Architects: Rios Clementi Hale Studios
Location: Venice, CA, USA
Rch Studios Team: Frank Clementi, AIA, principal; Julie Smith-Clementi, IDSA, principal; Huay Wee, architect, senior associate; Anthony Anderson, architect; Carolyn Sumida, landscape architect; Claudia Morello, designer
Area: 2,200 sqft
Photographs: Undine Pröhl
Both Le Corbusier and Frank Lloyd Wright can be found on a lengthy list of architects who have tried to build in Venice and lost their battle to conservationists. However, OMA has broke through this barrier, as the practice was recently approved – after five years pending – to go forth with a project to renovate a 16th century palazzo for the fashion retailer Benetton near the Rialto Bridge on the Grand Canal.
More details and statements from the architect after the break…
Taking place November 11-18, the ‘Emerging Realities’ international student workshop will take place in Venice as part of the Biennale to feature international guest speakers. The event, put on by the Institute for Architecture and Landscape, LANDLAB ia&l, envisions the Venice lagoon archipelago as a prototype for a future metropolitan regional system. The new productive landscape proposes that it is capable of supporting such community while establishing an integrated and environmentally stable system that builds upon existing biodiversity, cultural practice, and production. For more information on the event, please visit here.
Designed by Studiomobile, the ‘Networking Nature’ installation is on display until November 25th as part of the Venice Architecture Biennale 2012, within the exhibition, “Traces of Century and Future Steps”. Their project is a living machine where it is impossible to see the dividing line between naturalized architecture and artificial organism. It deals with the issue of desalination of seawater and its integration into a Smart Water Network. More images and architects’ description after the break.
For over a century, the Venice Biennale (La Biennale di Venezia) has been one of the most prestigious cultural institutions in the world. The avant-garde institution has remained at the forefront in the research and promotion of new artistic trends, while leading international events in the field of contemporary arts that are amongst the most important of their kind. Over the past thirty years, the Biennale has given growing importance to the Architecture Exhibition, which is still a young component of the Biennale considering that its first exhibition was held in 1975. Today, the Venice Biennale captures a multitude of interest from around the globe and attracts over 370,000 international visitors.
Before the festivities of the 13th Venice Architecture Biennale begin tomorrow, read up on the origin of this highly acclaimed international exhibition.
A timeline history of the Venice Architecture Biennale:
Each year, approximately two million Mexican residents take part in the religious phenomenon Ruta del Peregrino (Pilgrim’s Route) – a 117 kilometer pilgrimage through the mountain range of Jalisco that is centered around and moved by the adoration to the Virgin of Talpa. This religious voyage has been taking place since the 17th century and represents the pilgrim’s act of faith carried to penitence. Although conditions are harsh, this sacrifice carried with austerity is an essential part of the promise or offering that become the ritual of purification.
In an effort to provide the historical route with better conditions, nine architecture firms and design offices collaborated to build seven architectural landmarks that provide shelter, services and outlook points for the pilgrims. By establishing a strong relationship with both the extraordinary landscape and the religious rituals of Ruta del Peregrino, the architectural pieces have become the “imaginary landmarks” of a deeply rooted phenomenon.
Continue reading to learn about how this project is contributing to the 2012 Venice Biennale.
For the first time ever, Design Onscreen – the Initiative for Architecture and Design on Film – will present the Design Onscreen Film Festival at the Venice Architecture Biennale, August 27 through the 29th at the Arsenale’s Teatro Piccolo. All sixteen screenings are free and open to the public and most will be followed by dynamic in-person discussions and audience Q&As, featuring top architects and design experts from around the globe, including Lord Norman Foster, Peter Eisenman, Rick Joy, Steven Holl, Vittorio Garatti, Deyan Sudjic (Director, Design Museum London), Barry Bergdoll (Chief Curator of Architecture and Design at the Museum of Modern Art); Moshen Mostafavi (Dean, Harvard Graduate School of Design), Mark Wigley (Dean, Columbia Univ. School of Architecture), and David Chipperfield (Curator and Director of the 13th Annual International Architecture Exhibition, Venice Biennale).
Continue after the break for trailers and more information.
GREENHOUSE TALK, a comparison of design cultures in the great countries of Eastern Asia and Europe, will be taking place August 28 from 9-11am as part of the 13th International Architecture Exhibition at la Biennale di Venezia. Promoted by the Embassy of the Kingdom of the Netherlands in Rome and supported by Image, the main protagonists of this meeting are Pritzker Prize Laureate Wang Shu of Amateur Architecture (China), Rahul Mehrotra of RMA architects (India) and Francine Houben of Mecanoo (the Netherlands). The meeting, introduced by Pippo Ciorra and commented by Ole Bouman, will be an informal discussion in the Serra dei Giardini in Venice. For more information, please visit here.
Organized by Hong Kong Institute of Architects and Hong Kong Arts Development Council as a collateral event at the Venice Biennale 2012, the “Inter Cities / Intra Cities: GHOSTWRITING THE FUTURE” exhibition focus upon the vital urban, architectural, and cultural regeneration of Kowloon East in Hong Kong. The Hong Kong based architectural practice, Oval Partnership, has been appointed as curator of the Hong Kong exhibition which takes the 320 hectare Kowloon East regeneration area as its subject; one of the largest urban regeneration projects in Asia, and a district based around the ghost of a former airport. The opening ceremony will be held on Monday, August 27, 2012 (Arsenale, Campo della Tana, Castello 2126 in Venice, Italy). If you are interested in participating, please let me know. I will inform you as soon as possible of the opening time and I will reserve an invitation for you. The exhibition will be open to the public until November 25, 2012.
This year’s Venice Biennale will kick off on August 29th and run through November 25th and for the first time, the Institut Ramon Llull will be presenting an exhibition dedicated to Catalan and Balearic architecture entitled “Vogadors”, featuring nine projects from nine different architects that epitomize the contemporary and avant-garde works from the regions. The exhibition is inspired by the Mediterranean Sea, which is the main geographical feature of the regions, and by the words of Jorge Oteiza, “He who forges ahead creating something new does so like an oarsman, moving forward but back-paddling, looking behind him, towards the past, towards what exists, so as to be able to reinvent its underpinnings.”
Follow us after the break to see the projects to be featured at the exhibit.
The new exhibition space Rooms for Glass (Le Stanze del Vetro) in Italy, designed by Selldorf Architects, will open this summer in August 2012. The first exhibit to inaugurate the space will be Carlo Scarpa. Venini 1932–1947, a collection of over 300 glassworks by architect Carlo Scarpa. The exhibit will run until November 29, 2012, after which Rooms for Glass will continue showcasing the art of Venetian glassmaking in the 20th century with other exhibits.
Read on for more after the break.
Denton Corker Marshall recently won an international design competition to design the new Australian pavilion in Venice’s Giardini della Biennale, the heart of the prestigious Venice Biennale events. The new pavilion will be the first of the 21st century contributions to the Giardini, which is undergoing revitalisation by the Venice Biennale. It will replace Australia’s current pavilion, designed as a temporary structure by Philip Cox in 1988. Within a footprint of approximately 320m2, the two-level pavilion will provide a new flexible and adaptable exhibition space to showcase Australian visual arts and architecture to international audiences at annual biennales. More images and architects’ description after the break.
Representing the future development of Venice, the LINK Solar Power Skyscraper aims to provide the geographic area of the laguna of Venice with a new landmark: a link between architecture and urbanism, between the ancient city of Venice and the industrial area named Marghera. A link between function and emotion. Designed by LED Architecture Studio, the project is an architecture-infrastructure, a crucial urban development responding to the present and future needs of this locality. More images and architects’ description after the break.
This video reveals the first statement by director David Chipperfield and president Paolo Baratta regarding the 13th International Venice Biennale. With “Common Ground” as the underlying theme, Chipperfield encourages participants not to promote themselves, as if in a theater, but rather promote a dialogue that will begin the “chemical process” that will ultimately lead to finding connections between “things, people and influences”. Chipperfield highlights that the Venice Biennale is about “what is not private, but what is common.”
The architecture exhibition will open to the public August 29th, 2012.
David Chipperfield announces “Common Ground” as the theme for the 13th International Venice Biennale
Today, the President of the Biennale di Venezia, Paolo Baratta, and the 13th International Architecture Exhibition Director, David Chipperfield, met at Ca’Giustinian with the representatives of the 41 countries participating in the exhibition, including representatives of Kosovo, Kuwait and Peru for the first time. David Chipperfield announced the theme of this year’s Biennale is to be Common Ground. Continue reading for more information.
David Chipperfield states, “I want this Biennale to celebrate a vital, interconnected architectural culture, and pose questions about the intellectual and physical territories that it shares. In the methods of selection of participants, my Biennale will encourage the collaboration and dialogue that I believe is at the heart of architecture, and the title will also serve as a metaphor for architecture’s field of activity.”
Continue reading for more.