The exhibit, entitled Oskar Hansen: Open Form, will detail “the evolution of Hansen’s theory of Open Form from its origin in his own architectural projects to its application in a firm, visual games, and other artistic practices.”
Currently on display at the Philadelphia Museum of Modern Art, Award-winning African architect Diébédo Francis Kéré has created Colorscape, a installation made from steel and brightly-colored fiber, to accompany his first solo show in the United States. The exhibition is titled The Architecture of Francis Kéré: Building with Community, and features of a retrospective of the architect’s career that includes material artifacts, tools and scale-models created for stand-out projects in both Africa and Europe.
Following the success of the inaugural HOUSE VISION Tokyo in 2013, the exhibition is set to return again this summer under the theme of “Co-Dividual: Split and Connect / Separate and Come Together.” Once again curated by Kenya Hara, designer and creative director for minimalist housewares retailer Muji, the month-long event will tackle the objective of “thinking about how to create new connections between individuals,” as well as build upon the topics explored by its previous edition, namely the ways in which Japanese housing can adapt to recent demographic, technological and cultural shifts, and the vision of the house as the intersection between industries.
This year’s exhibition will feature house designs by top Japanese architects such as Sou Fujimoto, Kengo Kuma, Shigeru Ban and Atelier Bow-Wow, each paired with a leading company to envision and implement new strategies in housing design. The houses will be constructed at full-scale, allowing event-goers to fully experience and reflect upon each design.
Singapore-based WOHA’s “Fragments of an Urban Future” will be on display at the 2016 Venice Biennale, addressing some of the critical issues that megacities face today -- “unprecedented urbanization, accelerating climate change and the need for preservation of tropical biodiversity.” Part of the Global Art Affairs Foundation’s collateral exhibition, “TIME SPACE EXISTENCE,” WOHA’s contribution will be housed in the Palazzo Bembo.
In Granary Square, located in London’s King’s Cross, there is a fragment of the poem Brill by Aidan Dunn set into the ground, which reads: “King’s Cross, dense with angels and histories. There are cities beneath your pavements, cities behind your skies.” Anchored by the converted granary building and a rejuvenated stretch of canal, Argent’s ongoing King’s Cross development is an appropriate setting for Building on the Built, an exhibition which presents the work of London-based practice Jonathan Tuckey Design.
The Baltic Pavilion at the 2016 Venice Biennale, representing Estonia, Latvia and Lithuania, will explore the "transformative efforts at play" that are currently "reprogramming an inert region beyond the delineations of separate nation states." It "intends to explore the built environment of the Baltic States as a shared space of ideas." Located in Enrichetto Capuzzo's Palasport Arsenale Giobatta Gianquinto, a Brutalist architecture sports hall located next to the Arsenale, the exhibition will also be accompanied by a series of related events that will be presented in the form of a cross-section through Baltic space unfolding as "a non-linear stratigraphy."
This first major retrospective of Alberto Burri's (1915-1995) work in the United States in nearly forty years will close at New York City's Guggenheim Museum later this week. More than one hundred works are on display covering his entire career, culminating in a film of Burri's largest work: the reinterpretation of the ruins of Gibellina, in Sicily. The old city, destroyed by the 1968 Belice earthquake, was later encased in concrete preserving the morphology of the buildings and the city's medieval streetscape. Alongside his two-dimensional work, the exhibition ultimately seeks to demonstrate how Burri blurred the line between painting and sculptural relief that directly influenced the Neo-Dada, Process art, and Arte Povera movements.
Ben Johnson is a painter preoccupied by realism – especially when it comes to the two-dimensional representation of architectural space. A British artist practicing in London, Johnson has been working professionally since the mid-1960s. In that time his extensive œuvre has encompassed painted cityscapes and prints to depictions of rooms designed—among others—by Norman Foster, John Pawson, I. M. Pei, and David Chipperfield.
The Nordic Pavilion, representing Finland, Norway and Sweden, has selected David Basulto as curator for their exhibition at the 2016 Venice Biennale. Responding to Biennale director Alejandro Aravena's theme for the 2016 event, Reporting from the Front, the exhibition organized by Basulto and the Swedish Centre for Architecture and Design (ArkDes) will use Nordic architecture, urbanism and landscape architecture as "a springboard" to understand the future challenges which architecture and the built environment will face. The announcement is accompanied by an open call for completed projects that address these challenges. Selected projects will be displayed in the Sverre Fehn-designed pavilion at the Venice Biennale from May 28th to November 27th 2016.
The 2015 Bi-City Biennale of Urbanism\Architecture (2015 UABB), the world’s only biennale dedicated to the themes of urbanism and architecture, announced its highlight exhibits. Based in Shenzhen, one of China’s first Special Economic Zones, 2015 UABB will feature presentations from over 72 exhibitors from six continents who will all explore the theme “Re-Living The City”. Opening to the public on 4 December this year, 2015 UABB will take over the former Dacheng Flour Factory in Shekou, a declining factory complex built in 1980s that will be transformed into a multifaceted exhibition venue especially for the biennale.
In celebration of the International Year of Light in 2015 and the practice's 25th anniversary, Lighting Planners Associates (LPA) is putting up an ambitious show Nightscape 2050, with the exhibition travelling from Berlin to Singapore and then to Hong Kong and Tokyo, from August 2015 to June 2016. Nightscape 2050 is intended to be one of its kind for Light and Lighting, in which visions of the future of lighting and the way LPA imagines to use this light are shared with the visitors.
Presenting 40 images by Boston photographer and trained architect, Steve Rosenthal, this exhibition showcases rural New England churches of the eighteenth and nineteenth centuries. From the early meetinghouse through the changing patterns of Greek and Gothic revivals, Rosenthal’s black and white depictions will trace the evolution of church styles in New England and capture what remains of these architecture gems around the region. The exhibition is organized by Historic New England.
2015 marks the 20th Anniversary of Canstruction Boston. The 2015 theme is "Celebrate 20 years in Boston!" Canstruction Boston is a charity event and exhibition in which teams of Boston-area architects, engineers, contractors, designers and students compete to display colossal sculptures made out of canned goods. After the sculptures are dismantled, all the canned goods will be donated to the Merrimack Valley Food Bank in Lowell, Massachusetts.
With ideas ranging from floating homes to new mega-cities, New London Architecture has revealed 100 proposals to address the housing crisis in London. The ideas will be on display as part of the New Ideas for Housing exhibition at the NLA Galleries in the Building Centre in London. After an open ideas competition announced June 2015, over 200 entries from 16 different countries were received. Of the 100 shortlisted projects 10 finalists will be selected and have the opportunity to work with the Greater London Authority to implement their ideas. Read more about the entries and exhibit after the break.
From the Frank Lloyd Wright-designed Administration Building and 15-story Research Tower, to the Norman Foster-designed Fortaleza Hall, SC Johnson’s global headquarters is rich in design and history. The company’s gallery, At Home with Frank Lloyd Wright, houses an exhibit featuring lithographic plates from the Wasmuth Portfolio, a collection that has been hailed as one of the most important publications of the early modern architecture movement and established Wright as the international icon he is today.
The gallery features 43 of the Portfolio’s 100 framed lithographs as well as artifacts of Wright’s most famous work, revealing plans and perspectives of the buildings in natural landscapes. Wright’s experiences and personal struggles leading up to, and throughout, the creation of the Portfolio were the backdrop for some of his history-altering work like the SC Johnson headquarters’ Administration Building and Research Tower.
Measure is an exhibition of 30 drawings by 30 international architects presenting 30 edifices of thought. Drawings are of Storefront for Art and Architecture’s gallery space on 97 Kenmare Street in New York. Architectural representation, which draws upon the diagram as a conceptual and abstract component, has historically been criticized as obscure and self referential. The proliferation of data visualization in popular media today, however, allows us to engage a much larger audience in conversations about measurement and representation. The 30 drawings presented at Storefront unveil the challenges of representation and extrapolate them onto the architect’s table and the gallery walls.
Osborne Samuel gallery is pleased to announce the first UK exhibition of paintings by the Irish designer and architect Eileen Gray (1878 - 1976). A leading pioneer of Modernist design, she is widely regarded as one of the most influential architects and designers of the 20th century. The exhibition will feature over 60 paintings and photographs from the 1920s - 1960 that will be for sale, and will include some of the artist’s personal ephemera and letters.
Side by Side is an exhibition by photographer Robin Hill that explores the similarities and differences between two of America's most iconic houses. The Glass House by Philip Johnson and The Farnsworth House by Mies van der Rohe. Through a series of dyptychs, Mr. Hill's lens explores both the geometry of the structures and their place in the environment. Tellingly the exhibition is housed in the Seagram Building designed by Mies van der Rohe and assisted by Philip Johnson. The lobby of The Four Seasons is an ideal venue for this exhibition as much of the design aesthetic of both architects is prevalent in the space as well as in the photographs.