broadly the environment", the exhibition will run until September 19. Learn more about the artists involved and view selected works after the break.
Packed full of idiosyncratically meticulous and colorful illustrations, the book provides a whimsical account of Sydney's architecture and history. From icons such as Utzon's Sydney Opera House to lesser known gems like Mark Foy's building opposite Hyde Park, to the terrace houses of inner city suburbs, All the Buildings in Sydney presents each building with care, detail, and an abundance of charm.
See more images from All the Buildings in Sydney, after the break…
Construction is due to commence later this year on "Antalya Tower," the winning entry of "The Expo 2016 Antalya Tower" competition. Situated on Antalya on Turkey's southwest coast, the tower was designed by local firm NITA (Nitelikli Tasarımlar Atölyesi), and will cater for the city's 10 million annual visitors. The completion of the tower will coincide with the "World Botanic Expo 2016," to be held in Antalya and marking Turkey's first international Expo.
For more than 150 years, the Golden Ratio has been one of the main tenets of design, informing generations of architects, designers, and artists. From Le Corbusier to Apple, Vitruvius to Da Vinci, the ratio purportedly dictates which forms will be found aesthetically pleasing. Yet mathematicians and designers have grown skeptical of the practical applications of the Golden Ratio, with Edmund Harriss of the University of Arkansas' mathematics department putting it at its most simple: "It is certainly not the universal formula behind aesthetic beauty." Writing for Fast Co. Design, John Brownlee collates sources as diverse as the mathematics department at Stanford University to Richard Meier, laying out the case against what may just be design's greatest hoax. Read the full article here.
Yong ho Shin and John Randle of shindesignworks have been announced as the winners of "The Lake Isle of Innisfree," a design competition held earlier this year as part of the Yeats2015 festival. Based in London and Daegu, South Korea, the pair of architects proposed "Square Moon," a light-based installation for the Irish Island about which Yeats wrote his eponymous1892 poem, and from which the competition took its name.
Released in time for the opening of the Milan Furniture Show at EXPO 2015, ParkMapp is the ultimate guide to Milan's modern and contemporary architecture. An ongoing project by local architecture and design firm Park Associati, ParkMapp is a mobile app that identifies and geo-locates significant landmarks across the city. The app's sleek and legible interface is divided into modern and contemporary architecture, and features pictures and short descriptions of Milanese landmarks. A "lifestyle" section recommending cultural, retail, and dining attractions rounds out what Park Associati envisions as an "active map" for new and returning visitors alike. ParkMapp is available for download via the Apple App Store, or on Google play for Android devices.
Australia’s new pavilion for the Venice Biennale has been officially completed by the Australia Council for the Arts. Designed by Australian practice Denton Corker Marshall, the granite-clad building is the first pavilion to be built in Venice in the 21st century, and replaces Philip Cox’s 1988 structure. The pavilion is to welcome its first visitors from May 9, as part of the 56th International Art Exhibition, with the work of artist Fiona Hall comprising its inaugural exhibition.
Learn more about the pavilion and view selected images after the break.
Seoul-based architecture and art practice Planning Korea has unveiled their design for a seaside resort hotel, to host visitors to the 2018 Winter Olympics in PyeongChang, South Korea. Offering 946 rooms and sprawling across a 29,493-square-meter site, the hotel will offer a combination of marine and mountain leisure activities.
Where the Panamerican Route passes along Rancagua, Chile, it does so in a seemingly interminable straight line, intersecting with the H-35 toward the Pacific and the Andes. At this junction between two of Rancagua's arterial roads German practice raumspielkunst has envisioned "The Cloud," a new form of self-sufficient gas station.
Responding to the nature of its site as a meeting point between the industrial and the touristic, the environmentally efficient gas station would cater for thousands of commuters each day.
Imagine a future in which all the Earth's divisions are removed: countries abolished, borders dissolved, and governments overthrown. Such is the version of planet Earth for which "Civilization 0.000", the 2013 master's thesis project by Dimo Ivanov of RWTH Aachen University, is designed. Envisioning a future free of "unnatural division" and where the earth's resources are measured and meted out according to human need, the project proposes a series of interlinked skyscrapers or "0.000 Units" that harness local earth resources. Each of the units assumes one of 6 key functions: living space, education, resource management, production, energy storage, and electricity generation. Functions are determined by the environment in which the units are sited.