Italian practice Studio Fuksas has been selected to build the new International Congress Center of Jerusalem. Sited in the “City Gateway”, the project is part of a larger expansion of the city's central business district. The new Congress Center will be built around the existing Ussishkin Hall Building, which will be redesigned to host international shows and conferences. The expansion will make the Jerusalem ICC the largest conference center in the Middle East.
Massimiliano and Doriana Fuksas
Italian activists RebelArchitette and VOW Architects, led by Louise Braverman, Caroline James, Arielle Assouline-Lichten and Francesca Perani, have launched a petition seeking equal recognition for Doriana Fuksas in the Lifetime Achievement Award recently given to her fellow partner and Director of Studio Fuksas, Massimiliano Fuksas.
The petition, signed by over 80 supporters on the first day of the launch, includes an open letter to INARCH (Istituto Nazionale di Architettura) in Rome, Italy, and has attracted the support of notable names such as Massimiliano Fuksas, Denise Scott Brown, Rem Koolhaas, Bjarke Ingels, Paola Antonelli, Beatriz Colomina, Gisue Hariri, and Toshiko Mori.
LocationBeverly Center, 8500 Beverly Blvd, Los Angeles, CA 90048, United States
Massimiliano and Doriana Fuksas have released images of their competition-winning “Capo Grande Tower,” a tower and bridge situated on the Slovenian coastline linking Giusterna Beach to Monte San Marco. Designed in collaboration with Slovenian architect Sandi Pirš, the scheme consists of a 365-foot-high (111-meter-high) double-ellipse structure inclined slightly towards the sea, seeking to “immediately become a new symbolic element of the city.”
Adding to their collection of pre-fabricated houses by top designers and architects, Robbie Antonio’s “Revolution Pre-Crafted” has released 3 new designs by Paulo Mendes Da Rocha + Metro, Massimiliano & Doriana Fuksas, and Philip Johnson Alan Ritchie Architects.
The three designs follow Revolution Pre-Crafted’s goal of democratizing the design of pre-fab structures, as they offer a line of products that incorporate the distinct spatial and social brands of master designers. The new houses join options from architects including Zaha Hadid, Sou Fujimoto, Daniel Libeskind and Gluckman Tang.
Massimiliano and Doriana Fuksas have designed luxury villas for a 300-acre resort community at Is Molas Golf Resort in Sardinia, Italy. Envisioned as “inhabited sculptures,” the design includes four different prototypes of “eco-friendly, open-concept, and uniquely-designed villas” spread throughout the site of an 18-hole golf course designed by former professional golfer, Gary Player.
Founded nearly 50 years ago in Rome, it is difficult to pin down an overarching theme in the work of Studio Fuksas: their designs have been built in North America, Asia and across Europe (with another design planned for Australia); they regularly operate at varying scales, from a colossal trade fair center and an international airport down to a small parish church; and their buildings all demonstrate huge stylistic variety. In this interview from Indian Architect and Builder's April 2015 issue, Massimiliano and Doriana Fuksas discuss the process behind their work, and the role of variation, context and concept in their designs.
Indian Architect & Builder: Did you always want to be an architect? Can you share with us your journey while discovering your commitment towards this field?
Massimiliano Fuksas: No, I never thought I’d want to be an architect. My early aspirations were to become a poet. The beauty of language, various forms of expression and prose always intrigued me. This ambition then evolved in to the desire of being an artist. Architecture was really my last choice. The thought of being an architect occurred to me only when I was around twenty. I was in university when I realized that architecture is probably the easiest and simplest interpretation of art and culture. As I continued my journey in the University of Rome, I began to develop a passion for this multifaceted field of knowledge. It was in my third year of university when I found my fervor for architecture and saw myself as an individual in the practice of architecture; a field that in one or more ways satisfied my earlier ambitions of being a poet and an artist.
Originally published in Metropolis Magazine as "Inside the Homes and Workspaces of 8 Great Architects", this article shows the spaces occupied by some of the best-known architects in the world. Documented for an exhibition that will be featured at the Milan Design Week 2014, the images give a glimpse inside the private worlds of some of our favorite designers.
It's a cliche that architects have messy workspaces. From chaos comes creation, so the phrase goes. But an upcoming exhibition at this year's Salone del Mobile intends to dispel the myth. Where Architects Live will present glimpses into the personal spaces of eight significant architects: Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind and Bijoy Jain of Studio Mumbai.
Curator Francesca Molteni interviewed each of the designers in their private homes and came away with one finding: architects are actually quite tidy. The studios are all pristinely ordered; books are neatly stowed away, figurines and objets astutely displayed, and table tops swept clean. The photographs below are part of the exhibition materials, produced with the help of scenographer Davide Pizzigoni, which faithfully document the physical environments in images, video, and audio. These will be used to recreate the architects' "rooms" at Salone del Mobile in April.
Where Architects Live is not limited to satisfying our curiosity about what these architects’ homes look like. Richard Rogers’ affirmation that “a room is the beginning of a city” resonates with the project’s aim in trying to articulate its subjects’ personal tastes and obsessions, and how those are reflected in their architectural work.
Read on to see more images of the inside of architects' homes and studios
Architects: Massimiliano and Doriana Fuksas Location: 401, rue le Titien 34000 Montpellier, France Year: 2007-2012: competition 2007, won competition April 2007, building site January 2010, Inauguration September 2012 Project Team: Damon Belusco (project leader), Michele D’Arcangelo, Nicola Cabiati (model), Ana Gugic (interiors) Client: Région Languedoc-Roussillon Contractors: GFC – structure, SMAC – façades, BARSALOU – frames Consultants: ALTIA – Acoustics, NEVEUX-ROUYER – Landscape Architects, ALMA Consulting – Kitchen design Net surface: 23,600 sq.m. Gross surface: 25,736.80 sq.m. Area surface:16,500 sq.m.
Projects like the High Line, Bloomingdale Trail, and Allegheny Green Boulevard illustrate that disused, industrial infrastructure is rife with re-use potential and often can create new ways for a city to connect. However, what opportunities can this infrastructure present when it is still in use?
Read about the problem facing Bari and how it might be resolved after the break...