Aileen Sage and Michelle Tabet have been announced as the creative directors of the Australian Pavilion at the 2016 Venice Biennale. Selected by the Australian Institute of Architect’s Venice Biennale Committee, their proposal “The Pool” will be the first architecture exhibition displayed at Denton Corker Marshall‘s newly inaugurated pavilion.
Packed full of idiosyncratically meticulous and colorful illustrations, the book provides a whimsical account of Sydney’s architecture and history. From icons such as Utzon’s Sydney Opera House to lesser known gems like Mark Foy’s building opposite Hyde Park, to the terrace houses of inner city suburbs, All the Buildings in Sydney presents each building with care, detail, and an abundance of charm.
See more images from All the Buildings in Sydney, after the break…
Australia’s new pavilion for the Venice Biennale has been officially completed by the Australia Council for the Arts. Designed by Australian practice Denton Corker Marshall, the granite-clad building is the first pavilion to be built in Venice in the 21st century, and replaces Philip Cox’s 1988 structure. The pavilion is to welcome its first visitors from May 9, as part of the 56th International Art Exhibition, with the work of artist Fiona Hall comprising its inaugural exhibition.
Learn more about the pavilion and view selected images after the break.
Pritzker Prize winning architect Jørn Utzon, who died in 2008 aged 90, was the relatively unknown Dane who, on the 29th January 1957, was announced as the winner of the ‘International competition for a national opera house at Bennelong Point, Sydney’. When speaking about this iconic building, Louis Kahn stated that:
The sun did not know how beautiful its light was, until it was reflected off this building.
Unfortunately, Utzon never saw the Sydney Opera House, his most popular work, completed. Learn of his fascinating story, after the break.
British architect Amanda Levete of London-based studio AL_A has been selected to design Melbourne’s second annual MPavilion. The temporary structure will be used to house talks, workshops, performances and installations in the ”downtown oasis” of Queen Victoria Gardens starting this October.
“I’ve visited Australia three times in the past six years and without doubt Melbourne is my favorite city,” said Levete, commenting on her commission. “It’s people that make a city creative – and that’s why I love Melbourne. The brief from the Naomi Milgrom Foundation is a great opportunity to design a structure that responds to its climate and landscape. I’m interested in exploiting the temporary nature of the pavilion form to produce a design that speaks in response to the weather.”