RAAAF Propose to "Reclaim" Venice's Giardini by Shrouding National Pavilions with Fabric

04:00 - 14 April, 2016
RAAAF Propose to "Reclaim" Venice's Giardini by Shrouding National Pavilions with Fabric, Cloaked: Italian (Central) Pavilion. Image © RAAAF
Cloaked: Italian (Central) Pavilion. Image © RAAAF

Few have ever considered what the Giardini—the park of national pavilions for the Art and Architecture Biennales in Venice—is like during the winter months. In light of the fact that, during their "off-season," the gardens are often left in a state of disrepair, RAAAF—a Dutch multidisciplinary studio based in Amsterdam, alongside architect Marcel Moonen—have proposed a series of installations in an attempt to "reclaim valuable public space" which sits at the heart of an often overcrowded city.

AD Classics: Nordic Pavilion in Venice / Sverre Fehn

09:00 - 30 March, 2016
AD Classics: Nordic Pavilion in Venice / Sverre Fehn, The Nordic Pavilion (Giardini, Venice). Image © Åke E:son Lindman
The Nordic Pavilion (Giardini, Venice). Image © Åke E:son Lindman

Three were originally invited to draw up plans for a ‘Nordic’ pavilion: the Finnish partnership Reima and Raili Pietilä, Sverre Fehn from Norway, and the Swede, Klas Anshelm. Following the selection of Fehn’s proposal in 1959, Gotthard Johansson wrote in the Svenska Dagbladet of the project’s “stunning simplicity [...], without too many architectural overtones”[1] – a proposal for a space able to unite a triumvirate of nations under one (exceptional) roof.

The Nordic Pavilion (Giardini, Venice). Image © Åke E:son Lindman The Nordic Pavilion (Giardini, Venice). Image © Åke E:son Lindman The Nordic Pavilion (Giardini, Venice). Image © Åke E:son Lindman The Nordic Pavilion (Giardini, Venice). Image © Åke E:son Lindman +30

Live Streaming from Santiago: Alejandro Aravena Speaks at the 2016 Venice Biennale Press Conference

10:03 - 2 March, 2016

Today at 10am EST, the press conference for the 2016 Venice Biennale will take place at Chile’s Presidential Palace La Moneda. During the conference Alejandro Aravena will present “Reporting from the Front,” his central exhibition for the Biennale. 

You can watch a live streaming of the press conference above. 

The press conference will be in Spanish.

Detroit Resists Criticizes Ambition of US Pavilion at Venice Biennale

08:00 - 22 February, 2016
Detroit Resists Criticizes Ambition of US Pavilion at Venice Biennale , Packard Plant Detroit. Image © 2010 JVLIVS Photography, licensed under CC BY-NC-ND 2.0
Packard Plant Detroit. Image © 2010 JVLIVS Photography, licensed under CC BY-NC-ND 2.0

Detroit Resists has released a statement questioning the ambition of the US Pavilion’s “The Architectural Imagination” exhibition at the 2016 Venice Biennale. The exhibition consists of twelve teams of designers who will present newly speculative projects that can be applied not only to various sites in Detroit, but also to other cities around the world. Yet while the exhibition aims to understand Detroit’s political, social, economic, and environmental context so that “the power of architecture” can be of service to the community of Detroit, Detroit Resists’ statement claims that in the past this “architectural power” has been indifferent to the political context.

“This architectural power has been manifestly apparent in architecture’s recruitments against indigenous, impoverished, marginalized, and precarious communities across the globe, usually in the name of “development” or “modernization” in the second half of the 20th century,” reads the statement.

Help Save Odile Decq’s BPO Building From Being Demolished

08:00 - 10 July, 2015
Help Save Odile Decq’s BPO Building From Being Demolished , The BPO Building, currently up for demolition. Image Courtesy of Studio Odile Decq
The BPO Building, currently up for demolition. Image Courtesy of Studio Odile Decq

Designed by Odile Decq and Benoit Cornette, the BPO Building in Montgermont, France is now being threatened by a demolition permit. Inaugurated in 1990 and having won no less than 12 awards in its lifetime - including a Golden Lion at the 1996 Venice Biennale - the building has been widely lauded for its technical innovations, including a double-glazed suspended façade and panoramic elevators. It has appeared as the focus of theses internationally, and is featured at the Cité de l’Architecture et du Patrimoine and Palais de Chaillot, illustrating its pivotal role in architectural growth. It was one of the first buildings in the 90s to demonstrate an acute response to the quality of workplaces, and stands as an example of conscious, thoughtful design.

David Adjaye’s Temporary Museum Hosts "All the World's Future's" at Venice's 56th International Art Exhibition

07:00 - 15 May, 2015
David Adjaye’s Temporary Museum Hosts "All the World's Future's" at Venice's 56th International Art Exhibition, Courtesy of Adjaye Associates
Courtesy of Adjaye Associates

A temporary pavilion designed by London-based firm Adjaye Associates is housing a selection of works for the 56th International Art Exhibition, "All the World's Futures," in Venice. Curated by Okwui Enwezor, the exhibition explores the numerous ways in which art can be experienced in "an unfolding of typologies." Adjaye Associate's temporary museum seeks to parallel Enwezor's curatorial vision, and is nestled within a 316-meter-long, 16th-century ship-building warehouse in the Arsenale district.

Courtesy of Adjaye Associates Courtesy of Adjaye Associates Courtesy of Adjaye Associates Courtesy of Adjaye Associates +8

San Rocco's Single Edition 'Book Of Copies' In Circulation

05:00 - 20 April, 2015
San Rocco's Single Edition 'Book Of Copies' In Circulation, San Rocco Book of Copies. Image © San Rocco
San Rocco Book of Copies. Image © San Rocco

Earlier this year San Rocco, recipients of the inaugural Icon Award for Emerging Architectural Practice of the Year in 2013, published a limited single-edition run of a new publication: the San Rocco Book of Copies. Within five volumes of 4120 pages lies what they describe as "a database comprised of images that may be copied in order to produce architecture; a receptacle of a collective form of knowledge that we can provisionally call 'architecture'."

Denton Corker Marshall Completes New Australian Pavilion in Venice

16:00 - 12 April, 2015
Denton Corker Marshall Completes New Australian Pavilion in Venice, © John Gollings
© John Gollings

Australia’s new pavilion for the Venice Biennale has been officially completed by the Australia Council for the Arts. Designed by Australian practice Denton Corker Marshall, the granite-clad building is the first pavilion to be built in Venice in the 21st century, and replaces Philip Cox’s 1988 structure. The pavilion is to welcome its first visitors from May 9, as part of the 56th International Art Exhibition, with the work of artist Fiona Hall comprising its inaugural exhibition.

Learn more about the pavilion and view selected images after the break.

© John Gollings © John Gollings © John Gollings © John Gollings +8

FAT And Crimson's 'A Clockwork Jerusalem' To Be Exhibited In London

04:00 - 10 April, 2015
FAT And Crimson's 'A Clockwork Jerusalem' To Be Exhibited In London, Electric Pastoral. Image © FAT Architecture / Sam Jacob
Electric Pastoral. Image © FAT Architecture / Sam Jacob

A Clockwork Jerusalem, the exhibition showcased in the British Pavilion at last year's Venice Biennale, will make it's UK debut at London's Architectural Association (AA) next month. Commissioned by the British Council and curated by Sam Jacob, co-founder of FAT, and , partner at Dutch practice Crimson Architectural Historians, the exhibition shines a light on the large scale projects of the 1950’s, 60’s and 70’s by exploring the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious - but also the moment that witnessed its collapse."

Lateral Office's 2014 Venice Biennale 'Arctic Adaptations' Exhibition To Tour Canada

00:00 - 24 February, 2015

Lateral Office's Arctic Adaptations exhibition, which was recognised with a Special Mention at the 2014 Venice Biennale, will travel make its debut in Canada at the Winnipeg Art Gallery this week before heading to Whitehouse, Vancouver, and Calgary. The exhibition "surveys a century of Arctic architecture, an urbanising present, and a projective near future of adaptive architecture in Nunavut" though interactive models, photography, and topographical maps of the twenty five communities of the area, as well as Inuit carvers’ scale models of some of the most recognised buildings in the territory. In addition, it proposes a future of adaptive and responsive architecture for Canada's northern territories.

Reflections on the 2014 Venice Biennale

01:00 - 18 November, 2014
Reflections on the 2014 Venice Biennale, Fundamentals (Central Pavilion): Ceiling. Image © David Levene
Fundamentals (Central Pavilion): Ceiling. Image © David Levene

Fundamentals, the title of the 2014 Venice Biennale, will close its doors in a matter of days (on the 23rd November). From the moment Rem Koolhaas revealed the title for this year’s Biennale in January 2013, asking national curators to respond directly to the theme of ‘Absorbing Modernity 1914-2014’, there was an inkling that this Biennale would be in some way special. Having rejected offers to direct the Biennale in the past, the fact that Koolhaas chose to act not only as curator but also thematic co-ordinator of the complete international effort, was significant. This announcement led Peter Eisenman (one of Koolhaas' earliest tutors and advocates) to state in one interview that “[Rem is] stating his end: the end of [his] career, the end of [his] hegemony, the end of [his] mythology, the end of everything, the end of architecture.”

Mies. TV: Alternative Coverage of the 2014 Venice Biennale

01:00 - 26 September, 2014
Mies. TV: Alternative Coverage of the 2014 Venice Biennale, Courtesy of Mies. TV
Courtesy of Mies. TV

In June of this year seven architecture students came together to film the vernissage of the Venice Biennale. Undaunted by the unrelenting Venetian sun and the prospect of being faced by some of the world's greatest living architects and curators, the team - spanning four nationalities - spent three days feverishly talking to anyone and everyone (in between pasta and espresso breaks). Having built up a comprehensive picture of the opening days of the Biennale in a series of short, uninhibited filmed interviews, Mies. TV proudly presents their alternative, slightly shaky coverage of the 2014 Venice Biennale.

Watch short interviews with the likes of Jacques Herzog (Herzog + de Meuron), Daniel Libeskind, Patrik Schumacher (Zaha Hadid Architects), Sir Peter Cook (CRAB Studio), Wolf D. Prix (Coop Himmelb(l)au), Sam Jacob (FAT), and ArchDaily's very own Editor-in-Chief - David Basulto - after the break.

Bernard Tschumi On His Education, Work and Writings

00:00 - 15 September, 2014

In this extended interview between Bernard Tschumi and The Architectural Review's Paul Finch, the pre-eminent Swiss-born architect discusses his education, writing, design and wider critical position. Speaking candidly, Tschumi explains how a visit to Chicago when he was seventeen years old sparked a life-long passion for architectural design - something that had been somewhat repressed due to his father who was, at that time, one of the world's most highly respected architects. His friendship with British architect and theorist Cedric Price led to the start of a career that saw his proposals for Paris's Parc de la Villette foreshadow the age of Deconstructivism. Ending with his take on the future of the profession, Tschumi also offers advice to students and young practices looking to make their mark.

Video: House Housing - "An Untimely History of Architecture and Real Estate"

00:00 - 27 August, 2014

House Housing, "An Untimely History of Architecture and Real Estate in Nineteen Episodes", was recently exhibited at Columbia University's Casa Muraro in Venice. Staged as an "open house" organised and funded by the Buell Center, the exhibition responded unsolicited to Rem Koolhaas's call to exhibitors at the 2014 Venice Biennale to focus on Fundamentals by exploring housing in nineteen "discrete episodes." In narrating these episodes, brought together from across the last one hundred years in a mixture of domestic media, the exhibition brought together a collection of excerpts from global processes.

Video: Charles Jencks on the 2014 Venice Biennale

00:00 - 7 July, 2014

In this extended interview by the Architectural Review, Charles Jencks provides an in-depth description of the 2014 Venice Biennale and critiques his former student Rem Koolhaas' overall curation and theme: Fundamentals.

Arguing that the previous thirteen Biennales have, "more or less, tried to predict what is going to happen over the next five years," "Rem Koolhaas has changed the paradigm:" Rem's Biennale is about "the past of the present". Jencks, who describes Koolhaas as "the Corbusier of our time", suggests that his Biennale is about analysis rather than total synthesis. He has, however, "shown that research can be creative."

Sarah Sze's 2013 U.S. Venice Biennale Installation Coming Home

00:00 - 5 July, 2014
Sarah Sze's 2013 U.S. Venice Biennale Installation Coming Home, Wood, steel, plastic, stone, string, fans, overhead projectors, photograph of rock printed on Tyvek, mixed media at Triple Point (Planetarium), 2013. Image courtesy of Sarah Sze, Tanya Bonakdar Gallery, New York, and Victoria Miro Gallery, London. Photograph by Tom Powel Imaging
Wood, steel, plastic, stone, string, fans, overhead projectors, photograph of rock printed on Tyvek, mixed media at Triple Point (Planetarium), 2013. Image courtesy of Sarah Sze, Tanya Bonakdar Gallery, New York, and Victoria Miro Gallery, London. Photograph by Tom Powel Imaging

Is that rock inside or outside? Wait, is it even a rock? If not, then what is it? As bizarre as these questions may seem, they are the exact ones Sarah Sze wanted people to ask themselves when visiting her Triple Point (Planetarium) exhibit in the United States Pavilion at the 2013 Venice Biennale. Sze, whose work tends to distort the viewer's perception of reality, "transformed the U.S. Pavilion into a chain of immersive experiences through a series of interrelated installations."

Although the project was specifically designed to engage the Neoclassical Pavilion, part of it will be on display at the Bronx Museum of the Arts from July 3rd through August 24th of this year. For more on the artist and the exhibit, keep reading after the break.

Sverre Fehn’s Drawings for Venice's Nordic Pavilion To Be Exhibited in Oslo

00:00 - 16 June, 2014
© Ferruzzi
© Ferruzzi

Norwegian architect and Pritzker Laureate Sverre Fehn’s original drawings for the Nordic Pavilion in Venice are to be presented alongside Ferruzzi’s monochromatic photographs of the building in an exhibition at the National Museum of Architecture in Oslo. Venice: Fehn’s Nordic Pavilion documents the incredible task undertaken by Fehn who, at the age of thirty-four, won the competition to design the pavilion and subsequently won international acclaim when the building was completed in 1962.

The Pavilion at the 2014 Venice Biennale. Image © James Taylor-Foster The Pavilion at the 2014 Venice Biennale. Image © James Taylor-Foster The Pavilion at the 2014 Venice Biennale. Image © James Taylor-Foster The Pavilion at the 2014 Venice Biennale. Image © James Taylor-Foster +8

Venice Biennale 2014: "Towards A New Avant-Garde" Explores the Emergence of a New Generation of Radical Italian Design

00:00 - 6 June, 2014
Venice Biennale 2014: "Towards A New Avant-Garde" Explores the Emergence of a New Generation of Radical Italian Design, © Philippe Declerck / DEVspace
© Philippe Declerck / DEVspace

Writing about radical architects from the 1960s and 70s, the acerbic American critic Michael Sorkin wrote: “Some chose the resistance of advocacy planning and community defense, carrying on the identification with the oppressed. Many took to the woods, back to nature, to study communitarianism and to live a life of virtuous simplicity. Others wondered about the architectural equivalent of rock and roll.” Replace communitarianism with open source, or rock and roll with science fiction, and he could just as well be describing a group of young Italian architects working today. The practitioners of the 1970’s, especially in Italy, transformed their profession but ultimately failed to realize their utopias. What might this new generation achieve?

Towards a New Avant-Garde, an installation and series of discussions at the opening weekend of the Venice Architecture Biennale, will confront the work and approaches of past masters like Superstudio, Archizoom, and the Global Tools group with new, speculative, and politically-charged projects by groups like Itinerant Office, IRA-C, and Snark.