Two Symposiums Will Help Determine Glasgow School of Art’s Restoration

Glasgow School of Art ablaze (unknown source)

The Glasgow School of Art have announced that they will hold two symposiums in order to discuss the of the school’s library which was devastated in a fire in May of this year. The first conference, to be held in Venice’s Querini Stampalia, will act as a precursor to a second conference to be held in Glasgow in 2015. According to Professor Christopher Platt, head of the Mackintosh School of Architecture, the meetings will help to answer the question: “What should the plans be for bringing the Mackintosh building into full use once more and how should we approach the particular issue of the Macintosh library?”

Video: House Housing – “An Untimely History of Architecture and Real Estate”

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House Housing, “An Untimely History of Architecture and Real Estate in Nineteen Episodes”, was recently exhibited at Columbia University’s Casa Muraro in Venice. Staged as an “open house” organised and funded by the Buell Center, the exhibition responded unsolicited to Rem Koolhaas’s call to exhibitors at the 2014 Venice Biennale to focus on Fundamentals by exploring housing in nineteen “discrete episodes.” In narrating these episodes, brought together from across the last one hundred years in a mixture of domestic media, the exhibition brought together a collection of excerpts from global processes.

Norman Foster Joins Hollywood Stars in Petition Against Venice Cruise Ships

© Flickr CC User Ed Wohlfahrt

Over 50 Leading figures from architecture, art, film and fashion – Including Norman Foster, the director of London’s National Gallery Nicholas Penny, the director of the Guggenheim Foundation Richard Armstrong, and Hollywood stars Cate Blanchett, Michael Douglas, Julie Christie, Michael Caine, Tilda Swinton and Rob Lowe – have signed a petition pleading Italian Prime Minister Matteo Renzi and the Italian Minister of Culture and Tourism, Dario Franceschini to keep large cruise ships out of Venice.

The petition, created by the UNESCO-backed Association of the International Private Committees for the Safeguarding of Venice, says is a reaction to both the aesthetic intrusion caused by the cruise liners, but also what it believes is a “probable risk of catastrophe” due to the possible effects that such large ships could have on the fragile Lagoon surrounding Venice.

More on the cruise ship controversy after the break

100 Architects From 6 Continents Discuss “Time Space Existence” at the 2014 Venice Biennale

Time Space Existence. Collateral Event at the 2014 Biennale.. Image © Nico Saieh

The much anticipated Time Space Existence collateral event at Palazzo Bembo and for the 2014 Venice Architecture Biennale brought together a diverse group of 100 architects from six continents in an “extraordinary combination.” Summoned by the Dutch non-profit Global Arts Affairs Foundation, the exhibitions the architects were asked to produce documents current developments and thoughts in architecture, highlighting fundamental questions by discussing the philosophical concepts of Time, Space and Existence. Featuring well established architects next to lesser known practices, they all share a “dedication to architecture in the broadest sense of their profession.”

Inside “Re-Creation” – Finland’s Pavilion at Venice Biennale 2014

Re-Creation. The Finnish Pavilion at the .. Image © Nico Saieh

Re-Creation is a two-part based on a concept by Anssi Lassila. One part of the installation was constructed by a Finnish master carpenter and his team, and the other by a Chinese team. Together the two parts of the installation strike up a subtle and complex dialogue between the architects and local builders.

Presented by the pavilion designed by Alvar Aalto in 1956, the installation “takes a stand on our relationship with the modern legacy and its tradition of international dialogue, and represents a quintessential product of topical international dialogue while at the same time offering its own unique interpretation of the dynamic between tradition and modernity.” See images of the pavilion and enjoy a statement from the curators after the break.

“Bungalow Germania” – Germany’s Pavilion at the Venice Biennale 2014

Bungalow Germania. The German at the 2014 Venice Biennale.. Image © Nico Saieh

Germany’s contribution to the 2014 Venice Architecture Biennale scrutinizes the architecture of representation, its crisis, and potential cessation. Aside from the universal ambition of modernism to break with the past, has undergone a number of decisive political and societal breaks during the last hundred years. Through the question of how the nation “(re)builds and represents itself through architecture, we are able to discuss the friction between national identity and architecture expression—however, architecture is not only a mirror to ideology, but a constituting reality and societal context.”

Palazzo Zen / O-office Architects

Courtesy of Interpress Photo & O-office

Architects: O-office Architects
Location: Cannaregio, 30121 Venice, Italy
Architect In Charge: Jianxiang HE & Ying JIANG
Design Team: Thomas ODORICO, Yang LIU
Area: 390.0 sqm
Year: 2014
Photographs: Courtesy of Interpress Photo & O-office

Bekkering Adams Create Hanging Installation in Venice

© Jeroen Musch

Dutch practice Bekkering Adams Architecten, in cooperation with ABT and BeersNielsen, recently unveiled an installation at the , Venice as part of a collateral event with this year’s Venice Biennale. Entitled Form-ContraForm, the sculptural piece reflects on the conceptual and human perception of space – something which they describe as “a space that surrounds and envelops.” Distilling architecture’s fundamentals (which is also the theme of this year’s Biennale) down to the definition of co-ordinates in space, the experience created by Bekkering Adams is akin to the notion of “the mass versus the cavity.”

Video: Charles Jencks on the 2014 Venice Biennale

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In this extended interview by the Architectural Review, Charles Jencks provides an in-depth description of the 2014 Venice Biennale and critiques his former student Rem Koolhaas’ overall curation and theme: Fundamentals.

Arguing that the previous thirteen Biennales have, “more or less, tried to predict what is going to happen over the next five years,” ”Rem Koolhaas has changed the paradigm:” Rem’s Biennale is about “the past of the present”. Jencks, who describes Koolhaas as ”the Corbusier of our time”, suggests that his Biennale is about analysis rather than total synthesis. He has, however, “shown that research can be creative.”

Denton Corker Marshall To Design First 21st Century Pavilion in Venice’s Giardini

© Denton Corker Marshall

Australia’s new for the 2015 Art Biennale will be, in the words of featured artist Fiona Hall, “a minefield of madness, badness, and sadness in equal measure.” Designed by firm Denton Corker Marshall, (who also designed the Stonehenge Visitor Centre), the project will replace the 25 year old temporary pavilion designed by Phillip Cox and will be the first building constructed on the Giardini in two decades. 

San Stae / Project Meganom

© Yury Grigoryan

Architects: Project Meganom
Location: ,
Architects In Charge: Yury Grigoryan, Pavel Ivanchikov, Iliya Kulesov, Alexandra Pavlova, Yury Kuznezov, Semen Rastorguev
Year: 2008
Photographs: Yury Grigoryan

A Biennale of “Bold Reminders”

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For CNN’s , this year’s Biennale is a “bold reminder that architecture is – or at least should be – about a great deal more than blueprints, digital renderings and scale models.” Taking the British Pavilion as a case in point, Webster argues that Koolhaas’ original thematic provocation has paid off, succeeding “because it places people - our history, culture and even our bodies - at the very heart of its thinking.” Travelling through the pavilions of Romania, , the Dominican Republic, and Russia, you can read the article in full here.

Sam Jacob & Wouter Vanstiphout on Curating “A Clockwork Jerusalem”

The Mound. Image © James Taylor-Foster

The British Pavilion at the 2014 Venice Biennale takes the large scale projects of the 1950’s, 60’s and 70’s and explores the “mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious but also the moment that witnessed its collapse.” The exhibition tells the story of how British modernity emerged out of an unlikely combination of interests and how “these modern visions continue to create our physical and imaginative landscapes.” To those who know the UK‘s architectural heritage, this cultural and social history is delivered in a way which feels strangely familiar, whilst uncovering fascinating hidden histories of British modernity that continue to resonate in the 21st century.

We caught up with Sam Jacob, co-founder of FAT Architecture (of which this exhibition is their final project), and Wouter Vanstiphout, partner at Rotterdam-based Crimson Architectural Historians, outside the British Pavilion to discuss the ideas behind, and significance of, A Clockwork Jerusalem.

© James Taylor-Foster

Sverre Fehn’s Drawings for Venice’s Nordic Pavilion To Be Exhibited in Oslo

© Ferruzzi

Norwegian architect and Pritzker Laureate Sverre Fehn’s original drawings for the Nordic Pavilion in Venice are to be presented alongside Ferruzzi’s monochromatic photographs of the building in an exhibition at the National Museum of Architecture in Oslo. Venice: Fehn’s Nordic Pavilion documents the incredible task undertaken by Fehn who, at the age of thirty-four, won the competition to design the pavilion and subsequently won international acclaim when the building was completed in 1962.

Video: 14th Venice Architecture Biennale

We’re just coming back from the 14th Venice Architecture Biennale, so you can expect a few more posts as part of our complete coverage. Our friends from Crane.tv were also there, and shared with us this video with an overview of this incredible event on this amazing city. Enjoy!

Event: “House Housing: An Untimely History of Architecture and Real Estate”

is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Situated in the Casa Muraro in and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture Exhibition, that architecture focus on its “fundamentals.”

According to the organisers, “House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network. In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house).”

“They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change. House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media.”

Find out more about the event here.

Have We Reached the “End of Architecture”?

Biennale 2014 / Absorbing Modernity: 1914-2014 . Image © Rem Koolhaas. Image Courtesy of la Biennale di Venezia

This year’s Venice Biennale, curated by OMA’s Rem Koolhaas, is “interested in the banal”. In an article in the Financial Times’, Edwin Heathcote discusses the paradox between exploring generic at an event which celebrates the individual. Heathcote raises interesting questions about the extent to which world architecture has developed in modernity, ultimately arguing that, “in a way, architecture is over.” You can read the article, which neatly investigates the curatorial rationale behind this year’s Biennale, in full here.

Rubens Luciano / Simone Micheli

© Juergen Eheim

Architects: Simone Micheli
Location: ,
Area: 760.0 sqm
Year: 2013
Photographs: Juergen Eheim