Jean Prouvé’s Demountable House, a rare early example of a prefabricated housing concept, was fully assembled and on display to the public last week at Art Basel Miami 2014, just in time for the design’s 70th birthday. The display was part of Swiss luxury brand Bally’s tour of the original 1944 structure, with its next and final stop scheduled for Design Shanghai in 2015. This fascinating time lapse video reveals the full construction process and gives us an inside look into how each component of the house comes together, from the floor boards to the structure of the roof, to the final exterior cladding. Check out the video above to see Prouvé’s structure come together, or see images below of the completed structure.
The Royal Institute of British Architects (RIBA) has announced a major retrospective of the work of celebrated Scottish architect Charles Rennie Mackintosh, with an exhibition to be held at the RIBA’s Headquarters in London from February to May 2015. Having shown talent as a draughtsman from a young age, Mackintosh started his architectural apprenticeship at the age of just 16, and the exhibition features over 60 original drawings, watercolours and perspectives spanning his entire career from the late 19th century until his death in 1928.
Read on after the break for more on the contents of the exhibition
Eugène Viollet-le-Duc, the French architect most famous for the ‘restoration’ of Notre-Dame de Paris, is a person we unequivocally associate with 19th century Gothic Revival. Although there is no doubt that his interpretive restorations of medieval French monuments were some of his greatest achievements, a new exhibition at Paris’ Cité de l’architecture et du patrimoine seeks to uncover a “well-connected character who pursued an uninterrupted career drawing, building, teaching, restoring, and many other things.”
In a review for Domus, Léa-Catherine Szacka examines this first major retrospective dedicated to the designer, theorist and artist since 1980 in celebration of the bicentennial of his birth. According to Szacka curator Jean-Michel Leniaud has, in this exhibition, shifted focus to Viollet-le-Duc’s artistic output, thereby presenting “the less known and the more unexpected aspect” of his career.
In the wake of the global financial crisis, banking scandals and government bailouts have made countless news headlines around the world. With such large sums of taxpayer money being funneled to the troubled financial sector, ordinary individuals are left to wonder how it will affect their own lives. But how can an entire country rise up and make their voices heard when it is nearly impossible to understand the magnitude of such an injustice? In Austria, a group of innovative students from the Technical University of Vienna set out to answer this question and have taken to a new form of protest in order to make the consequences of one Europe’s largest financial scandals in recent history a tangible reality.
To demonstrate the €19 billion price tag of Austria’s recent bailout of Hypo-Alpe-Adria, students designed and built a scale model of a fictional city called “Hypotopia,” a portmanteau of the bank’s name and “utopia.” According to Lukas Zeilbauer, “while utopia stands for an ideal fictitious world, ‘hypo’ is a Greek word meaning under, beneath or bellow – so a change coming from the bottom, from the folk.” Embodying an idealistic society with plentiful renewable resources and public education for people of all ages, the model city would theoretically contain 102,574 inhabitants, making it the sixth largest city in Austria.
Read on after the break to find out how an architecture model has drawn international attention and propelled an entire country to take action.
Drawings have long been used as a method for architects to represent their projects. However, architects sometimes make drawings to communicate a sense of space in a deeper and more meaningful way – in a manner that begins to venture into the realm of art. A new exhibition opening at London‘s V&A Museum this Saturday entitled Architects as Artists examines the overlapping relationship between architecture and art, and documents the many ways in which it is used and created.
Marking the second edition of Design Shanghai, this year’s exhibition will take place March 2015 and will include over 300 exhibitors across three halls; Contemporary Design, Classic Design, and Collectible Design. Featured among the confirmed installations is Jean Prouvé’s Demountable House, a rare early example of prefabricated housing.
French architect Jean Prouvé is regarded as one of the twentieth century’s most influential designers, and is known for combining bold elegance with economy of means in a socially conscious manner. He is also recognized for his manufacturing firm, Les Ateliers Jean Prouvé, where he designed and produced lightweight metal furniture in collaboration with some of the most well known designers of the time. One such designer was Pierre Jeanneret, a Swiss architect and furniture designer who often worked with his more famous cousin, Le Corbusier.
Read on after the break to learn more about this year’s featured exhibition.
BSA Space, home to the Boston Society of Architects and the BSA Foundation, is currently accepting proposals from all designers interested in becoming a guest curator. The selected curator would be responsible for conceiving, fabricating, executing, and installing all aspects of a major exhibit within the BSA’s 5,000 square foot gallery space. Proposals should take into consideration a diverse audience and seek to capture the imagination of the public by conveying the power of design as an instrument of change within Boston. All major exhibitions will run four to six months and guest curators will receive a budget of $30-70K. The deadline for submissions is Friday, November 14 at 4:00PM. More details can be found, here.
As part of the Dylan Thomas in Fitzrovia festival, The Building Centre is examining the space Dylan Thomas and other writers depend on to create their work. A Shed of One’s Own is a photographic exploration of unique sheds with architectural significance and literary connections. From award-winning studios in Central London to weathered bothies in Scotland, this exhibition explores the importance of space for creativity and inspiration.
Scandinavian Design Group and Ctrl+N Create an Undulating Interactive Installation for Lundin Norway
Waves of golden light appear to shimmer and float from the ceiling in “Breaking the Surface” a new interactive installation from Scandinavian Design Group, ctrl+n, Abida, Pivot Product Design and Intek. The kinetic sculpture is composed of an array of acrylic plastic tubes extending through the floor of a two-story mechanized matrix, gracefully moving above and below the surface to evoke abstract images of the undersea geography. Read more about the interactive installation after the break.
Mecanoo have shared with us a behind the scenes look at their upcoming exhibition at Berlin’s Aedes Architecture Forum, entitled People’s Palaces. Presenting some of the Dutch practice’s recent public buildings, such as the 2014 RIBA Stirling Prize nominated Library of Birmingham and the Maritime and Beachcombers Museum in Texel, the Netherlands, the timing of the exhibition also celebrates the company’s 30th anniversary. Founded in 1984, Mecanoo continues to develop a strong reputation for libraries, as well as cultural spaces and performance venues. This exhibition specifically traces the impact of Mecanoo’s public buildings on local communities.
Pier Vittorio Aureli’s collection of thirty ‘non-compositional’ drawings, exhibited as part of a series entitled The Marriage of Reason and Squalor, will open at London’s Betts Project architecture gallery tomorrow (8th October 2014). The drawings, in development since 2001, are part of an ongoing investigation into “what, in the absence of a better definition, Aureli has described as ‘non-compositional architecture’.” This term, referring to the work of art historian Yve-Alain Bois who was himself prompted by the ambitions of the constructivist artist Alexander Rodchenko, is used to describe works that “aspire to the abandonment of composition and even the self of the artist.” This will be Aureli’s second recent exhibition in London following Dogma: 11 Projects, which was presented at London’s Architectural Association in 2013.
In this video from the Louisiana Museum of Modern Art‘s Lousiana Channel, three acclaimed writers – Sjón, James McBride and Daniel Kehlmann – talk about their experience of Olafur Eliasson’s Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying “It was like a moment in a dream, when you enter a room and something is not right, but familiar.”
The writers reflect on the role of art itself, as Sjón states ”If art is to give answers at all, it should be confusing answers.” Watch the full video to learn more about how the installation impacts its viewers and successfully blurs the lines between art and nature.
The soaring glass roofs of London‘s Alexandra Palace are about to receive a major overhaul thanks to a £23.8m ($38.6m USD) fundraising project focused on the revitalization of the 139 year old palace. Images of Feilden Clegg Bradley Studios 2014 revitalization are on display for the first time in an exhibition showcasing the upcoming changes to the public palace, including extensive renovations to reopen derelict sections of the building. Find out more about the exhibition after the break.
Currently on exhibition at Barbican Art Gallery in London is Constructing Worlds, an exploration of architectural photography from the 1930s to now. The exhibition brings together over 250 rarely seen works by 18 leading photographers who have demonstrated the medium’s ability to look beyond simple documentation of the built world and reveal wider truths about society. Learn more about the exhibition after the break.
The evening of October 6th marks the grand opening of UNStudio‘s new exhibit, Motion Matters 4.0 at the Architektur Galerie in Munich. The opening ceremonies will coincide with the first day of the Expo Real International Trade Fair for Property and Investment and include a welcome speech by the Dutch Consul General Peter Vermeij, followed by an introductory talk about the exhibit from UNStudio co-founder and principal Ben van Berkel.
Starting October 18th, the Tchoban Foundation will be showing 65 art works of Hôtel particulier buildings – prestigious town houses, which were built in the first part of the 18th century and characterize Parisian architecture until today – in the exhibition “Lʼhôtel particulier à Paris.” After Sergei Tchoban, architect and founder of the Tchoban Foundation for Architectural Drawing, showed his collection of 24 drawings at the École des Beaux-Arts in 2011 with the exhibition “À la source de l’ Antique. La collection de Sergei Tchoban”, the two institutions now continue their collaboration, this time with a selection of works from Paris that will be displayed in Berlin.
Today, Olson Kundig Architects’ first-ever retrospective Anthology opened its doors at Omaha’s KANEKO. Spanning five decades of Olson Kundig work, the site-specific exhibition will focus on the Seattle-based firm’s unique creative process, showcasing the many influences and design explorations that have shaped the practice over the years. Follow us after the break for more information and a sampling of the firms work.
On September 3, 2014, urban design consultancy URBED was announced winner of the 2014 Wolfson Economics Prize. The competition has spurred unprecedented conversation and debate over the concept of Garden Cities in the UK, while the finalists call for the development of theoretical ideas and implementation of practical solutions. ArchDaily brought you the winning proposal earlier, and The Building Centre, an independent forum of the built environment, teamed up with the Wolfson Prize organizers to bring you an exhibit further exploring the broad range of design solutions from over 200 brilliant entries.