This week the 2016 Venice Architecture Biennale—Reporting From the Front—will close. Six months have passed and hundreds of thousands of architects, urbanists, designers and tourists have perused both the National Participations (of which more were represented this year than ever before) and the central exhibition curated by Alejandro Aravena – the first South American to direct the most prestigious event on the architectural calendar. ArchDaily has compiled our most extensive coverage of the event and, as the 15th incarnation of Biennale shuts its gates for the last time, our collection of articles, interviews and publication excerpts remains permanently accessible.
The Danish Pavilion at the 2016 Venice Biennale, curated by Boris Brorman Jensen and Kristoffer Lindhardt Weiss, is dense with models – "a wunderkammer of architectural prototypes." The exhibition, which attempts to present new insights into how contemporary Danish architecture has been influenced by critics of Modernism (the "Modern approach"), features Jan Gehl—a famed Danish architect and urbanist renowned for his focus on improving the quality of urban life—as its standard bearer. In this exclusive film, shared by the curators, Gehl puts forward his position.
The role of the Curator requires a comprehensive and multifaceted training that allows them to move in different contexts and platforms. The contemporary Curator investigates and identifies relevant issues and their relationships to, then, launch through exhibitions a narrative capable of catching the audience’s interest. A Curator’s work, therefore, encourages reflection and promotes new ways of perceiving and understanding architecture and design. The Master in Curatorship of Architecture and Design at IUAV (Venice, Italy) aims to train professionals capable of developing curatorial projects with a solid foundation in theory and critical thinking, coupled with a strong knowledge of strategies in exhibition making.
Magnitude 6.6 Earthquake Strikes Central Italy; Borromini's "La Sapienza" Among Structures Damaged in Rome
Following an earthquake measuring 6.6 on the Richter Scale that struck central Italy this morning at 7:40 a.m. local time—the fourth to hit this part of the country in three months—a number of structures have collapsed entirely or been severely damaged. While no deaths have been reported at this time, the BBC suggests that twenty people have been injured.
This latest tragedy follows an earthquake measuring 6.2 on the Richter Scale which hit a nearby region in August of this year, killing 300 and causing widespread devastation to towns and villages. It is being suggested that the evacuation of buildings that were deemed vulnerable to the ongoing seismic activity in the region last week may have saved lives.
EXPO CHICAGO and Zuecca Project Space Present
EXPO VIDEO: Invisible Cities at Spazio Ridotto (Oct. 24–Nov. 25, 2016)
EXPO CHICAGO and Zuecca Project Space collaborate to present a satellite iteration of the EXPO VIDEO program, highlighting a selection of dynamic and cutting-edge film, video, and new media works by artists selected from EXPO CHICAGO 2016 Exhibitors at Spazio Ridotto in Venice, Italy. The programmatic partnership between the exposition and the satellite location extend on a programmatic partnership presented with the Italian Cultural Institute in Chicago.
Part of the Venice Architecture Biennale 2016’s Collateral Events, Branding Islands Making Nations: On Intangible Assets and Value Propositions in Spatial Practice is a public program and case study competition, drawing attention to the application of political power in spatial practice. Intended to open the discourse on added value in design, Branding Islands Making Nations expands upon the 15th International Architecture Exhibition’s call to arms by inviting an extended field of spatial practitioners to Venice. Consultants and communication designers, marketing and advertising experts will gather to speculate on the role of branding in the making of a place.
In the canon of great Dutch architects sit a number of renowned practitioners, from Berlage to Van Berkel. Based on influence alone, Rem Koolhaas—the grandson of architect Dirk Roosenburg and son of author and thinker Anton Koolhaas—stands above all others and has, over the course of a career spanning four decades, sought to redefine the role of the architect from a regional autarch to a globally-active shaper of worlds – be they real or imagined. A new film conceived and produced by Tomas Koolhaas, the LA-based son of its eponymous protagonist, attempts to biographically represent the work of OMA by “expos[ing] the human experience of [its] architecture through dynamic film.” No tall order.
Update: We've added a video, presented by PLANE-SITE, about the exhibition, featuring quotes from Carla Bechelli.
Carla Bechelli Arquitectos has created an exhibition of its multiple-residence project, Las Piedras Villas & Houses, a 2015 recipient of an International Property Award, which is currently on display at the 2016 Venice Biennale, at Palazzo Bembo.
Located in the suburbs of Buenos Aires in Argentina, the project consists of a series of small-scale buildings around a central lake intended to create a dialogue with the single-family housing in the surrounding neighborhood.
In late August, the Flanders Architecture Institute will organise Encounters in Optimism: Utopia in a Finite World, an interactive programme of lectures, debates and workshops that will take place in various national pavilions at the Venice Architecture Biennale. The overarching theme is "the architectural utopia in a finite world."
Together with The British Council, the Deutsches Architekturmuseum and the Creative Industries Fund NL, the Flanders Architecture Institute has put together a programme for architects, students and the general public to reflect on how architecture can redefine the city. The economic climate and the idea of utopia are the main topics in these discussions.
Le Corbusier made an indelible mark on Modernist architecture when he declared “une maison est une machine-à-habiter” (“a house is a machine for living”). His belief that architecture should be as efficient as machinery resulted in such proposals such as the Plan Voisin, a proposal to transform the Second Empire boulevards of Paris into a series of cruciform skyscrapers rising from a grid of freeways and open parks. Not all of Le Corbusier’s concepts, however, were geared toward such radical urban transformation. His 1965 proposal for a hospital in Venice, Italy, was notable in its attempt at seeking aesthetic harmony with its unique surroundings: an attempt not to eradicate history, but to translate it.
In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.
In two lectures delivered by Bart Lootsma, Professor and Head of Institute for Architectural Theory and History at the University of Innsbruck, the 2016 Venice Biennale—Reporting From the Front—is dissected, unpicked and evaluated through the national participations (pavilions) and Alejandro Aravena's central exhibitions. Lootsma, who has broadcast the lectures as publicly available resources on architecturaltheory.eu, is the co-curator of the 2016 Pavilion of Montenegro.
Dream of Venice Architecture, the second in a series by Bella Figura Publications, has brought together a collection of contemporary architects and architectural writers to share their personal experiences of La Serenissima: the great Italian city of Venice. "Water runs through her veins," Editor JoAnn Locktov writes. "Bridges, palaces, churches – every structure is a testament to the resiliency of imagination."
In an exclusive half-hour interview with Alejandro Aravena, Monocle's Josh Fehnert questions the recent Pritzker Prize-laureate on Chilean architecture and urbanism, why he considers simple design as the key to alleviating the world's biggest woes, and the conception and ultimate result of his 15th International Architecture Exhibition – La Biennale di Venezia.
It’s LIQUID Group is selecting all interesting photo, painting, design/architecture projects, video-art, installation/sculpture and performance art works to include in the next exhibition. FUTURE LANDSCAPES, International Art and Architecture Festival, is the third event of BORDERS Festival that will be hosted in Venice, Palazzo Ca’ Zanardi and Venice Art House Gallery, from October 06 to November 27, 2016 during the period of Venice Biennale.
Video: Daily Life, Daily Tao – Jingyu Liang Discusses the Chinese Pavilion at the 2016 Venice Biennale
In this interview, curator Jingyu Liang of Approach Architecture Studio discusses the concept behind "Daily Design, Daily Tao – Back to the Ignored Front," the theme of the Chinese Pavilion at the 2016 Venice Biennale. Responding to 2016 Biennale director Alejandro Aravena's overall theme of "Reporting From the Front," the pavilion takes an introspective look at China's own architectural front, and the impact that the country's ongoing development boom has had on Chinese architecture.
In this interview, presented in collaboration with PLANE—SITE, Cynthia Davidson and Monica Ponce de Leon—curators of the US Pavilion at the 2016 Venice Biennale—explain why the United States' contribution to the 2016 Venice Biennale has brought together "visionary" American architectural practices to speculatively address the future of the city of Detroit. They argue that these projects have "far-reaching applications for cities around the world."
In this interview, presented in collaboration with PLANE—SITE, Jack Self—co-curator of the British Pavilion at the 2016 Venice Biennale—reveals how the frontline of architecture in Britain today is not just a housing crisis, but "a crisis of the home." In provocatively presenting "the banal," Self reveals why the British participation at the 2016 Venice Biennale proposes five new models for domestic life, each curated through time of domestic occupancy, alongside how it seeks to address the ways in which we might live in the future.